Canonical Classics ← 第三十回
第三十回
xiéqīnzhèng
xīnyuán

The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

誣僧為虎
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

誣僧為虎 Tripitaka Named the Tiger

chényīnyánjiāngjiělesuǒziráolexìngmìngdàizhejiànshāngpǎojiǎnwěiérzhīlexìngmìngzàishānzhōngxiūlezhèniánliànchéngjīngzhuānrénhàirénchénwéndeniányǒujīngdedōushuōshìtángláidetángsēngxiǎngshìzhèhàiletángsēnglewényǐnbiànzuòjīngdeyàngjīnzàicháozhōnghǒngpiànzhǔgōngzhǔgōngaxiùdūnshàngzuòdezhèngshìshísānniánqiántuógōngzhǔdeměngshìzhēnzhèngjīngzhīrén。」chényīnyánjiāngjiělesuǒziráolexìngmìngdàizhejiànshāngpǎojiǎnwěiérzhīlexìngmìngzàishānzhōngxiūlezhèniánliànchéngjīngzhuānrénhàirénchénwéndeniányǒujīngdedōushuōshìtángláidetángsēngxiǎngshìzhèhàiletángsēnglewényǐnbiànzuòjīngdeyàngjīnzàicháozhōnghǒngpiànzhǔgōngzhǔgōngaxiùdūnshàngzuòdezhèngshìshísānniánqiántuógōngzhǔdeměngshìzhēnzhèngjīngzhīrén。」


逐句解 Line by line

chényīnyánjiāngjiělesuǒziráolexìngmìng chényīnyánjiāngjiělesuǒziráolexìngmìng

At these words your servant untied the tiger’s rope and spared its life.

In 故將虎解了 the coverb is jiāng; 索子 ("rope, cord") takes the suffixal as zi. The demon completes the frame that will let him graft the beast onto the pilgrim.

dàizhejiànshāngpǎojiǎnwěiér dàizhejiànshāngpǎojiǎnwěiér

The tiger, bearing its arrow-wound, went off at a gallop, its tail switching behind.

In 帶著 ("bearing, carrying") the durative is zhe; 跑蹄剪尾 ("hooves pounding, tail cutting the air") pictures its flight. is deictic .

zhīlexìngmìngzàishānzhōngxiūlezhèniánliànchéngjīngzhuānrénhàirén zhīlexìngmìngzàishānzhōngxiūlezhèniánliànchéngjīngzhuānrénhàirén

Little did I know that, having got away with its life, it stayed in those mountains and, cultivating itself these several years, refined its body into a spirit — bent solely on beguiling and harming men.

得了性命 takes as ("got, kept"); 那山中 takes as deictic and as zhōng. 煉體成精 — "to refine the body into a spirit" — is the Daoist-tinged language of a beast’s self-cultivation into a demon.

chénwéndeniányǒujīngdedōushuōshìtángláidetángsēng chénwéndeniányǒujīngdedōushuōshìtángláidetángsēng

Your servant has heard that in years past there came several scripture-seekers, all said to be a Tang monk out of Great Tang.

聞得 takes the structural as de; 都說 takes as dōu ("all say"). The demon builds toward his accusation on genuine rumor of the pilgrimage.

xiǎngshìzhèhàiletángsēnglewényǐnbiànzuòjīngdeyàngjīnzàicháozhōnghǒngpiànzhǔgōng xiǎngshìzhèhàiletángsēnglewényǐnbiànzuòjīngdeyàngjīnzàicháozhōnghǒngpiànzhǔgōng

I surmise this tiger did the Tang monk to death, got hold of his travel-warrant, took on the very likeness of the pilgrim, and now, here at court, deceives my sovereign.

得了他文引 takes as ; 那取經的 takes as deictic ; 朝中 takes as zhōng. 文引 is a travel-warrant or passport. The accusation is the exact inversion of the truth: the demon names the true pilgrim as the beast in disguise.

zhǔgōngaxiùdūnshàngzuòdezhèngshìshísānniánqiántuógōngzhǔdeměngshìzhēnzhèngjīngzhīrén。」 zhǔgōngaxiùdūnshàngzuòdezhèngshìshísānniánqiántuógōngzhǔdeměngshìzhēnzhèngjīngzhīrén。」

My sovereign — the one seated there upon the embroidered stool is none other than that fierce tiger which, thirteen years ago, bore the princess on its back; he is no true scripture-seeker at all."

繡墩 is an embroidered drum-shaped stool; both instances of are deictic . The demon points directly at Tripitaka, sealing the frame — the innocent pilgrim is now, before the throne, the accused monster.


總評 Commentary

The accusation completes a perfect inversion: the demon, having narrated a tiger into being, now identifies that tiger with the seated pilgrim, so that Tripitaka — powerless, unrecognized, and about to be transformed — stands accused of being the very kind of creature the demon is. The liar assigns his own nature to his victim.

The language of 煉體成精 (a beast refining itself into a spirit) is drawn from the novel’s serious cosmology of self-cultivation, here bent to slander; and 文引, the pilgrim’s travel-warrant, is invoked as stolen goods. The demon’s fiction is dense with the authentic furniture of the pilgrimage, which is what makes it dangerous.

The pointing finger — 那繡墩上坐的, "the one seated on the embroidered stool" — is the hinge of the chapter: from it follows the king’s demand that the "tiger" be exposed, and thence the transformation of Tripitaka. The frame is now set for the disaster to come.