Canonical Classics ← 第八十八回
第八十八回
禪chán到dào玉yù華huá施shī法fǎ會huì
心xīn猿yuán木mù土tǔ授shòu門mén人rén

Chan Reaches Yuhua and a Dharma Assembly Is Held · The Mind-Ape and the Wood and the Earth Take Disciples

再莫鬥口
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

再莫鬥口 No More Backchat on the Road

長zhǎng老lǎo聞wén言yán,喝hè道dào:「這zhè個gè獃dāi子zi,怎zěn麼me只zhǐ思sī量liáng擄lǔ嘴zuǐ?快kuài走zǒu路lù,再zài莫mò鬥dòu口kǒu。」八bā戒jiè不bù敢gǎn言yán,掬jū掬jū嘴zuǐ,挑tiāo著zhe行xíng囊náng,打dǎ著zhe哈hā哈hā,師shī徒tú們men奔bēn上shàng大dà路lù。长zhǎng老lǎo闻wén言yán,喝hè道dào:「这zhè个gè呆dāi子zi,怎zěn么me只zhǐ思sī量liáng掳lǔ嘴zuǐ?快kuài走zǒu路lù,再zài莫mò斗dòu口kǒu。」八bā戒jiè不bù敢gǎn言yán,掬jū掬jū嘴zuǐ,挑tiāo着zhe行xíng囊náng,打dǎ着zhe哈hā哈hā,师shī徒tú们men奔bēn上shàng大dà路lù。


逐句解 Line by line

長zhǎng老lǎo聞wén言yán,喝hè道dào:「這zhè個gè獃dāi子zi,怎zěn麼me只zhǐ思sī量liáng擄lǔ嘴zuǐ? 长zhǎng老lǎo闻wén言yán,喝hè道dào:「这zhè个gè呆dāi子zi,怎zěn么me只zhǐ思sī量liáng掳lǔ嘴zuǐ?

The elder heard this and shouted, "You Idiot, why is your mind always on stuffing your mouth?

Tripitaka settles it the way he settles most things, by shouting. 獃子, Idiot or blockhead, is his standing name for Bajie and by now almost affectionate. 擄嘴 is the vivid one: 擄 is to seize or carry off by force, so the compound is something like to grab with the mouth — to stuff your face. 思量 means to turn over in the mind, and the reproach is that this is the only thing Bajie ever turns over.

快kuài走zǒu路lù,再zài莫mò鬥dòu口kǒu。」 快kuài走zǒu路lù,再zài莫mò斗dòu口kǒu。」

Get along the road, and no more of this squabbling."

鬥口 is literally to fight with mouths — to bicker, to trade words. It is still current Chinese for exactly that, and it is the perfect word for what has just happened, because nobody in this argument was ever going to do anything but talk.

八bā戒jiè不bù敢gǎn言yán,掬jū掬jū嘴zuǐ,挑tiāo著zhe行xíng囊náng,打dǎ著zhe哈hā哈hā,師shī徒tú們men奔bēn上shàng大dà路lù。 八bā戒jiè不bù敢gǎn言yán,掬jū掬jū嘴zuǐ,挑tiāo着zhe行xíng囊náng,打dǎ着zhe哈hā哈hā,师shī徒tú们men奔bēn上shàng大dà路lù。

Bajie dared say nothing more. He worked his snout about, shouldered the baggage, laughed it off, and master and disciples struck out along the high road.

Four small actions in a row, and together they are a complete portrait of a man losing an argument gracefully. 掬掬嘴 is Bajie pushing his snout out and working it — his one physical tic. The character turns up three times in this chapter and two of them are this gesture; he does it again the moment he next loses his temper. 著 is zhe in both places here, the ongoing-action marker: shouldering the pack, laughing as he goes. 哈哈 is the laugh itself, and the idiom built on it still means in modern Chinese to laugh something off rather than deal with it, which is precisely what he does.


總評 Commentary

The argument ends the way these arguments always end, with Tripitaka losing patience and everyone walking on. What is notable is how little he settles: he does not say Bajie is wrong, only that he should stop talking.

Bajie's exit is one of the small perfect passages in the novel. He does not concede, sulk, or answer back. He works his snout, picks up the luggage he was always going to carry, and laughs, and the story moves on. He has been carrying that baggage since he joined the party in the nineteenth chapter, complaining the entire way, and he has never once put it down.