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The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

妖魔疑書
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妖魔疑書 The Demon Suspects a Letter

quèshuōguàishāsēngkǔnzhùláishācéngcéngchāogāngdāoxīnzhōngànxiǎngdào:「tángsēngnǎishàngbāngrénzhīzhōngránráolexìngmìngyòuzhuóchéngzhèduōshìhúnjiāyǒushénmeshūxìndàoguózǒulefēngxùnděngwènwèn。」guàidǒuxiōngxìngyàoshāgōngzhǔquèshuōguàishāsēngkǔnzhùláishācéngcéngchāogāngdāoxīnzhōngànxiǎngdào:「tángsēngnǎishàngbāngrénzhīzhōngránráolexìngmìngyòuzhuóchéngzhèduōshìhúnjiāyǒushénmeshūxìndàoguózǒulefēngxùnděngwènwèn。」guàidǒuxiōngxìngyàoshāgōngzhǔ


逐句解 Line by line

quèshuōguàishāsēngkǔnzhùláishācéngcéng quèshuōguàishāsēngkǔnzhùláishācéngcéng

Now the demon, having bound Sha the Monk fast, neither came forward to slay him, nor beat him, nor even flung a single curse his way.

Sha Wujing is tied up on the floor and nothing whatever is being done to him, which is a good deal worse than something being done to him. 那怪 is the 黃袍怪, the Yellow-Robe Demon of the Moon-Waves Cave on Bowl-Son Mountain (碗子山波月洞) — husband to the stolen princess, and the enemy carried over from the chapters before. No killing, no beating, not one curse: that is not mercy. That is a man working something out.

chāogāngdāoxīnzhōngànxiǎngdào:「tángsēngnǎishàngbāngrénzhīzhōngránráolexìngmìngyòuzhuóchéng chāogāngdāoxīnzhōngànxiǎngdào:「tángsēngnǎishàngbāngrénzhīzhōngránráolexìngmìngyòuzhuóchéng

He snatched up his steel sabre and mused within himself: "Tripitaka is a man of a superior realm, one sure to know the rites and their proprieties. Surely it cannot be that, having spared his life, I should find his disciples set on to seize me?"

And here is what he works out, with a bare blade in his hand. is chāo here, to snatch up a weapon (as in 綽刀), not the chuò of 綽約, "willowy, graceful." 上邦 is a "superior state," a realm further along in civilisation; the demon flatters 唐僧 as a man who must therefore keep 禮義 — ritual propriety and right conduct — and who could not possibly answer clemency with treachery. It is a gentleman's syllogism, delivered at knifepoint. In 又著他徒弟 the that means "to set someone on to a thing" is zhuó.

zhèduōshìhúnjiāyǒushénmeshūxìndàoguózǒulefēngxùn zhèduōshìhúnjiāyǒushénmeshūxìndàoguózǒulefēngxùn

Ah! — most likely my wife has sent some letter or other off to that kingdom of his, and the secret has leaked out.

One syllable, and the suspicion hardens into certainty. is that syllable. 渾家 is the homely everyday word for one's wife — nearer to "the missus" than to anything respectful. 走了風汛 says literally that the wind-signal has run off, and it is the set idiom for a secret getting out. Keep an ear open for it: the chapter uses it twice more, once when the princess coaches her husband on not leaking, and once when he leaks.

děngwènwèn。」 děngwènwèn。」

Let me go and put the question to her.

The vernacular does no gendering at all — it serves for he, she and it alike — and here it means the princess. 問他一問, "put the question to her, just the once": four characters, not a threat among them, and every reader knows exactly what is coming.

guàidǒuxiōngxìngyàoshāgōngzhǔ guàidǒuxiōngxìngyàoshāgōngzhǔ

And the demon, his savagery flaring up all at once, made ready to kill the princess.

陡起兇性 — his savage nature rearing up all at once — is the swerve from cold reasoning to murder. The princess is herself his captive, and she is the one who quietly let Tripitaka go. She is now first in line.


總評 Commentary

The chapter opens where the last one stopped: Sha Wujing has been taken storming the Moon-Waves Cave, and lies bound in front of the Yellow-Robe Demon. The demon's restraint is the opening move — forbearance used as menace — and the deduction he draws from it, that a letter must have got out, happens to be exactly right. Everything that goes wrong in this chapter starts here.

What makes him frightening is not appetite but reasonableness. He weighs ritual propriety and the debt owed for a spared life, and arrives at murder. Demons in this novel do this repeatedly: the monstrous dressed in courtly good sense, cruelty with a gentleman's manners.

The idiom 走了風汛 sets the chapter's governing theme in one phrase. Things leak. Before the chapter is over it is the demon himself who leaks, his disguise coming apart in a human palace in front of a room full of witnesses.