Canonical Classics ← 第三十回
第三十回
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The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

沙僧仗義
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原文 Original text 繁體 Traditional Reader's edition

沙僧仗義 Sha Wujing's Righteous Defense

suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìngmenláiwènyàogōngzhǔyǒuyuánzhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìngzhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòufǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yáncéngkànjiànshīsuìjiānggōngzhǔshuōzhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōngqíngshìshíchángyǒushénshūxìnyàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìngmenláiwènyàogōngzhǔyǒuyuánzhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìngzhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòu访fǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yáncéngkànjiànshīsuìjiānggōngzhǔshuōzhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōngqíngshìshíchángyǒushénshūxìnyàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」


逐句解 Line by line

suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìng suìdào:「yāoguàiyàoyǒushénmeshūláizhèděngwǎngyàohàixìngmìng

Then he shouted: "Demon, have done with your insolence! What letter did she ever send, that you should so wrong her and seek to take her life?

And then he lies — flatly, publicly, and at the top of his voice. 枉他 is "to wrong her, to do her an injustice"; 甚麼書 takes as shén, the question-word.

menláiwènyàogōngzhǔyǒuyuán menláiwènyàogōngzhǔyǒuyuán

There is a reason we came here to demand the princess of you.

緣故, "cause, reason." Having denied the letter, Sha now has to supply something in its place, and he starts building.

zhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìng zhǐyīnshīzhuōzàidòngzhōngshīcéngkànjiàngōngzhǔdeyàngdòngjìng

It is only because you had seized my master and held him in your cave, where he had seen the princess — her face and her bearing.

洞中 takes as zhōng, "within." Here is the linchpin of the whole fiction: it was Tripitaka happening to see the princess in the cave, not any secret message, that started the rescue.

zhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòufǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yáncéngkànjiànshīsuìjiānggōngzhǔshuō zhìbǎoxiàngguódàohuànguānwénhuángjiānggōngzhǔhuàyǐngxíngqiánhòu访fǎngwènyīnjiānggōngzhǔdexíngyǐngwènshī沿yáncéngkànjiànshīsuìjiānggōngzhǔshuō

And when we reached the Precious-Elephant Kingdom to have our travel-rescript endorsed, that king had the princess's likeness drawn and painted, and made inquiry far and wide; taking up her portrait, he asked my master whether he had seen her anywhere along the road, and my master thereupon spoke of the princess.

The details are dense because they are true, which is what makes the lie hold. 寶象國 is the Precious-Elephant Kingdom, the princess's home. 倒換關文, "to have the travel-rescript endorsed," takes as dào — the pilgrimage's standing bureaucratic chore, getting the passport stamped at every border. All three of the characters in the line are jiāng. 畫影圖形 is to have a likeness made in ink and paint — the Ming equivalent of circulating a photograph.

zhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōng zhīshìérleděngjiǔjiàomenláiyàogōngzhǔhuángōng

Learning thus that she was his own child, he bestowed the imperial wine upon us and bade us come to seize you, that his princess might be returned to the palace.

兒女 takes as ér, the noun "child"; 還宮, "returned to the palace," takes as huán. Every particular of this is true. Sha has built his fiction out of facts and left exactly one thing out.

qíngshìshíchángyǒushénshūxìn qíngshìshíchángyǒushénshūxìn

This is the truth of the matter — when was there ever any letter?

The rhetorical 何嘗, "when ever?", caps the denial; 有甚書信 again takes as shén.

yàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」 yàoshājiùshālelǎoshāwǎnghàipíngrénkuītiān。」

If you would kill, then kill old Sha and have done — but do not wrongfully harm an innocent, and so grievously offend against the reason of Heaven."

平人 is an innocent, a person who has committed no offence; 大虧天理 is to do great injury to 天理, the moral pattern of Heaven itself. Bound and unarmed, Sha offers his own throat and then appeals over the demon's head to the order of the universe.


總評 Commentary

Sha's speech is a small masterpiece of loyal casuistry, and nearly every word of it is true. The princess really was identified from Tripitaka's description at the Precious-Elephant court; the king really did commission the rescue. Only the one fact that would condemn her is denied. He does not perjure himself wholesale — he builds an alternative story around a single suppression.

Then he offers his life in her place (殺了我老沙不可枉害平人) and invokes 天理, the order of Heaven, against the demon's arbitrary will. What he resolved on silently in the previous passage is here made public and unconditional.

The passage also settles the princess's gamble in her favour, and characterises the demon by contrast. For all his opening talk of 禮義, ritual propriety, it is the man in chains who ends up speaking for the law of Heaven.