白玉階前 Before the White Jade Steps
卻說八戒、沙僧把兩個孩子拿到寶象國中,往那白玉階前捽下。可憐都摜做個肉餅相似,鮮血迸流,骨骸粉碎。慌得那滿朝多官報道:「不好了,不好了,天上摜下兩個人來了。」八戒厲聲高叫道:「那孩子是黃袍妖精的兒子,被老豬與沙弟拿將來也!」却说八戒、沙僧把两个孩子拿到宝象国中,往那白玉阶前捽下。可怜都掼做个肉饼相似,鲜血迸流,骨骸粉碎。慌得那满朝多官报道:「不好了,不好了,天上掼下两个人来了。」八戒厉声高叫道:「那孩子是黄袍妖精的儿子,被老猪与沙弟拿将来也!」
逐句解 Line by line
Now Bajie and Sha Seng carried the two children into the kingdom of Baoxiang, and flung them down before the white jade steps.
捽下, zuó xià, to hurl down. The scene changes to the throne-hall, and the plan is carried out exactly as laid.
Piteously they were both dashed to something like a meat-cake, the fresh blood spurting and the bones ground to powder.
The novel does not look away. 肉餅相似, ròu bǐng xiāng sì, resembling a flat meat-cake — the same grim kitchen imagery Bajie used on the crag, now realised. 鮮血迸流, xiān xuè bèng liú, the fresh blood bursting out; 骨骸粉碎, gǔ hái fěn suì, the bones smashed to powder. 可憐, "piteously," is the narrator's own word, and it is the only concession made.
In alarm the officers thronging the court cried out, "This is ill, this is ill — two persons have been flung down out of the sky!"
滿朝多官, mǎn cháo duō guān, the officers filling the whole court; 不好了, bù hǎo le, "this is bad" — the cry of ordinary people who have just seen something drop out of the sky.
Bajie cried out in a loud voice, "Those children are the Yellow-Robe fiend's sons, seized and brought here by old Hog and Brother Sha!"
老豬, lǎo zhū, "old Hog," is Bajie's own name for himself, matching Wukong's "old Sun." He shouts the announcement because the whole point is to be heard by somebody two rooms away, sleeping off his wine.
The provocation is carried out with a brutality the novel refuses to soften. The demon's children, hostages since the cliff-top, are dashed to bloody ruin in front of the entire court. The grisly particulars — the meat-cake, the bursting blood, the powdered bone — make good Bajie's earlier misgiving word for word, and the horror is compounded by the public staging, which is calculated to reach the father's ears.
This is the point at which Wukong's stratagem exacts its full moral cost, and the dark comedy shades into something genuinely disturbing. Bajie's bellowed announcement, naming both the victims and their killers, completes the bait. The cruelty is instrumental, aimed at drawing the fiend home; and the text lets its ugliness stand unmitigated, as the price of the rescue now in motion.