Canonical Classics ← 第三十回
第三十回
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The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

沙僧仗義
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沙僧仗義 Sha Wujing's Righteous Defense

suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìngmenláiwènyàogōngzhǔyǒuyuánzhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìngzhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòufǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yánzēngkànjiànshīsuìjiānggōngzhǔshuōzhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōngqíngshìshíchángyǒushénshūxìnyàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìngmenláiwènyàogōngzhǔyǒuyuánzhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìngzhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòu访fǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yánzēngkànjiànshīsuìjiānggōngzhǔshuōzhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōngqíngshìshíchángyǒushénshūxìnyàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」


逐句解 Line by line

suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìng suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìng

Then he shouted: "Demon, have done with your insolence! What letter did she ever send, that you should so wrong her and seek to take her life?

Sha’s public version flatly denies the letter — the lie he had resolved upon. 枉他 is "to wrong her, do her injustice"; 甚麼書 takes as shén (interrogative).

menláiwènyàogōngzhǔyǒuyuán menláiwènyàogōngzhǔyǒuyuán

There is a reason we came here to demand the princess of you.

緣故 ("cause, reason") — Sha now builds his innocent alternative account, one that will explain the rescue without any letter.

zhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìng zhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìng

It is only because you had seized my master and held him in your cave, where he had seen the princess — her face and her bearing.

洞中 takes as zhōng ("within"). The linchpin of Sha’s fiction: it was Tripitaka’s chance sight of the princess in the cave — not any secret message — that set the rescue going.

zhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòufǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yánzēngkànjiànshīsuìjiānggōngzhǔshuō zhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòu访fǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yánzēngkànjiànshīsuìjiānggōngzhǔshuō

And when we reached the Precious-Elephant Kingdom to have our travel-rescript endorsed, that king had the princess’s likeness drawn and painted, and made inquiry far and wide; taking up her portrait, he asked my master whether he had seen her anywhere along the road, and my master thereupon spoke of the princess.

寶象國 — the Precious-Elephant Kingdom, the princess’s home realm. 倒換關文 ("to have the travel-rescript endorsed") takes as dào — a recurring institutional detail of the pilgrimage, the sealing of the monk’s passport at each border. The three coverbs are all jiāng. 畫影圖形 is "to render a likeness in ink and paint."

zhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōng zhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōng

Learning thus that she was his own child, he bestowed the imperial wine upon us and bade us come to seize you, that his princess might be returned to the palace.

兒女 takes as ér (offspring-noun, "child"); 還宮 ("returned to the palace") takes as huán. The account is true in nearly every particular — only the letter is suppressed; Sha weaves fact around a single concealment.

qíngshìshíchángyǒushénshūxìn qíngshìshíchángyǒushénshūxìn

This is the truth of the matter — when was there ever any letter?

The rhetorical 何嘗 ("when ever?") caps the denial; 有甚書信 takes as shén in its interrogative sense.

yàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」 yàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」

If you would kill, then kill old Sha and have done — but do not wrongfully harm an innocent, and so grievously offend against the reason of Heaven."

平人 is "an innocent, a person of no offence"; 大虧天理 is "greatly to injure 天理," the moral pattern of Heaven. Sha offers his own life in the princess’s place, appealing past the demon’s cruelty to cosmic justice.


總評 Commentary

Sha’s speech is a small masterpiece of loyal casuistry: nearly every word is true. The princess really was recognized from Tripitaka’s description at the Precious-Elephant court; the king really did commission the rescue. Only the one fact that would condemn her — the letter — is denied. Sha does not perjure himself wholesale; he constructs an alternative narrative around a single suppression.

The climax offers his own life in exchange (殺了我老沙不可枉害平人) and invokes 天理, the order of Heaven, against the demon’s arbitrary will. The self-sacrifice resolved on inwardly in the previous passage is here made public and unconditional.

The passage completes the ethical arc of the opening sequence and vindicates the princess’s gamble on the monk’s discretion. It also characterizes the demon by contrast: for all his earlier talk of 禮義, it is the bound captive who now speaks for the law of Heaven.