原文 Original text
繁體 Traditional
Reader's edition
鬆縛之計
The Loosening of the Bonds
那公主是婦人家水性,見他錯敬,遂回心轉意道:「郎君啊,你若念夫婦的恩愛,可把那沙僧的繩子略放鬆些兒。」老妖聞言,即命小的們把沙僧解了繩子,鎖在那裡。沙僧見解縛鎖住,立起來,心中暗喜道:「古人云:『與人方便,自己方便。』我若不方便了他,他怎肯教把我鬆放鬆放?」那公主是妇人家水性,见他错敬,遂回心转意道:「郎君啊,你若念夫妇的恩爱,可把那沙僧的绳子略放松些儿。」老妖闻言,即命小的们把沙僧解了绳子,锁在那里。沙僧见解缚锁住,立起来,心中暗喜道:「古人云:『与人方便,自己方便。』我若不方便了他,他怎肯教把我松放松放?」
逐句解 Line by line
那公主是婦人家水性,見他錯敬,遂回心轉意道:「郎君啊,你若念夫婦的恩愛,可把那沙僧的繩子略放鬆些兒。」
那公主是妇人家水性,见他错敬,遂回心转意道:「郎君啊,你若念夫妇的恩爱,可把那沙僧的绳子略放松些儿。」
The princess, being of a woman’s yielding nature, saw his contrition and turned her heart about again: "My lord, if you have any regard for the love between husband and wife, you might loosen Sha the Monk’s ropes a little."
婦人家水性 — a conventional (and unflattering) tag for feminine changeableness, "watery, fickle by nature." 錯敬 is his overdone, contrite courtesy; 些兒 takes the suffixal 兒 as er. Moved by gratitude, she repays Sha’s protection with a small mercy.
老妖聞言,即命小的們把沙僧解了繩子,鎖在那裡。
老妖闻言,即命小的们把沙僧解了绳子,锁在那里。
Hearing this, the old fiend at once ordered his underlings to untie Sha the Monk’s ropes, and had him locked up there instead.
小的們 are the demon’s underlings, the minor imps of the cave. The mercy is partial: unbound, but chained — the fiend loosens without freeing.
沙僧見解縛鎖住,立起來,心中暗喜道:「古人云:『與人方便,自己方便。』我若不方便了他,他怎肯教把我鬆放鬆放?」
沙僧见解缚锁住,立起来,心中暗喜道:「古人云:『与人方便,自己方便。』我若不方便了他,他怎肯教把我松放松放?」
Finding himself unbound though still chained, Sha the Monk rose to his feet and rejoiced in secret: "As the ancients said, ‘Do another a kindness, and you do yourself one.’ Had I not obliged her, how would she ever have moved him to loosen my bonds a little?"
與人方便,自己方便 is a folk maxim — "convenience to others is convenience to oneself." The word 方便 ("expedient kindness") carries a Buddhist resonance (upāya, skillful means). Sha, who acted from selfless loyalty, finds it has redounded to his own relief.
總評 Commentary
The sequence closes on reciprocal benefit: Sha shielded the princess without thought of reward, and she, moved to gratitude, secures him a small mercy. The proverb 與人方便,自己方便 makes the moral explicit, and the recurrence of 方便 — kindness, expedient means, a term with Buddhist weight — folds the episode into the novel’s larger economy of merit and requital.
The narrative symmetry is deft: the princess’s letter saved Tripitaka; Sha’s lie saves the princess; the princess’s plea eases Sha. Each concealment or mercy begets the next, binding the human and the demonic households together in one chain of obligation.
The tag 水性 (fickle) is a conventional misogyny of the vernacular novel, but it does narrative work here: it motivates the princess’s swift forgiveness, which the plot requires so that the demon may depart, reconciled, for the capital.