Canonical Classics ← 第三十回
第三十回
xiéqīnzhèng
xīnyuán

The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

意馬心猿
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

意馬心猿 The Horse of the Will and the Monkey of the Heart

quèshuōxiǎolóngqiánshuǐbànshíchéntīngjiànshēngfāngcáiyǎozherěnzhetuǐténgtiàojiāngzheyúnjìngzhuǎnguǎnháibiànzuòjiùcáoxiàliánhúnshēnshìshuǐtuǐyǒushānghénshíjiéquèshuōxiǎolóngqiánshuǐbànshíchéntīngjiànshēngfāngcáiyǎozherěnzhetuǐténgtiàojiāngzheyúnjìngzhuǎnguǎn驿háibiànzuòjiùcáoxiàliánhúnshēnshìshuǐtuǐyǒushānghénshíjié

xīnyuándōushīsànjīngōngjìndiāolíngxīnyuándōushīsànjīngōngjìndiāolíng
huángshāngsǔntōngfēnbiédàoxiāoshūzěnchénghuángshāngsǔntōngfēnbiédàoxiāoshūzěnchéng

逐句解 Line by line

quèshuōxiǎolóngqiánshuǐbànshíchéntīngjiànshēngfāngcáiyǎozherěnzhetuǐténgtiàojiāng quèshuōxiǎolóngqiánshuǐbànshíchéntīngjiànshēngfāngcáiyǎozherěnzhetuǐténgtiàojiāng

Now the little dragon lay hidden at the bottom of the water; and only after half a double-hour, hearing no sound above, did he grit his teeth and, enduring the pain of his leg, spring up and away.

半個時辰 is half a 時辰 (a "double-hour," one of the twelve two-hour divisions of the day). In 咬著牙 and 忍著 the durative is zhe; in 跳將起去 the directional is jiāng. is deictic .

zheyúnjìngzhuǎnguǎnháibiànzuòjiùcáoxià zheyúnjìngzhuǎnguǎn驿háibiànzuòjiùcáoxià

Treading a black cloud, he made straight back to the hostel, changed again into his former horse-shape, and lay down beneath the trough.

In 踏著 the durative is zhe; 還變作 ("changed back again") takes as hái. He resumes the humble form he had cast off, his sally spent.

liánhúnshēnshìshuǐtuǐyǒushānghénshíjié liánhúnshēnshìshuǐtuǐyǒushānghénshíjié

Piteous — his whole body soaked, his leg gashed and scarred. At that hour:

The lead-in to the couplet. 傷痕 is a "wound-scar." is deictic . The bedraggled horse at its trough is the image on which the verse reflects.

xīnyuándōushīsànjīngōngjìndiāolíng xīnyuándōushīsànjīngōngjìndiāolíng

The Horse of the Will and the Monkey of the Heart are all dispersed; the Metal Lord and the Wood Mother are withered utterly away.

The chapter’s title-couplet, and the heart of its inner-alchemy allegory. 意馬 (the dragon-horse, the will) and 心猿 (Sun Wukong, the mind) name two of the pilgrims; 金公 (the "Metal Lord," gold) and 木母 (the "Wood Mother") are further Five-Phases (五行) epithets for the disciples. is dōu; 盡凋零 takes as jìn.

huángshāngsǔntōngfēnbiédàoxiāoshūzěnchéng huángshāngsǔntōngfēnbiédàoxiāoshūzěnchéng

the Yellow Dame is hurt and marred, and all is set asunder; the Way and its rightness dwindle and fail — how shall the work be brought to pass!

黃婆 (the "Yellow Dame," the mediating Earth-phase, here Sha Wujing) completes the Five-Phases roster; 道義 is "the Way and its rightness." 分別 takes as fēn; 怎得成 ("how can it succeed") takes as . The couplet reads the pilgrims’ dispersal as a spiritual disintegration.


總評 Commentary

This is the passage that gives the chapter its title, and its couplet unfolds the allegory that runs, half-submerged, beneath the whole novel. In the inner-alchemical reading, the pilgrims embody the Five Phases (五行) of the cultivated self: 心猿, the Monkey of the Heart, is the restless mind (Sun Wukong); 意馬, the Horse of the Will, is the intention (the dragon-horse); 金公 and 木母, the Metal Lord and Wood Mother, and 黃婆, the Yellow Dame, are the further phases mediating between them.

The couplet’s force lies in reading the plot as a psychology. With the Mind-Monkey banished and the company scattered, the Five Phases are "dispersed" and "withered" — the cultivated self is coming apart. The wounded horse at its trough is not merely a defeated fighter but the emblem of a soul whose faculties have lost their governing center. The remedy the chapter drives toward is therefore not a rescue by force but a restoration of order: the recalling of the 心猿, the mind, without which nothing can hold together.

The closing question — 道義消疏怎得成, "how shall the work be brought to pass?" — is the pivot of the whole chapter. It names the impasse that the second half must resolve, and points, unmistakably, to the one absent disciple whose return the horse is about to set in motion.