Canonical Classics ← 第三十一回
第三十一回
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Zhu Bajie, Roused by Duty, Provokes the Monkey King · Sun the Pilgrim, by Wit, Subdues the Fiend

脫妖衣束虎裙
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原文 Original text 繁體 Traditional Reader's edition

脫妖衣束虎裙 The Sage Puts Off the Fiend’s Garb

shèngcáitiàoxiàzhuàngdòngtuōleyāozhěngzhěngjǐnzhíduōshùshùqúnzhíletiěbàngjìngchūménláihuāngdeqúnhóulánzhùdào:「shèngwǎngdàiqièmenshuǎziniánhǎo。」xíngzhědào:「xiǎodemenshuōhuàshèngcáitiàoxiàzhuàngdòngtuōleyāozhěngzhěngjǐnzhíduōshùshùqúnzhíletiěbàngjìngchūménláihuāngdeqúnhóulánzhùdào:「shèngwǎngdàiqièmenshuǎziniánhǎo。」xíngzhědào:「xiǎodemenshuōhuà


逐句解 Line by line

shèngcáitiàoxiàzhuàngdòngtuōleyāo shèngcáitiàoxiàzhuàngdòngtuōleyāo

The Great Sage then leapt down from the crag, dashed into the cave, and stripped off the fiend’s garb.

妖衣 (yāo yī), the fiend’s costume Wukong had donned in disguise; read .

zhěngzhěngjǐnzhíduōshùshùqúnzhíletiěbàngjìngchūménlái zhěngzhěngjǐnzhíduōshùshùqúnzhíletiěbàngjìngchūménlái

He set straight his brocade cassock, bound fast his tiger-skin kilt, took up the iron staff, and came straight out at the door.

錦直裰 (jǐn zhíduō), a brocade monk’s robe. 虎皮裙 (hǔpí qún), the tiger-skin kilt, Wukong’s emblematic garment.

huāngdeqúnhóulánzhùdào:「shèngwǎng huāngdeqúnhóulánzhùdào:「shèngwǎng

The troop of monkeys, in alarm, barred his way, crying, “Great Sage, our lord, where are you bound?

慌得 (huāng de), so alarmed that… ; read de. 那群猴 (nà qún hóu), that troop of monkeys, read ; but 那裡去 (nǎlǐ qù), “whither away,” read .

dàiqièmenshuǎziniánhǎo。」 dàiqièmenshuǎziniánhǎo。」

Take us along, and let us make merry a few years — that would be well.”

帶挈 (dàiqiè), to take along, to bring in one’s train. 耍子 (shuǎzi), to sport, to play.

xíngzhědào:「xiǎodemenshuōhuà xíngzhědào:「xiǎodemenshuōhuà

Pilgrim said, “Little ones, what a thing to say.

那裡話 (nǎlǐ huà), an idiom of demurral — “what talk is that! nonsense”; read .


總評 Commentary

The undressing is emblematic: in shedding the fiend’s costume and resuming the brocade cassock and tiger-skin kilt, Wukong sheds the impostor and reassumes the pilgrim, and the iron staff taken up in the same motion marks him once more the company’s champion. The little scene of re-robing performs, in the plain idiom of action, the inward turn the previous passage secured by persuasion.

The monkeys’ plea that he stay and make merry sets the domestic ease of Flower-Fruit Mountain against the harder road he has chosen, and his gentle rebuff — “what a thing to say” — confirms that the choice is made. The vernacular endearment “little ones” preserves the affection even as he refuses them, so that his departure reads not as abandonment but as the resumption of a higher obligation.