Canonical Classics ← 第三十回
第三十回
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The Evil Demon Assaults the True Dharma · The Horse of the Will Recalls the Monkey of the Heart

變女把盞
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原文 Original text 繁體 Traditional Reader's edition

變女把盞 The Dragon in Disguise

hǎolóngwángjiùyáoshēnbiànbiànzuògōngézhēnshēnqīngyíngróngjiāomèimángzǒumiànduìyāodàoshēngwàn:「ashāngxìngmìngláizhǎn。」yāodào:「zhēnjiǔlái。」xiǎolóngjiēguòláijiāngjiǔzhēnzàizhǎnzhōngjiǔzhōnggāochūsānfēnláigèngmànchūzhèshìxiǎolóng使shǐdeshuǐ」。guàijiànleshíxīnzhōngdào:「yǒuzhèbānshǒuduàn?」xiǎolóngdào:「háizhēndeyǒufēngāoli。」guàidào:「zàizhēnshàngzàizhēnshàng。」zhezhǐqíngzhēnjiǔzhǐqínggāojiùshísāncéngbǎobānjiānjiān滿mǎn滿mǎngèngmànchūxiēhǎolóngwángjiùyáoshēnbiànbiànzuògōngézhēnshēnqīngyíngróngjiāomèimángzǒumiànduìyāodàoshēngwàn:「ashāngxìngmìngláizhǎn。」yāodào:「zhēnjiǔlái。」xiǎolóngjiēguòláijiāngjiǔzhēnzàizhǎnzhōngjiǔzhōnggāochūsānfēnláigèngmànchūzhèshìxiǎolóng使shǐdeshuǐ」。guàijiànleshíxīnzhōngdào:「yǒuzhèbānshǒuduàn?」xiǎolóngdào:「háizhēndeyǒufēngāoli。」guàidào:「zàizhēnshàngzàizhēnshàng。」zhezhǐqíngzhēnjiǔzhǐqínggāojiùshísāncéngbǎobānjiānjiānmǎnmǎngèngmànchūxiē


逐句解 Line by line

hǎolóngwángjiùyáoshēnbiànbiànzuògōngézhēnshēnqīngyíngróngjiāomèi hǎolóngwángjiùyáoshēnbiànbiànzuògōngézhēnshēnqīngyíngróngjiāomèi

A fine Dragon-King! He gave his body a shake and transformed — becoming a palace maid too, truly light and lissome of body, tender and winning of mien.

The dragon adopts the demon’s own weapon, disguise, taking on the very shape (a palace maid) that the feast has emptied. The transformation-formula 搖身一變 echoes the demon’s earlier one.

mángzǒumiànduìyāodàoshēngwàn:「ashāngxìngmìngláizhǎn。」 mángzǒumiànduìyāodàoshēngwàn:「ashāngxìngmìngláizhǎn。」

With quick steps she went inside and made the demon a curtsy of greeting: "Consort, do not harm my life; I have come to hold the cup for you."

道聲萬福 is to make the "ten-thousand blessings" greeting, a woman’s formal curtsy; 把盞 is "to hold and pour the wine-cup." The disguised dragon plays the frightened, ingratiating maid to perfection.

yāodào:「zhēnjiǔlái。」 yāodào:「zhēnjiǔlái。」

The demon said: "Pour the wine, then."

is deictic . The demon, unsuspecting, accepts the "maid’s" service.

xiǎolóngjiēguòláijiāngjiǔzhēnzàizhǎnzhōngjiǔzhōnggāochūsānfēnláigèngmànchū xiǎolóngjiēguòláijiāngjiǔzhēnzàizhǎnzhōngjiǔzhōnggāochūsānfēnláigèngmànchū

The little dragon took the pot and poured the wine into his cup, and the wine stood three to five fēn above the brim, yet did not spill over.

In 將酒斟 the coverb is jiāng; 盞中 takes as zhōng. (fēn) is here a small unit of height, one-tenth of a — the wine mounds a few fēn above the cup’s rim without overflowing.

zhèshìxiǎolóng使shǐdeshuǐ」。 zhèshìxiǎolóng使shǐdeshuǐ」。

This was the "Water-Forcing Art" the little dragon employed.

逼水法 ("the Water-Forcing Method") is a magic fit for a water-deity: it heaps liquid impossibly high. The dragon turns his native element into a courtly marvel to disarm the demon.

guàijiànleshíxīnzhōngdào:「yǒuzhèbānshǒuduàn?」 guàijiànleshíxīnzhōngdào:「yǒuzhèbānshǒuduàn?」

The demon saw it but did not understand, and thought with delight: "You have such a skill?"

is deictic ; 心中 takes as zhōng. The demon, charmed by the trick, is drawn further in.

xiǎolóngdào:「háizhēndeyǒufēngāoli。」 xiǎolóngdào:「háizhēndeyǒufēngāoli。」

The little dragon said: "I can pour it a good few fēn higher yet."

還斟得 takes as hái ("yet, still") and as de; 幾分, "a few fēn." The dragon baits the demon’s wonder with the promise of more.

guàidào:「zàizhēnshàngzàizhēnshàng。」 guàidào:「zàizhēnshàngzàizhēnshàng。」

The demon said: "Pour on, pour on!"

is deictic . The demon’s greedy delight is exactly what the disguise was meant to provoke.

zhezhǐqíngzhēnjiǔzhǐqínggāojiùshísāncéngbǎobānjiānjiān滿mǎn滿mǎngèngmànchūxiē zhezhǐqíngzhēnjiǔzhǐqínggāojiùshísāncéngbǎobānjiānjiānmǎnmǎngèngmànchūxiē

She raised the pot and poured without stint, and the wine rose ever higher, like a thirteen-storied treasure-pagoda, peaked and brimming, yet not the least drop spilled over.

In 舉著壺 the durative is zhe; 那酒 takes as deictic . 十三層寶塔 ("thirteen-storied treasure-pagoda") and 尖尖滿滿 ("peaked and full") render the marvel; 些須 is "the least bit."


總評 Commentary

The dragon meets the demon on the demon’s own ground — disguise — but with a crucial difference of purpose: where the demon’s transformation served predation, the dragon’s serves rescue. Taking the shape of a palace maid, the very kind of figure the demon has just slaughtered, he turns the scene of the atrocity into the setting of the counter-attack.

The 逼水法, the water-stacking trick, is beautifully apt: the dragon is a water-deity, and here he makes his element perform a courtly wonder — wine heaped into a swaying pagoda that will not spill. The marvel is at once genuine magic and pure stratagem, calculated to charm the demon’s guard entirely down.

The scene is built as a slow closing of the trap. Each cup poured higher draws the demon’s delighted attention, and the reader senses the design beneath the spectacle: the "maid’s" charm is the bait by which, in the next passage, the demon will be induced to give up his own sword.