妖赴認親 The Demon Sets Out to Claim His Kin
那老妖又教安排酒席,與公主陪禮壓驚。吃酒到半酣,老妖忽的又換了一件鮮明的衣服,取了一口寶刀,佩在腰裡,轉過手,摸著公主道:「渾家,你且在家吃酒,看著兩個孩兒,不要放了沙和尚。趁那唐僧在那國裡,我也趕早兒去認認親也。」那老妖又教安排酒席,与公主陪礼压惊。吃酒到半酣,老妖忽的又换了一件鲜明的衣服,取了一口宝刀,佩在腰里,转过手,摸着公主道:「浑家,你且在家吃酒,看着两个孩儿,不要放了沙和尚。趁那唐僧在那国里,我也赶早儿去认认亲也。」
逐句解 Line by line
The old fiend then ordered a banquet laid out, to make his amends to the princess and calm her fright.
壓驚 is a banquet thrown to settle someone's nerves after a shock — a small, entirely ordinary domestic ritual. He has just tried to kill her, so he is taking her to dinner.
When the wine had brought them half to merriment, the old fiend of a sudden changed into a bright, fresh robe, took up a treasured sabre and belted it at his waist, and then, turning, laid a hand on the princess and said:
半酣 is half-drunk, warm with wine. In 摸著公主 the 著 is zhe, the held-action reading — his hand resting on her. The clean robe and the belted sabre are him dressing for the part he is about to play.
"Wife, stay here at home and drink your wine; keep watch over our two children, and do not let Sha the Monk go free.
In 看著, keeping watch, the 著 is again zhe; 孩兒 takes 兒 as ér, the noun "child." They have two children together. Remember that. The novel drops it in here as ordinary household business, and will set it against something appalling in about fifteen passages' time.
While that Tang monk is still in that kingdom, I too will go — good and early — to claim kinship with them."
趕早兒, "nice and early," takes the suffix 兒 as er; 認親 is to acknowledge or claim a family tie. What he means is that he intends to walk into the Precious-Elephant court and introduce himself as the king's son-in-law. This is the plan the whole chapter turns on.
The banquet and the change of clothes mark his turn from domestic tyrant to courtly impostor. The plan — to present himself at the Precious-Elephant court as the king's third son-in-law (駙馬) — is the chapter's central stratagem, and it is the "claiming of kinship," 認親, that will put him close enough to the throne to turn Tripitaka into a tiger in front of it.
The offhand 兩個孩兒, their two children, domesticates him in a way that sharpens what is coming. This same head of a household will, at the height of his entertainment, eat a palace musician. The novel keeps lodging the monstrous inside the familiar on purpose.
His motive is to get in first — 趁那唐僧在那國裡, "while the Tang monk is still there." With Tripitaka already at court, he means to discredit the pilgrim before the monks' account can be believed. The imposture is an attack and a defence at once.