Canonical Classics ← 第七十六回
第七十六回
心xīn神shén居jū舍shè魔mó歸guī性xìng
木mù母mǔ同tóng降xiáng怪guài體tǐ真zhēn

The Spirit Settles in Its Dwelling and the Demon Returns to Its Nature · The Wood Mother Joins to Subdue the Monster's True Form

嘴搶地
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

嘴搶地 Face Down In The Dirt

始shǐ初chū還hái跌diē個gè躘lóng踵zhǒng,後hòu面miàn就jiù跌diē了le個gè嘴zuǐ搶qiāng地dì。被bèi妖yāo精jīng趕gǎn上shàng,捽zuó開kāi鼻bí子zi,就jiù如rú蛟jiāo龍lóng一yì般bān,把bǎ八bā戒jiè一yì鼻bí子zi捲juǎn住zhù,得dé勝shèng回huí洞dòng。眾zhòng妖yāo凱kǎi歌gē齊qí唱chàng,一yì擁yōng而ér歸guī。始shǐ初chū还hái跌diē个gè躘lóng踵zhǒng,后hòu面miàn就jiù跌diē了le个gè嘴zuǐ抢qiāng地dì。被bèi妖yāo精jīng赶gǎn上shàng,捽zuó开kāi鼻bí子zi,就jiù如rú蛟jiāo龙lóng一yì般bān,把bǎ八bā戒jiè一yì鼻bí子zi卷juǎn住zhù,得dé胜shèng回huí洞dòng。众zhòng妖yāo凯kǎi歌gē齐qí唱chàng,一yì拥yōng而ér归guī。


逐句解 Line by line

始shǐ初chū還hái跌diē個gè躘lóng踵zhǒng,後hòu面miàn就jiù跌diē了le個gè嘴zuǐ搶qiāng地dì。 始shǐ初chū还hái跌diē个gè躘lóng踵zhǒng,后hòu面miàn就jiù跌diē了le个gè嘴zuǐ抢qiāng地dì。

The first fall was a stagger; the next put his snout in the ground.

搶 reads qiāng, to knock against. 康熙字典 gives 七羊切 for this band and cites the old phrase about striking the head on the earth. The qiǎng of snatching is a different band. 躘踵 is a stumbling, tottering gait.

被bèi妖yāo精jīng趕gǎn上shàng,捽zuó開kāi鼻bí子zi,就jiù如rú蛟jiāo龍lóng一yì般bān,把bǎ八bā戒jiè一yì鼻bí子zi捲juǎn住zhù,得dé勝shèng回huí洞dòng。 被bèi妖yāo精jīng赶gǎn上shàng,捽zuó开kāi鼻bí子zi,就jiù如rú蛟jiāo龙lóng一yì般bān,把bǎ八bā戒jiè一yì鼻bí子zi卷juǎn住zhù,得dé胜shèng回huí洞dòng。

The monster caught up with him, unfurled his trunk like a river dragon, wrapped it once round Bajie, and carried him back to the cave in triumph.

捽開 — to shake out, to unroll. 得 keeps dé in 得勝: attainment, not a complement.

眾zhòng妖yāo凱kǎi歌gē齊qí唱chàng,一yì擁yōng而ér歸guī。 众zhòng妖yāo凯kǎi歌gē齐qí唱chàng,一yì拥yōng而ér归guī。

The demons sang a victory song together and came home in a crowd.

凱歌 — the song sung on returning from a won battle.


總評 Commentary

The word for the second fall is a borrowed one, and it carries a memory. In the classical passage everyone would have known, a commoner's anger is described as beating the head on the ground — a gesture of helpless rage. Applied to a pig falling over his own rope, the grand old phrase becomes a pratfall.

The trunk is the reveal. Until this line the second fiend has been a figure with a spear; now he shakes out an elephant's trunk and picks up a full-grown man with it. Nothing earlier in this chapter has said what these three are, and the information arrives in the middle of an action rather than in a pause to explain.

The chapter's second movement ends as the first did, with the demons going home singing and the pilgrims worse off than before. Wukong began this scene arranging a joke at Bajie's expense. The joke has cost him a brother, and the novel does not say so, because it does not need to.