Canonical Classics ← 第三十回
第三十回
xiéqīnzhèng
xīnyuán

The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

獃子散火
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

獃子散火 Bajie Would Disband

jièwényándào:「zhēnyǒuzhèyàngshì?」xiǎolóngdào:「chénghǒngle?」jièdào:「zěndehǎozěndehǎozhēngdòngme?」xiǎolóngdào:「zhēngdòng便biànzěnde?」jièdào:「zhēngdòng便biànzhēngxiàhǎixíngděnglǎozhūtiāogāolǎozhuāngshànghuízuò婿ya。」jièwényándào:「zhēnyǒuzhèyàngshì?」xiǎolóngdào:「chénghǒngle?」jièdào:「zěndehǎozěndehǎozhēngdòngme?」xiǎolóngdào:「zhēngdòng便biànzěnde?」jièdào:「zhēngdòng便biànzhēngxiàhǎixíngděnglǎozhūtiāogāolǎozhuāngshànghuízuò婿ya。」


逐句解 Line by line

jièwényándào:「zhēnyǒuzhèyàngshì?」 jièwényándào:「zhēnyǒuzhèyàngshì?」

Hearing this, Bajie said: "Can such a thing really be so?"

Bajie’s first response is disbelief rather than resolve.

xiǎolóngdào:「chénghǒngle?」 xiǎolóngdào:「chénghǒngle?」

The little dragon said: "Would I be deceiving you, then?"

莫成 ("surely it cannot be that") is a rhetorical opener; is "to deceive, hoodwink."

jièdào:「zěndehǎozěndehǎozhēngdòngme?」 jièdào:「zěndehǎozěndehǎozhēngdòngme?」

Bajie said: "What’s to be done? What’s to be done? Can you even struggle to your feet?"

掙得動 ("manage to move, struggle up") takes as .

xiǎolóngdào:「zhēngdòng便biànzěnde?」 xiǎolóngdào:「zhēngdòng便biànzěnde?」

The little dragon said: "And if I can rise, what then?"

Again 掙得動, with as .

jièdào:「zhēngdòng便biànzhēngxiàhǎixíngděnglǎozhūtiāogāolǎozhuāngshànghuízuò婿ya。」 jièdào:「zhēngdòng便biànzhēngxiàhǎixíngděnglǎozhūtiāogāolǎozhuāngshànghuízuò婿ya。」

Bajie said: "If you can rise, then struggle off into the sea and be gone. Let old Pig carry the baggage back to Gao Village and take up being a son-in-law again."

掙得動 takes as ; 行李 ("baggage") takes as xíng. 高老莊 is Gao Village, where Bajie had married before joining the quest; 回爐做女婿 ("back to the furnace to be a son-in-law") is his standing fantasy of return.


總評 Commentary

Bajie’s instinct at the first sign of disaster is to disband and go home — to carry off the baggage and resume married life at Gao Village. This impulse to quit is his recurring characterization throughout the novel: he is the least committed of the pilgrims, forever half-turned back toward the comforts he left. The horse’s task in this scene is to overcome exactly this defeatism.