脫妖衣束虎裙 The Sage Puts Off the Fiend’s Garb
那大聖才跳下崖,撞入洞裡,脫了妖衣。整一整錦直裰,束一束虎皮裙,執了鐵棒,徑出門來。慌得那群猴攔住道:「大聖爺爺,你往那裡去?帶挈我們耍子幾年也好。」行者道:「小的們,你說那裡話。那大圣才跳下崖,撞入洞里,脱了妖衣。整一整锦直裰,束一束虎皮裙,执了铁棒,径出门来。慌得那群猴拦住道:「大圣爷爷,你往那里去?带挈我们耍子几年也好。」行者道:「小的们,你说那里话。
逐句解 Line by line
The Great Sage then leapt down from the crag, dashed into the cave, and stripped off the fiend's garb.
妖衣, yāo yī, the fiend's costume — Wukong had been wearing a captured demon outfit at home on the mountain, and takes it off the moment he decides to go back.
He set straight his brocade cassock, bound fast his tiger-skin kilt, took up the iron staff, and came straight out at the door.
The re-robing is the scene's whole meaning. 錦直裰, jǐn zhí duō, a brocade monk's robe; 虎皮裙, hǔ pí qún, the tiger-skin kilt that is Wukong's single most recognisable garment. Costume off, uniform on, staff in hand, out the door.
The troop of monkeys, in alarm, barred his way, crying, "Great Sage, our lord, where are you bound?
One sentence, two 那, two readings — and they sit six characters apart. 那群猴 is the pointing nà, "that troop"; 那裡去 is the questioning nǎ, "where away?" 慌得, huāng de, so alarmed that.
Take us along, and let us make merry a few years — that would be well."
帶挈, dài qiè, to take along in one's train; 耍子, shuǎ zi, to sport, to knock about enjoying oneself. The monkeys want the holiday to continue.
Pilgrim said, "Little ones, what a thing to say.
那裡話, nǎ lǐ huà, is an idiom of demurral — "what talk is that!" — and the 那 is the questioning nǎ again. It is a refusal, but a fond one.
The undressing is the point. In shedding the fiend's costume and putting on the brocade cassock and the tiger-skin kilt, Wukong sheds the impostor and resumes the pilgrim, and the iron staff taken up in the same motion marks him the company's champion again. The little scene of re-robing performs in plain action what the previous passage had to secure by argument.
The monkeys' plea that he stay and make merry sets the domestic ease of Flower-Fruit Mountain against the harder road he has chosen, and his gentle rebuff confirms the choice is made. The endearment "little ones" keeps the affection intact even as he refuses them, so his departure reads not as abandonment but as the taking up of a larger obligation.