丹鳳朝陽 Red Phoenix Faces the Sun
好和尚,雙著腳一跳,掄著杖,也起在空中,只見那銳氣氤氳,金光縹緲。雙手使降妖杖丟一個「丹鳳朝陽」,「餓虎撲食」,緊迎慢擋,急轉忙攛。好和尚,双着脚一跳,抡着杖,也起在空中,只见那锐气氤氲,金光缥缈。双手使降妖杖丢一个「丹凤朝阳」,「饿虎扑食」,紧迎慢挡,急转忙撺。
逐句解 Line by line
Fine monk! With both feet together he sprang, swung his staff, and rose into the air himself, and there was a keen vapour hanging thick and a gold light drifting.
著 is zhe in both places, the marker of an action held — feet set together, staff kept swinging. The novel writes staying-with-both-feet the way it writes any other posture, and this is the only place in the whole book that particular phrase occurs. 氤氳 is a wonderfully specific word for vapour hanging dense and interfused, used of mist, incense and the primal breath of creation alike.
With both hands he worked the demon-quelling staff into "Red Phoenix Faces the Sun" and "Hungry Tiger Pounces on Prey", meeting fast and blocking slow, turning sharply and darting quickly.
Sha Monk gets named techniques like Pilgrim rather than numbers like Bajie, and the two names are among the most famous in Chinese martial vocabulary. 丹鳳朝陽, a red phoenix facing the sun, is an auspicious image long before it is a move. 餓虎撲食, a hungry tiger pouncing on food, is its opposite in every way — one is a bird turning to the light, the other is an animal that has not eaten. 降 is xiáng, subduing.
Sha Monk is the disciple the novel usually forgets, and here he gets the same treatment as Wukong: two named forms and a proper description of the air around him.
The pairing of the phoenix and the tiger is doing more than listing. One move is stately and one is starving, and set side by side they say that this weapon can be either.
By this point all three are in the air over a provincial courtyard, and nobody has fought anybody. The entire display exists so that three boys watching from below can decide what they want to learn.