原文 Original text
繁體 Traditional
Reader's edition
夜歸見馬
Bajie Finds the Wounded Horse
那獃子急縱雲頭,徑回城裡。半霎時,到了館驛。此時人靜月明。兩廊下尋不見師父,只見白馬睡在那廂,渾身水濕,後腿有盤子大小一點青痕。八戒失驚道:「雙晦氣了。這亡人又不曾走路,怎麼身上有汗,腿有青痕?想是歹人打劫師父,把馬打壞了。」那呆子急纵云头,径回城里。半霎时,到了馆驿。此时人静月明。两廊下寻不见师父,只见白马睡在那厢,浑身水湿,后腿有盘子大小一点青痕。八戒失惊道:「双晦气了。这亡人又不曾走路,怎么身上有汗,腿有青痕?想是歹人打劫师父,把马打坏了。」
逐句解 Line by line
那獃子急縱雲頭,徑回城裡。
那呆子急纵云头,径回城里。
The blockhead leapt hastily onto a cloud-head and made straight back to the city.
獃子 ("blockhead, dolt") is Bajie’s recurring epithet, the 子 a neutral suffix (zi). 那 is deictic nà.
半霎時,到了館驛。
半霎时,到了馆驿。
In half a moment he reached the hostel.
半霎時 is "in the blink of an eye." Bajie has flown back from the wilderness to the postal lodging.
此時人靜月明。
此时人静月明。
At that hour all was still and the moon was bright.
A brief, quiet scene-setting line before the discovery.
兩廊下尋不見師父,只見白馬睡在那廂,渾身水濕,後腿有盤子大小一點青痕。
两廊下寻不见师父,只见白马睡在那厢,浑身水湿,后腿有盘子大小一点青痕。
Under the two galleries he sought his master and found him not; he saw only the white horse lying over yonder, its whole body soaked, and on its hind leg a bruise the size of a plate.
那廂 ("over there") takes 那 as deictic nà; 盤子大小 ("plate-sized") takes 子 as suffixal zi. The soaked coat and the bruise are the visible traces of the night’s battle.
八戒失驚道:「雙晦氣了。這亡人又不曾走路,怎麼身上有汗,腿有青痕?想是歹人打劫師父,把馬打壞了。」
八戒失惊道:「双晦气了。这亡人又不曾走路,怎么身上有汗,腿有青痕?想是歹人打劫师父,把马打坏了。」
Bajie started in alarm: "Double ill-luck! This wretched thing hasn’t been on the road — how comes it lathered with sweat, and bruised on the leg? Some robber must have set upon the master and beaten the horse."
雙晦氣 is "double misfortune"; 亡人 ("dead thing, wretch") is a mild curse; 歹人 is a "villain, robber." Bajie’s first reading of the scene is comically mundane.
總評 Commentary
Bajie’s discovery is played, characteristically, for comic obtuseness. Confronted with the plain evidence of a supernatural disaster — a horse soaked and bruised in a locked hostel by moonlight — he reaches at once for the most ordinary explanation, robbers. The gap between what the reader knows and what Bajie guesses is the source of the scene’s gentle humor and its suspense.
The soaked coat and the plate-sized bruise are the night’s events made visible: the reader, who has watched the dragon-horse fight and flee into the moat, sees in these marks the whole hidden battle that Bajie cannot yet read.