Canonical Classics ← 第七十六回
第七十六回
xīnshénshèguīxìng
tóngxiángguàizhēn

The Spirit Settles in Its Dwelling and the Demon Returns to Its Nature · The Wood Mother Joins to Subdue the Monster's True Form

跌落塵埃
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

跌落塵埃 The Fall Into The Dust

shèngwényánzhuódēngledēnglǎocóngkōngzhōngpāifǎngchēérbāndiēluòchénāijiùshānxiàyìngdehuángdiēzuòèrchǐqiǎnshēnzhīkēngshèngwényánzhuódēngledēnglǎocóngkōngzhōngpāifǎngchēérbāndiēluòchénāijiùshānxiàyìngdehuángdiēzuòèrchǐqiǎnshēnzhīkēng


逐句解 Line by line

shèngwényánzhuódēngledēng shèngwényánzhuódēngledēng

The Great Sage heard this, and put his strength into a downward stamp on the cord.

reads zhuó in 著力 — to apply force. This is the physical, lexical band of the character, not the ending that marks an action in progress.

lǎocóngkōngzhōngpāifǎngchēérbāndiēluòchénāi lǎocóngkōngzhōngpāifǎngchēérbāndiēluòchénāi

Down came the old fiend out of the air with a clatter, spinning like a spinning wheel, and fell into the dust.

拍剌剌 is a noise word for the tumble. 紡車兒 is a spinning wheel, and the comparison is to how it turns, not to how it looks.

jiùshānxiàyìngdehuángdiēzuòèrchǐqiǎnshēnzhīkēng jiùshānxiàyìngdehuángdiēzuòèrchǐqiǎnshēnzhīkēng

He struck the dead hard yellow earth at the foot of the slope and made a pit two chi deep.

stays as chǐ, about 32 centimetres, so the pit is roughly two thirds of a metre deep.


總評 Commentary

The demons have just compared their king to a kite, and Wukong, who has heard them, immediately brings him down. The novel does not spell out that he is playing to the audience, but the sequence makes it plain: the joke is made, and Wukong provides the punchline.

The spinning wheel is the right comparison and a slightly domestic one. It is the commonest machine in a Ming household, found wherever there was thread to be made, and reaching for it puts the demon's fall in the register of kitchen mishap rather than of battle. A great chieftain of monsters is falling out of the sky like a dropped bobbin.

The pit is measured because the novel wants a fact rather than an impression: two chi, about two thirds of a metre, in ground described as dead hard. That is the detail an audience remembers. It also quietly establishes how hard he hit, which matters, because in the next passage his brothers arrive to beg.