小猴獻果 The Monkeys' Fruit
二人談笑多時,下了山。只見路傍有幾個小猴,捧著紫巍巍的葡萄,香噴噴的梨棗,黃森森的枇杷,紅艷艷的楊梅,跪在路傍,叫道:「大聖爺爺,請進早膳。」行者笑道:「我豬弟食腸大,卻不是以果子作膳的。也罷,也罷,莫嫌菲薄,將就吃個兒當點心罷。」八戒道:「我雖食腸大,卻也隨鄉入鄉是。拿來,拿來,我也吃幾個兒嘗新。」二人谈笑多时,下了山。只见路傍有几个小猴,捧着紫巍巍的葡萄,香喷喷的梨枣,黄森森的枇杷,红艳艳的杨梅,跪在路傍,叫道:「大圣爷爷,请进早膳。」行者笑道:「我猪弟食肠大,却不是以果子作膳的。也罢,也罢,莫嫌菲薄,将就吃个儿当点心罢。」八戒道:「我虽食肠大,却也随乡入乡是。拿来,拿来,我也吃几个儿尝新。」
逐句解 Line by line
The two talked and laughed a good while, then came down the mountain.
Talk and laughter. The plot is being held comfortably in suspension, and Bajie is the only one who minds.
By the roadside were a few little monkeys, holding up richly purple grapes, fragrant pears and jujubes, golden loquats, and bright-red bayberries, who knelt by the way and called: "Great Sage, our Lord — pray take your morning meal."
In 捧著 the 著 is zhe. The colour words are the point here: 紫巍巍, 香噴噴, 黃森森, 紅艷艷 — each doubles its second syllable, a vernacular trick for making a thing vivid and sensuous that English can only approximate ("deep deep purple," "sweet-smelling"). Reduplicated adjectives like these are still everywhere in spoken Chinese. 枇杷 is the loquat, 楊梅 the bayberry.
The Pilgrim laughed: "My brother Pig has a great belly — fruit will hardly serve him for a meal. Well, well — don't scorn the meager fare; make do with a bite or two as a snack."
食腸大, "a great food-gut," jokes at Bajie's legendary appetite; 菲薄, meagre, takes 薄 as bó; 將就, to make do, takes 將 as jiāng; in 吃個兒 the colloquial 兒 is er. 果子 takes 子 as the suffix zi.
Bajie said: "Big-bellied I may be, but I'll do as they do in this country. Bring them, bring them — I'll eat a few and try the fresh ones."
隨鄉入鄉 — "entering a district, follow the district" — is the Chinese form of "when in Rome," and Bajie deploys it to justify eating fruit he was just told was beneath him. In 幾個兒 the colloquial 兒 is er; 嘗新 is to taste the new crop. The appetite reasserts itself inside two lines.
The fruit-offering paints the monkey kingdom's easy plenty — grapes, pears, loquats, bayberries held up by kneeling monkeys — and gives the two comrades a moment of unhurried fellowship before the plot resumes. The banter about Bajie's appetite is affectionate, and the scene extends the tableau of paradise, the better to set off the refusal that follows. Even here the pull of the errand is felt only through Bajie, who is the one person on the mountain unable to relax.