Canonical Classics ← 第七十六回
第七十六回
xīnshénshèguīxìng
tóngxiángguàizhēn

The Spirit Settles in Its Dwelling and the Demon Returns to Its Nature · The Wood Mother Joins to Subdue the Monster's True Form

拋將去
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

拋將去 The Rope Goes Slack

zhèxiāngshèngwényánzhuǎnshéngzifàngsōnglepāojiāngdāizibàilezhènzhùhòujiùpǎoyuánláishéngzituōzhezǒuháijuézhuǎnhuíláiyīnsōngledàoyǒuxiēbànjiǎojiābàndǎolediēláiyòudiēzhèxiāngshèngwényánzhuǎnshéngzifàngsōnglepāojiāngdāizibàilezhènzhùhòujiùpǎoyuánláishéngzituōzhezǒuháijuézhuǎnhuíláiyīnsōngledàoyǒuxiēbànjiǎojiābàndǎolediēláiyòudiē


逐句解 Line by line

zhèxiāngshèngwényánzhuǎnshéngzifàngsōnglepāojiāng zhèxiāngshèngwényánzhuǎnshéngzifàngsōnglepāojiāng

On this side the Great Sage heard him — and instead slackened the cord off and threw it after him.

here marks the reversal: instead of pulling, he let go. reads jiāng, the character that carries a verb toward its direction.

dāizibàilezhènzhùhòujiùpǎo dāizibàilezhènzhùhòujiùpǎo

The fool, beaten, turned tail and ran.

住後 — to the rear, backwards. He is retreating rather than withdrawing in order.

yuánláishéngzituōzhezǒuháijué yuánláishéngzituōzhezǒuháijué

Now while the cord was dragging along behind him he did not feel it.

reads zhe, the dragging held in progress. keeps hái, meaning still, at this stage.

zhuǎnhuíláiyīnsōngledàoyǒuxiēbànjiǎojiābàndǎolediēláiyòudiē zhuǎnhuíláiyīnsōngledàoyǒuxiēbànjiǎojiābàndǎolediēláiyòudiē

But when he turned back, the slack fouled his feet, and he tripped himself and went down; he got up and went down again.

at 絆倒 reads dǎo, to fall over — not the dào of the preceding 倒有些絆腳, which means on the contrary.


總評 Commentary

This is the trick landing. Bajie shouted for the rope to be pulled and Wukong threw it at him instead, which turns the safety line into an obstacle. It is exactly the reversal that Wukong promised himself in private some hundred and fifty characters earlier, and the novel executes it without a word of commentary.

The mechanics are worked out with some care. A taut rope pulls; a slack rope tangles. Bajie does not notice while he is running away from the loose end, and it only catches him when he turns. Wukong has not merely refused to help — he has arranged for the help itself to be the thing that brings his brother down.

Within seven characters the same character appears in both of its readings, once meaning on the contrary and once meaning to fall over. The pairing is almost certainly deliberate. This novel likes to set a character beside itself and let the reader hear the difference.