妖登金階 The Demon Admitted to Court
國王准奏,叫宣,把妖宣至金階。他一般的也舞蹈山呼的行禮。多官見他生得俊麗,也不敢認他是妖精。他都是些肉眼凡胎,卻當做好人。那國王見他聳壑昂霄,以為濟世之梁棟,便問他:「駙馬,你家在那裡居住?是何方人氏?幾時得我公主配合?怎麼今日才來認親?」国王准奏,叫宣,把妖宣至金阶。他一般的也舞蹈山呼的行礼。多官见他生得俊丽,也不敢认他是妖精。他都是些肉眼凡胎,却当做好人。那国王见他耸壑昂霄,以为济世之梁栋,便问他:「驸马,你家在那里居住?是何方人氏?几时得我公主配合?怎么今日才来认亲?」
逐句解 Line by line
The king granted the petition and called for the summons, and the demon was ushered up to the golden steps.
准奏: to approve a memorial. The bureaucratic formality that admitted the demon now carries him into the throne-hall itself.
He too performed the ritual courtesies — the ceremonial dance, the shouted acclamation — like any true courtier.
舞蹈山呼 names the court ritual of audience: the prescribed obeisant "dance" and the 山呼 ("mountain-hailing"), the massed cry of 萬歲 ("Ten thousand years!"). 行禮 takes 行 as xíng.
The officials, seeing how handsome he was formed, dared not take him for a demon.
生得俊麗 takes the structural 得 as de. The disguise’s beauty is precisely what disarms suspicion.
They were, one and all, creatures of fleshly eyes and mortal frame, and so mistook him for an honest man.
都 ("all, one and all") is read dōu. 肉眼凡胎 — "eyes of flesh, a common womb" — is the standard phrase for ordinary mortals who lack the spiritual sight to pierce a disguise; the court’s blindness is a moral as well as a perceptual limit.
The king, seeing him tower as though to overtop the ravines and mount the sky, took him for a roof-beam fit to save the age, and asked him:
聳壑昂霄 ("rising over the ravines, lofty to the very heavens") lends the impostor a commanding presence; 濟世之梁棟 ("a ridge-beam to save the world") is a set metaphor for a great statesman. In 以為 ("to take to be") the graph 為 is read wéi. 那 here is deictic nà.
"Consort, where does your household dwell? Of what region are you? When did you come to be matched with my princess? And how is it that only today you come to claim the kinship?"
Here 那裡 means "where" — so 那 is the interrogative nǎ, the first such use in the chapter (all earlier instances being the deictic nà). 幾時得 takes 得 as dé ("when did you obtain/win").
The demon’s admission is the pivot from petition to peril: the same courtly machinery that ushered him in — memorial, summons, the ritual dance and acclamation — is exactly what he now exploits. His flawless performance of the audience-rite marks how thoroughly the imposture is pitched at the forms of civility.
The court’s failure is framed in the novel’s recurring language of spiritual blindness: 肉眼凡胎, eyes of mere flesh. The king, worse, is actively deceived — he reads the towering figure as a 濟世之梁棟, a pillar of the state, and it is this admiration that opens the way to the demon’s fatal fiction.