Canonical Classics ← 第八十八回
第八十八回
禪chán到dào玉yù華huá施shī法fǎ會huì
心xīn猿yuán木mù土tǔ授shòu門mén人rén

Chan Reaches Yuhua and a Dharma Assembly Is Held · The Mind-Ape and the Wood and the Earth Take Disciples

畫了罡斗
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

畫了罡斗 The Dipper Drawn on the Floor

行xíng者zhě才cái教jiào三sān個gè王wáng子zǐ都dōu在zài暴bào紗shā亭tíng後hòu,靜jìng室shì之zhī間jiān,畫huà了le罡gāng斗dǒu。教jiào三sān人rén都dōu俯fǔ伏fú在zài內nèi,一yí個gè個gè瞑míng目mù寧níng神shén。行xíng者zhě才cái教jiào三sān个gè王wáng子zǐ都dōu在zài暴bào纱shā亭tíng后hòu,静jìng室shì之zhī间jiān,画huà了le罡gāng斗dǒu。教jiào三sān人rén都dōu俯fǔ伏fú在zài内nèi,一yí个gè个gè瞑míng目mù宁níng神shén。


逐句解 Line by line

行xíng者zhě才cái教jiào三sān個gè王wáng子zǐ都dōu在zài暴bào紗shā亭tíng後hòu,靜jìng室shì之zhī間jiān,畫huà了le罡gāng斗dǒu。 行xíng者zhě才cái教jiào三sān个gè王wáng子zǐ都dōu在zài暴bào纱shā亭tíng后hòu,静jìng室shì之zhī间jiān,画huà了le罡gāng斗dǒu。

Only then did Pilgrim have the three princes go into a quiet room behind the Gauze-Airing Pavilion, where he drew out the Dipper pattern.

罡斗 is the constellation figure a Daoist adept paces out on the ground — 斗 is dǒu, the Dipper, the seven stars of the Plough, and 罡 is the star at the end of its handle. Treading the pattern was a standard rite for drawing down power. What follows is not martial instruction at all; it is a Daoist internal-alchemy operation performed by a Buddhist pilgrim on three Indian princes.

教jiào三sān人rén都dōu俯fǔ伏fú在zài內nèi,一yí個gè個gè瞑míng目mù寧níng神shén。 教jiào三sān人rén都dōu俯fǔ伏fú在zài内nèi,一yí个gè个gè瞑míng目mù宁níng神shén。

He had all three lie face down inside it, each of them with eyes closed and spirit stilled.

瞑目寧神, closing the eyes and quieting the spirit, is the standard opening instruction of any meditation manual. The boys who wanted to learn cudgel work are lying face down on a floor with their eyes shut.


總評 Commentary

The teaching begins and it turns out not to involve weapons. It involves a diagram on a floor and three boys lying still.

The vocabulary is entirely Daoist — the Dipper pattern, the stilling of the spirit — in a chapter whose title is about Chan. This novel never separates the two traditions and has no interest in being asked to.