誣僧為虎 Tripitaka Named the Tiger
臣因此言,故將虎解了索子,饒了他性命。那虎帶著箭傷,跑蹄剪尾而去。不知他得了性命,在那山中,修了這幾年,煉體成精,專一迷人害人。臣聞得昔年也有幾次取經的,都說是大唐來的唐僧。想是這虎害了唐僧,得了他文引,變作那取經的模樣,今在朝中哄騙主公。主公啊,那繡墩上坐的,正是那十三年前馱公主的猛虎,不是真正取經之人。」臣因此言,故将虎解了索子,饶了他性命。那虎带著箭伤,跑蹄剪尾而去。不知他得了性命,在那山中,修了这几年,炼体成精,专一迷人害人。臣闻得昔年也有几次取经的,都说是大唐来的唐僧。想是这虎害了唐僧,得了他文引,变作那取经的模样,今在朝中哄骗主公。主公啊,那绣墩上坐的,正是那十三年前驮公主的猛虎,不是真正取经之人。」
逐句解 Line by line
At these words your servant untied the tiger’s rope and spared its life.
In 故將虎解了 the coverb 將 is jiāng; 索子 ("rope, cord") takes the suffixal 子 as zi. The demon completes the frame that will let him graft the beast onto the pilgrim.
The tiger, bearing its arrow-wound, went off at a gallop, its tail switching behind.
In 帶著 ("bearing, carrying") the durative 著 is zhe; 跑蹄剪尾 ("hooves pounding, tail cutting the air") pictures its flight. 那 is deictic nà.
Little did I know that, having got away with its life, it stayed in those mountains and, cultivating itself these several years, refined its body into a spirit — bent solely on beguiling and harming men.
得了性命 takes 得 as dé ("got, kept"); 那山中 takes 那 as deictic nà and 中 as zhōng. 煉體成精 — "to refine the body into a spirit" — is the Daoist-tinged language of a beast’s self-cultivation into a demon.
Your servant has heard that in years past there came several scripture-seekers, all said to be a Tang monk out of Great Tang.
聞得 takes the structural 得 as de; 都說 takes 都 as dōu ("all say"). The demon builds toward his accusation on genuine rumor of the pilgrimage.
I surmise this tiger did the Tang monk to death, got hold of his travel-warrant, took on the very likeness of the pilgrim, and now, here at court, deceives my sovereign.
得了他文引 takes 得 as dé; 那取經的 takes 那 as deictic nà; 朝中 takes 中 as zhōng. 文引 is a travel-warrant or passport. The accusation is the exact inversion of the truth: the demon names the true pilgrim as the beast in disguise.
My sovereign — the one seated there upon the embroidered stool is none other than that fierce tiger which, thirteen years ago, bore the princess on its back; he is no true scripture-seeker at all."
繡墩 is an embroidered drum-shaped stool; both instances of 那 are deictic nà. The demon points directly at Tripitaka, sealing the frame — the innocent pilgrim is now, before the throne, the accused monster.
The accusation completes a perfect inversion: the demon, having narrated a tiger into being, now identifies that tiger with the seated pilgrim, so that Tripitaka — powerless, unrecognized, and about to be transformed — stands accused of being the very kind of creature the demon is. The liar assigns his own nature to his victim.
The language of 煉體成精 (a beast refining itself into a spirit) is drawn from the novel’s serious cosmology of self-cultivation, here bent to slander; and 文引, the pilgrim’s travel-warrant, is invoked as stolen goods. The demon’s fiction is dense with the authentic furniture of the pilgrimage, which is what makes it dangerous.
The pointing finger — 那繡墩上坐的, "the one seated on the embroidered stool" — is the hinge of the chapter: from it follows the king’s demand that the "tiger" be exposed, and thence the transformation of Tripitaka. The frame is now set for the disaster to come.