妖赴認親 The Demon Sets Out to Claim His Kin
那老妖又教安排酒席,與公主陪禮壓驚。吃酒到半酣,老妖忽的又換了一件鮮明的衣服,取了一口寶刀,佩在腰裡,轉過手,摸著公主道:「渾家,你且在家吃酒,看著兩個孩兒,不要放了沙和尚。趁那唐僧在那國裡,我也趕早兒去認認親也。」那老妖又教安排酒席,与公主陪礼压惊。吃酒到半酣,老妖忽的又换了一件鲜明的衣服,取了一口宝刀,佩在腰里,转过手,摸著公主道:「浑家,你且在家吃酒,看著两个孩儿,不要放了沙和尚。趁那唐僧在那国里,我也赶早儿去认认亲也。」
逐句解 Line by line
The old fiend then ordered a banquet laid out, to make his amends to the princess and calm her fright.
壓驚 is a banquet given to settle the nerves after a shock — a small domestic ritual, here extending the demon’s reconciliation.
When the wine had brought them half to merriment, the old fiend of a sudden changed into a bright, fresh robe, took up a treasured sabre and belted it at his waist, and then, turning, laid a hand on the princess and said:
半酣 is "half-drunk, merry with wine." In 摸著公主 the durative 著 is zhe ("resting his hand upon"). The fresh robe and belted sabre are the demon arming and adorning himself for the imposture to come.
"Wife, stay here at home and drink your wine; keep watch over our two children, and do not let Sha the Monk go free.
In 看著 ("keep watch over") the durative 著 is again zhe; 孩兒 takes 兒 as ér (offspring-noun). The demon and the princess have two children of their own — a domestic detail the narrative will soon set cruelly against his monstrousness.
While that Tang monk is still in that kingdom, I too will go — good and early — to claim kinship with them."
趕早兒 ("nice and early") takes the suffixal 兒 as er; 認親 is "to acknowledge, to claim kinship." The demon means to present himself at the Precious-Elephant court as the king’s son-in-law — the central stratagem of the chapter.
The banquet and the donning of finery mark the demon’s turn from domestic tyrant to courtly impostor. His plan — to appear at the Precious-Elephant court as the king’s third son-in-law (駙馬) — is the chapter’s central stratagem, and the "claiming of kinship" (認親) is what will let him transform Tripitaka into a tiger before the very throne.
The offhand mention of 兩個孩兒 (their two children) domesticates the demon in a way that sharpens the horror to come: this same head of a household will, at the height of his revelry, devour a palace musician. The novel repeatedly lodges the monstrous inside the familiar.
His motive is preemptive — 趁那唐僧在那國裡, "while the Tang monk is still there." With Tripitaka already at the court, the demon means to strike first and discredit the pilgrim before the monks’ story can be believed. The imposture is at once an attack and a defense.