Canonical Classics ← 第八十八回
第八十八回
禪chán到dào玉yù華huá施shī法fǎ會huì
心xīn猿yuán木mù土tǔ授shòu門mén人rén

Chan Reaches Yuhua and a Dharma Assembly Is Held · The Mind-Ape and the Wood and the Earth Take Disciples

丹鳳朝陽
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

丹鳳朝陽 Red Phoenix Faces the Sun

好hǎo和hé尚shàng,雙shuāng著zhe腳jiǎo一yí跳tiào,掄lūn著zhe杖zhàng,也yě起qǐ在zài空kōng中zhōng,只zhǐ見jiàn那nà銳ruì氣qì氤yīn氳yūn,金jīn光guāng縹piǎo緲miǎo。雙shuāng手shǒu使shǐ降xiáng妖yāo杖zhàng丟diū一yí個gè「丹dān鳳fèng朝cháo陽yáng」,「餓è虎hǔ撲pū食shí」,緊jǐn迎yíng慢màn擋dǎng,急jí轉zhuǎn忙máng攛cuān。好hǎo和hé尚shàng,双shuāng着zhe脚jiǎo一yí跳tiào,抡lūn着zhe杖zhàng,也yě起qǐ在zài空kōng中zhōng,只zhǐ见jiàn那nà锐ruì气qì氤yīn氲yūn,金jīn光guāng缥piǎo缈miǎo。双shuāng手shǒu使shǐ降xiáng妖yāo杖zhàng丢diū一yí个gè「丹dān凤fèng朝cháo阳yáng」,「饿è虎hǔ扑pū食shí」,紧jǐn迎yíng慢màn挡dǎng,急jí转zhuǎn忙máng撺cuān。


逐句解 Line by line

好hǎo和hé尚shàng,雙shuāng著zhe腳jiǎo一yí跳tiào,掄lūn著zhe杖zhàng,也yě起qǐ在zài空kōng中zhōng,只zhǐ見jiàn那nà銳ruì氣qì氤yīn氳yūn,金jīn光guāng縹piǎo緲miǎo。 好hǎo和hé尚shàng,双shuāng着zhe脚jiǎo一yí跳tiào,抡lūn着zhe杖zhàng,也yě起qǐ在zài空kōng中zhōng,只zhǐ见jiàn那nà锐ruì气qì氤yīn氲yūn,金jīn光guāng缥piǎo缈miǎo。

Fine monk! With both feet together he sprang, swung his staff, and rose into the air himself, and there was a keen vapour hanging thick and a gold light drifting.

著 is zhe in both places, the marker of an action held — feet set together, staff kept swinging. The novel writes staying-with-both-feet the way it writes any other posture, and this is the only place in the whole book that particular phrase occurs. 氤氳 is a wonderfully specific word for vapour hanging dense and interfused, used of mist, incense and the primal breath of creation alike.

雙shuāng手shǒu使shǐ降xiáng妖yāo杖zhàng丟diū一yí個gè「丹dān鳳fèng朝cháo陽yáng」,「餓è虎hǔ撲pū食shí」,緊jǐn迎yíng慢màn擋dǎng,急jí轉zhuǎn忙máng攛cuān。 双shuāng手shǒu使shǐ降xiáng妖yāo杖zhàng丢diū一yí个gè「丹dān凤fèng朝cháo阳yáng」,「饿è虎hǔ扑pū食shí」,紧jǐn迎yíng慢màn挡dǎng,急jí转zhuǎn忙máng撺cuān。

With both hands he worked the demon-quelling staff into "Red Phoenix Faces the Sun" and "Hungry Tiger Pounces on Prey", meeting fast and blocking slow, turning sharply and darting quickly.

Sha Monk gets named techniques like Pilgrim rather than numbers like Bajie, and the two names are among the most famous in Chinese martial vocabulary. 丹鳳朝陽, a red phoenix facing the sun, is an auspicious image long before it is a move. 餓虎撲食, a hungry tiger pouncing on food, is its opposite in every way — one is a bird turning to the light, the other is an animal that has not eaten. 降 is xiáng, subduing.


總評 Commentary

Sha Monk is the disciple the novel usually forgets, and here he gets the same treatment as Wukong: two named forms and a proper description of the air around him.

The pairing of the phoenix and the tiger is doing more than listing. One move is stately and one is starving, and set side by side they say that this weapon can be either.

By this point all three are in the air over a provincial courtyard, and nobody has fought anybody. The entire display exists so that three boys watching from below can decide what they want to learn.