Canonical Classics ← 第三十一回
第三十一回
zhūjièhóuwáng
sūnxíngzhězhìxiángyāoguài

Zhu Bajie, Roused by Duty, Provokes the Monkey King · Sun the Pilgrim, by Wit, Subdues the Fiend

回前詩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

回前詩 The Chapter-Opening Verse

jiékǒnghuáiguīběnxìngjiékǒng怀huáiguīběnxìng
jīnshùnxúnchéngzhèngguǒxīnyuándānyuánjīnshùnxúnchéngzhèngguǒxīnyuándānyuán
gòngdēngshìjiètóngláièrméngòngdēngshìjiètóngláièrmén
jīngnǎixiūxíngzhīzǒngjìngpèizhīyuánshénjīngnǎixiūxíngzhīzǒngjìngpèizhīyuánshén
xiōnghuìchéngsānyāoyìngxíngxiōnghuìchéngsānyāoyìngxíng
jiǎnchúliùménléiyīnjiǎnchúliùménléiyīn

逐句解 Line by line

jiékǒnghuáiguīběnxìng jiékǒng怀huáiguīběnxìng

Bound in righteousness as brothers dear, the Dharma comes home to the original nature.

The chapter announces its whole business in two half-lines: brothers bound back together, and a nature brought home. 孔懷, kǒng huái, is lifted from the Classic of Poetry and names the deep bond between brothers — two unremarkable characters carrying a warmth neither has on its own. 本性, běn xìng, is the "original nature," the Buddha-nature that all cultivation is trying to get back to.

jīnshùnxúnchéngzhèngguǒxīnyuándānyuán jīnshùnxúnchéngzhèngguǒxīnyuándānyuán

Metal made pliant and Wood grown tame, they ripen the true fruit; the Mind-Monkey and the Wood-Mother merge in the cinnabar prime.

Here the poem states its own cast list outright, in the vocabulary it will use for the rest of the book. Under the whole novel runs an inner-alchemy allegory in which (Metal) and (Wood) are Five-Phase code names for the disciples: 心猿, xīn yuán, the "Mind-Monkey," is Wukong, and 木母, mù mǔ, the "Wood-Mother," is Bajie. 丹元, dān yuán, is the cinnabar prime, the single unified elixir-nature the two are supposed to fuse into. Said plainly: the monkey and the pig have to stop quarrelling before anything can ripen.

gòngdēngshìjiètóngláièrmén gòngdēngshìjiètóngláièrmén

Together they climb to the World of Ultimate Bliss; together they pass through the Gate of Non-Duality.

Two destinations, one a place and one an idea. 極樂世界, jí lè shì jiè, is Sukhāvatī, the Pure Land of Amitābha — the World of Ultimate Bliss. 不二法門, bú èr fǎ mén, the "Dharma-gate of non-duality," is a term from the Vimalakīrti Sūtra for the undivided truth that lies past every pair of opposites. It is still live Chinese today, used for "the one and only way to do a thing."

jīngnǎixiūxíngzhīzǒngjìngpèizhīyuánshén jīngnǎixiūxíngzhīzǒngjìngpèizhīyuánshén

The scriptures are the master-road of cultivation; the Buddha is matched to one's own primal spirit.

The couplet quietly folds the outward journey into an inward one. 總徑, zǒng jìng, is the trunk-road that gathers up every lesser path. 元神, yuán shén, is the "primal spirit" of Daoist physiology — so the second half pairs the Buddha out there with the practitioner's own innermost spirit in here. The scripture being fetched is also the road being walked.

xiōnghuìchéngsānyāoyìngxíng xiōnghuìchéngsānyāoyìngxíng

Elder and younger, in their meeting, make the three concords; fiends and demons, each in its kind, answer to the Five Phases.

三契, sān qì, is the threefold accord among the brothers — precisely the concord this chapter has to manufacture. The second half makes the more surprising claim: , , here means "kind, category," and , yìng, "to answer to, to correspond with," so the demons run on the same Five-Phase wiring as the pilgrims do. The villains are not outside the system; they are part of the machinery.

jiǎnchúliùménléiyīn jiǎnchúliùménléiyīn

Shear away the lures of the six gates, and hasten straightway to the Great Thunderclap.

The verse ends by turning into an instruction. 六門, liù mén, are the six sense-gates — the 六根: eye, ear, nose, tongue, body and mind — and , , the things that beckon through them. Shear those away and you arrive at 大雷音, Dà Léiyīn, the Great Thunderclap Monastery on Vulture Peak, where the Buddha sits and where the pilgrims are headed. Cut the distractions, reach the destination: the entire book in ten characters.


總評 Commentary

Every chapter opens with a verse, and this one is written in the register of inner alchemy (內丹) rather than plain narration. Its Five-Phase ciphers — Metal and Wood, the Mind-Monkey and the Wood-Mother — are the standing emblems by which the book reads its own cast: Wukong as the restless mind, Bajie as the earthy Wood-Mother, and the fellowship itself as an elixir whose ingredients have to be brought into concord before the "true fruit" can ripen.

Read against the story, the poem is a promise of repair — and it is made in advance, before a word of the action. Chapters 27 through 30 have shown the band in pieces: Wukong banished, the master transformed, the disciples scattered and beaten. Here the verse insists that Metal will be made pliant and Wood tamed, that the brothers will re-form their three concords, and that even the demons blocking them belong to the same order. Obstacle and pilgrimage are governed by one law.

The closing couplet drops the allegory and gives an order: cut away the pull of the six senses and press on to the Thunderclap. That is the moral the chapter will act out, as Wukong's return restores both the fellowship and its forward motion toward the West.