Canonical Classics ← 第三十回
第三十回
xiéqīnzhèng
xīnyuán

The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

妖登金階
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

妖登金階 The Demon Admitted to Court

guówángzhǔnzòujiàoxuānyāoxuānzhìjīnjiēbāndedǎoshāndexíngduōguānjiànshēngdejùngǎnrènshìyāojīngdōushìxiēròuyǎnfántāiquèdāngzuòhǎorénguówángjiànsǒngángxiāowéishìzhīliángdòng便biànwèn:「jiāzàizhùshìfāngrénshìshígōngzhǔpèizěnmejīncáiláirènqīn?」guówángzhǔnzòujiàoxuānyāoxuānzhìjīnjiēbāndedǎoshāndexíngduōguānjiànshēngdejùngǎnrènshìyāojīngdōushìxiēròuyǎnfántāiquèdāngzuòhǎorénguówángjiànsǒngángxiāowéishìzhīliángdòng便biànwèn:「jiāzàizhùshìfāngrénshìshígōngzhǔpèizěnmejīncáiláirènqīn?」


逐句解 Line by line

guówángzhǔnzòujiàoxuānyāoxuānzhìjīnjiē guówángzhǔnzòujiàoxuānyāoxuānzhìjīnjiē

The king granted the petition and called for the summons, and the demon was ushered up to the golden steps.

准奏: to approve a memorial. The bureaucratic formality that admitted the demon now carries him into the throne-hall itself.

bāndedǎoshāndexíng bāndedǎoshāndexíng

He too performed the ritual courtesies — the ceremonial dance, the shouted acclamation — like any true courtier.

舞蹈山呼 names the court ritual of audience: the prescribed obeisant "dance" and the 山呼 ("mountain-hailing"), the massed cry of 萬歲 ("Ten thousand years!"). 行禮 takes as xíng.

duōguānjiànshēngdejùngǎnrènshìyāojīng duōguānjiànshēngdejùngǎnrènshìyāojīng

The officials, seeing how handsome he was formed, dared not take him for a demon.

生得俊麗 takes the structural as de. The disguise’s beauty is precisely what disarms suspicion.

dōushìxiēròuyǎnfántāiquèdāngzuòhǎorén dōushìxiēròuyǎnfántāiquèdāngzuòhǎorén

They were, one and all, creatures of fleshly eyes and mortal frame, and so mistook him for an honest man.

("all, one and all") is read dōu. 肉眼凡胎 — "eyes of flesh, a common womb" — is the standard phrase for ordinary mortals who lack the spiritual sight to pierce a disguise; the court’s blindness is a moral as well as a perceptual limit.

guówángjiànsǒngángxiāowéishìzhīliángdòng便biànwèn guówángjiànsǒngángxiāowéishìzhīliángdòng便biànwèn

The king, seeing him tower as though to overtop the ravines and mount the sky, took him for a roof-beam fit to save the age, and asked him:

聳壑昂霄 ("rising over the ravines, lofty to the very heavens") lends the impostor a commanding presence; 濟世之梁棟 ("a ridge-beam to save the world") is a set metaphor for a great statesman. In 以為 ("to take to be") the graph is read wéi. here is deictic .

jiāzàizhùshìfāngrénshìshígōngzhǔpèizěnmejīncáiláirènqīn?」 jiāzàizhùshìfāngrénshìshígōngzhǔpèizěnmejīncáiláirènqīn?」

"Consort, where does your household dwell? Of what region are you? When did you come to be matched with my princess? And how is it that only today you come to claim the kinship?"

Here 那裡 means "where" — so is the interrogative , the first such use in the chapter (all earlier instances being the deictic ). 幾時得 takes as ("when did you obtain/win").


總評 Commentary

The demon’s admission is the pivot from petition to peril: the same courtly machinery that ushered him in — memorial, summons, the ritual dance and acclamation — is exactly what he now exploits. His flawless performance of the audience-rite marks how thoroughly the imposture is pitched at the forms of civility.

The court’s failure is framed in the novel’s recurring language of spiritual blindness: 肉眼凡胎, eyes of mere flesh. The king, worse, is actively deceived — he reads the towering figure as a 濟世之梁棟, a pillar of the state, and it is this admiration that opens the way to the demon’s fatal fiction.