Canonical Classics ← 第八十八回
第八十八回
禪chán到dào玉yù華huá施shī法fǎ會huì
心xīn猿yuán木mù土tǔ授shòu門mén人rén

Chan Reaches Yuhua and a Dharma Assembly Is Held · The Mind-Ape and the Wood and the Earth Take Disciples

這裡窄狹
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

這裡窄狹 No Room to Stretch His Arms

行xíng者zhě走zǒu近jìn前qián,輕qīng輕qīng的de把bǎ棒bàng拿ná將jiāng起qǐ來lái道dào:「這zhè裡lǐ窄zhǎi狹xiá,不bù好hǎo展zhǎn手shǒu。等děng我wǒ跳tiào在zài空kōng中zhōng,耍shuǎ一yí路lù兒ér,你nǐ們men看kàn看kàn。」行xíng者zhě走zǒu近jìn前qián,轻qīng轻qīng的de把bǎ棒bàng拿ná将jiāng起qǐ来lái道dào:「这zhè里lǐ窄zhǎi狭xiá,不bù好hǎo展zhǎn手shǒu。等děng我wǒ跳tiào在zài空kōng中zhōng,耍shuǎ一yí路lù儿ér,你nǐ们men看kàn看kàn。」


逐句解 Line by line

行xíng者zhě走zǒu近jìn前qián,輕qīng輕qīng的de把bǎ棒bàng拿ná將jiāng起qǐ來lái道dào:「這zhè裡lǐ窄zhǎi狹xiá,不bù好hǎo展zhǎn手shǒu。 行xíng者zhě走zǒu近jìn前qián,轻qīng轻qīng的de把bǎ棒bàng拿ná将jiāng起qǐ来lái道dào:「这zhè里lǐ窄zhǎi狭xiá,不bù好hǎo展zhǎn手shǒu。

Pilgrim stepped up, lifted the rod lightly, and said, "It is cramped here. There is no room to stretch my arms.

The word doing the work is 輕輕的, lightly, easily — placed against a prince hauling at the same object with both hands a moment ago. Pilgrim picks it up the way you pick up a walking stick. 展手, to open out the arms, is what you cannot do in a small courtyard with a four-metre pole.

等děng我wǒ跳tiào在zài空kōng中zhōng,耍shuǎ一yí路lù兒ér,你nǐ們men看kàn看kàn。」 等děng我wǒ跳tiào在zài空kōng中zhōng,耍shuǎ一yí路lù儿ér,你nǐ们men看kàn看kàn。」

Wait while I jump up into the air and play a round through, and you can watch."

耍 is to play or to fool about with something, and it is a deliberately casual word for what is coming — he is not going to give a display, he is going to have some fun. 一路 is one complete sequence of a martial form, the same measure word a modern instructor still uses. The novel is about to give this three full pages.


總評 Commentary

The single most eloquent moment in the chapter is Pilgrim lifting lightly the thing that three boys could not shift, and then complaining that the yard is too small.

His stated reason for going up is space. It is entirely true and entirely a performance, and both he and the reader know it.