Canonical Classics ← 第三十一回
第三十一回
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sūnxíngzhězhìxiángyāoguài

Zhu Bajie, Roused by Duty, Provokes the Monkey King · Sun the Pilgrim, by Wit, Subdues the Fiend

黑松林失師
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

黑松林失師 The Master Lost at Black Pine Wood

jièdào:「shímánshuōhuíhòushāsēngbǎoshīqiánxíngzhǐjiànzuòhēisōnglínshīxiàjiàohuàzhāiyīnyuǎnrénjiāxīnlelüèzàicǎoshuìshuìxiǎngshāsēngbiéleshīyòuláixúnxiǎodeshīméiyǒuzuòxìnglínjiānwánjǐngchūdelínjiànzuòhuángjīnbǎofàngguāngzhǐdàngyuànxiàyǒuyāojīngmínghuànhuángpáobèizhùhòubiānshāsēnghuíxúnzhǐjiànbáixíngnángjiànshīsuíxúnzhìdòngkǒuguàishāshīzàidòngxìngkuīlejiùxīngyuánshìbǎoxiàngguówángsāngōngzhǔbèiguàishèláizhějièdào:「shímánshuōhuíhòushāsēngbǎoshīqiánxíngzhǐjiànzuòhēisōnglínshīxiàjiàohuàzhāiyīnyuǎnrénjiāxīnlelüèzàicǎoshuìshuìxiǎngshāsēngbiéleshīyòuláixúnxiǎodeshīméiyǒuzuòxìnglínjiānwánjǐngchūdelínjiànzuòhuángjīnbǎofàngguāngzhǐdàngyuànxiàyǒuyāojīngmínghuànhuángpáobèizhùhòubiānshāsēnghuíxúnzhǐjiànbáixíngnángjiànshīsuíxúnzhìdòngkǒuguàishāshīzàidòngxìngkuīlejiùxīngyuánshìbǎoxiàngguówángsāngōngzhǔbèiguàishèláizhě


逐句解 Line by line

jièdào:「shímánshuōhuíhòushāsēngbǎoshīqiánxíngzhǐjiànzuòhēisōnglínshīxiàjiàohuàzhāi jièdào:「shímánshuōhuíhòushāsēngbǎoshīqiánxíngzhǐjiànzuòhēisōnglínshīxiàjiàohuàzhāi

Bajie said, “I will hide nothing from you, elder brother. After you had gone back, Sha Seng and I escorted our master onward, until we came upon a wood of black pines. There the master dismounted and bade me go and beg a meal.

黑松林 (Hēisōnglín), “Black Pine Wood,” the scene of the master’s abduction. 化齋 (huà zhāi), to beg a vegetarian meal as alms.

yīnyuǎnrénjiāxīnlelüèzàicǎoshuìshuì yīnyuǎnrénjiāxīnlelüèzàicǎoshuìshuì

Because I had gone so great a way and found not a single dwelling, I grew weary, and lay down a little while to sleep among the grass.

許遠 (xǔ yuǎn), “so far, such a distance.”

xiǎngshāsēngbiéleshīyòuláixún xiǎngshāsēngbiéleshīyòuláixún

I had not reckoned that Sha Seng would leave the master and come out to look for me.

別了 (bié le), “took leave of”; 尋 (xún), to seek, to look for.

xiǎodeshīméiyǒuzuòxìnglínjiānwánjǐng xiǎodeshīméiyǒuzuòxìnglínjiānwánjǐng

You know well that our master has no patience for sitting still: he walked out alone among the trees to take in the view.

坐性 (zuòxìng), “the temper to sit quietly and stay put”; read de.

chūdelínjiànzuòhuángjīnbǎofàngguāngzhǐdàngyuàn chūdelínjiànzuòhuángjīnbǎofàngguāngzhǐdàngyuàn

Coming clear of the wood, he spied a pagoda of yellow gold blazing with light, and took it for nothing but a monastery.

只當 (zhǐ dàng), “took it merely for, supposed it to be”; read dàng, “to regard as.”

xiàyǒuyāojīngmínghuànhuángpáobèizhù xiàyǒuyāojīngmínghuànhuángpáobèizhù

Little did he expect that beneath the tower dwelt a fiend, Yellow Robe by name, by whom he was seized and held.

黃袍 (Huángpáo), “Yellow Robe,” the demon of this chapter, later revealed as the star-lord Kui the Wood-Wolf (奎木狼).

hòubiānshāsēnghuíxúnzhǐjiànbáixíngnángjiànshī hòubiānshāsēnghuíxúnzhǐjiànbáixíngnángjiànshī

Coming back to search, Sha Seng and I found only the white horse and the baggage; of our master there was no sign.

行囊 (xíngnáng), “the travelling packs”; read xíng.

suíxúnzhìdòngkǒuguàishā suíxúnzhìdòngkǒuguàishā

Following the trail to the mouth of the cave, we did battle with the fiend.

廝殺 (sīshā), “to fight and kill at close quarters”; read .

shīzàidòngxìngkuīlejiùxīng shīzàidòngxìngkuīlejiùxīng

Our master, held within the cave, had the good fortune of one deliverer.

救星 (jiùxīng), lit. “star of rescue,” a saving benefactor.

yuánshìbǎoxiàngguówángsāngōngzhǔbèiguàishèláizhě yuánshìbǎoxiàngguówángsāngōngzhǔbèiguàishèláizhě

She proved to be the third princess of the King of Baoxiang, carried off by that same fiend.

寶象國 (Bǎoxiàngguó), the Kingdom of Baoxiang. 攝來 (shè lái), spirited away, abducted by force; read shè.


總評 Commentary

Bajie’s narration folds the whole of the intervening chapter into a swift confession, and the teller’s character colours every line: he opens with a protest of candour — that he will hide nothing — precisely because he means, a few breaths later, to practise a calculated deceit. The recital is exact in its particulars, the black pinewood, the golden pagoda mistaken for a monastery, the fiend beneath the tower, so that the listener is disarmed by its very fidelity.

The narrative economy is characteristic of the vernacular novel’s handling of a returning traveller’s report: rather than re-enact the earlier episode, the storyteller has one witness compress it, and the compression itself carries dramatic weight, for it hurries toward the plea Bajie has come to make. The pagoda “taken for a monastery” is a small, telling stroke — the pilgrims’ piety is exactly the lure by which calamity draws the unwary Tripitaka in.