Canonical Classics ← 第三十一回
第三十一回
zhūjièhóuwáng
sūnxíngzhězhìxiángyāoguài

Zhu Bajie, Roused by Duty, Provokes the Monkey King · Sun the Pilgrim, by Wit, Subdues the Fiend

藏主變形
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

藏主變形 The Princess Hidden, the Sage Transformed

gōngzhǔguǒránxíngzhězhīyánwǎngjìngchùduǒshìyīnyuángāijìnzháoshèngláilínhóuwánggōngzhǔcánglequèyáoshēnbiànjiùbiànzuògōngzhǔbānyànghuízhuǎndòngzhōngzhuānhòuguàigōngzhǔguǒránxíngzhězhīyánwǎngjìngchùduǒshìyīnyuángāijìnzháoshèngláilínhóuwánggōngzhǔcánglequèyáoshēnbiànjiùbiànzuògōngzhǔbānyànghuízhuǎndòngzhōngzhuānhòuguài


逐句解 Line by line

gōngzhǔguǒránxíngzhězhīyánwǎngjìngchùduǒ gōngzhǔguǒránxíngzhězhīyánwǎngjìngchùduǒ

The princess did indeed follow Pilgrim’s word, and withdrew to some secluded spot to hide.

僻靜處 (pìjìng chù), a quiet, out-of-the-way place. 躲避 (duǒbì), to hide, to keep out of the way. read .

shìyīnyuángāijìnzháoshèngláilín shìyīnyuángāijìnzháoshèngláilín

It was, besides, that her marriage-bond was fated to end, and so she met with the coming of the Great Sage.

姻緣 (yīnyuán), the bond of marriage, the karmic tie of a match. 該盡 (gāi jìn), ought to be exhausted, fated to end; read jìn. 遇著 (yù zháo), met with, encountered; read zháo.

hóuwánggōngzhǔcánglequèyáoshēnbiànjiùbiànzuògōngzhǔbānyànghuízhuǎndòngzhōngzhuānhòuguài hóuwánggōngzhǔcánglequèyáoshēnbiànjiùbiànzuògōngzhǔbānyànghuízhuǎndòngzhōngzhuānhòuguài

The Monkey King, having hidden the princess away, then gave his body a shake and changed himself into her very likeness, returned into the cave, and waited there expressly for the fiend.

搖身一變 (yáo shēn yí biàn), to transform oneself with a shake of the body. 一般模樣 (yìbān múyàng), the selfsame appearance. read cáng; 洞中 with as zhōng; read .


總評 Commentary

The passage sets the trap in two swift strokes: the princess concealed, the Great Sage assuming her form to await the demon within the cave. The narrator’s aside — that her marriage-bond was “fated to end” — supplies the karmic warrant for the deliverance to come, framing the impersonation not as mere trickery but as the working-out of a destiny already ripe.

Wukong’s shape-shifting into the princess’s likeness is the pivot on which the chapter’s central deception turns, and the novel dwells on it only long enough to establish the disguise before hurrying to the provocation at the Baoxiang court. The economy is deliberate: the reader is let in on the ruse in advance, so that the demon’s coming credulity, and the comedy of his being consoled by his own enemy, may be relished in full.