Canonical Classics ← 第八十八回
第八十八回
chándàohuáshīhuì
xīnyuánshòuménrén

Chan Reaches Yuhua and a Dharma Assembly Is Held · The Mind-Ape and the Wood and the Earth Take Disciples

面貌醜陋
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

面貌醜陋 Too Ugly to Question

guǎnzhōngyǒukānguǎnderénjiànmenmiànmàochǒulòugǎnwèngǎnjiàochūzhǐràngzuòxiàguǎnzhōngyǒukānguǎnderénjiànmenmiànmàochǒulòugǎnwèngǎnjiàochūzhǐràngzuòxià


逐句解 Line by line

guǎnzhōngyǒukānguǎnderénjiànmenmiànmàochǒulòugǎnwèngǎnjiàochūzhǐràngzuòxià guǎnzhōngyǒukānguǎnderénjiànmenmiànmàochǒulòugǎnwèngǎnjiàochūzhǐràngzuòxià

There were staff in the guest house who looked after the place, and seeing how hideous their faces were, they dared not question them and dared not tell them to leave, so they had no choice but to let them sit down. Of that no more.

is kān here, to mind or keep watch over — the guest-house keepers — and not the kàn of looking at something, which is how the character is read everywhere else in this chapter. The sentence is built on a matched pair of refusals, 不敢問 and 不敢教他出去, dared not ask and dared not evict, which is a precise portrait of a junior official facing a problem above his pay. 不題, we say no more of it, is the storyteller putting one thread down to pick up another.


總評 Commentary

The chapter's first encounter with officialdom is a man deciding to do nothing, and the novel treats his cowardice with complete sympathy. He is not a fool; he is a caretaker who has three monsters in his lobby and no instructions.

The formula that ends the passage is the narrator changing the subject. It is the equivalent of a camera cutting away, and the story is about to follow Tripitaka indoors to meet the prince.