原文 Original text
繁體 Traditional
Reader's edition
解虎識人
The Tiger Unbound
他三人徑下寶殿,與眾官到朝房裡,擡出鐵籠,將假虎解了鐵索。別人看他是虎,獨行者看他是人。原來那師父被妖術魘住,不能行走,心上明白,只是口眼難開。行者笑道:「師父啊,你是個好和尚,怎麼弄出這般個惡模樣來也?你怪我行兇作惡,趕我回去,你要一心向善,怎麼一旦弄出個這等嘴臉?」八戒道:「哥啊,救他救兒罷,不要只管揭挑他了。」他三人径下宝殿,与众官到朝房里,擡出铁笼,将假虎解了铁索。别人看他是虎,独行者看他是人。原来那师父被妖术魇住,不能行走,心上明白,只是口眼难开。行者笑道:「师父啊,你是个好和尚,怎么弄出这般个恶模样来也?你怪我行凶作恶,赶我回去,你要一心向善,怎么一旦弄出个这等嘴脸?」八戒道:「哥啊,救他救儿罢,不要只管揭挑他了。」
逐句解 Line by line
他三人徑下寶殿,與眾官到朝房裡,擡出鐵籠,將假虎解了鐵索。
他三人径下宝殿,与众官到朝房里,擡出铁笼,将假虎解了铁索。
The three of them went straight down from the throne-hall, and with the officers came to the court-chamber, carried out the iron cage, and loosed the false tiger from its iron chains.
朝房 (cháo fáng), the antechamber of the court. 鐵籠 (tiě lóng), an iron cage. 將 read jiāng.
別人看他是虎,獨行者看他是人。
别人看他是虎,独行者看他是人。
To others he seemed a tiger; to Pilgrim alone he seemed a man.
獨 (dú), alone, only. The line marks Wukong’s discerning eye, which pierces the enchantment others cannot.
原來那師父被妖術魘住,不能行走,心上明白,只是口眼難開。
原来那师父被妖术魇住,不能行走,心上明白,只是口眼难开。
For the master, held fast by the fiend’s spell, could not move; his mind was clear within, only his mouth and eyes would not open.
魘住 (yǎn zhù), held fast by an enchantment, bewitched. 口眼難開 (kǒu yǎn nán kāi), mouth and eyes unable to open. 那 read nà.
行者笑道:「師父啊,你是個好和尚,怎麼弄出這般個惡模樣來也?
行者笑道:「师父啊,你是个好和尚,怎么弄出这般个恶模样来也?
Pilgrim said with a laugh, “Master — you are so good a monk, how have you got yourself into so hideous a shape?
惡模樣 (è múyàng), a hideous appearance; 惡 here “ugly, foul,” read è.
你怪我行兇作惡,趕我回去,你要一心向善,怎麼一旦弄出個這等嘴臉?」
你怪我行凶作恶,赶我回去,你要一心向善,怎么一旦弄出个这等嘴脸?」
You blamed me for my violence and evil-doing, and drove me back; you would keep a heart wholly bent on goodness — how, then, have you at a stroke got yourself such a countenance?”
行兇作惡 (xíng xiōng zuò è), to do violence and evil. 一心向善 (yì xīn xiàng shàn), with a whole heart set on goodness. 一旦 (yí dàn), all at once, in a single day.
八戒道:「哥啊,救他救兒罷,不要只管揭挑他了。」
八戒道:「哥啊,救他救儿罢,不要只管揭挑他了。」
Bajie said, “Brother, save him, do save the poor creature, and leave off picking at him so.”
救兒 (jiù ér), “save the poor creature” — a coaxing diminutive; 兒 read ér. 揭挑 (jiē tiāo), to pick at, to taunt and find fault.
總評 Commentary
The unbinding of the tiger allows the novel a moment of pointed comedy at Tripitaka’s expense, and of tacit vindication for Wukong. That the Great Sage alone sees the man beneath the beast quietly reasserts the discernment for which he had been unjustly banished, while the master lies helpless, clear in mind but unable to speak — an apt figure for the pilgrim whose good intentions availed nothing against the fiend.
Wukong cannot resist twisting the knife: he throws Tripitaka’s own reproaches back at him, the charge of violence, the demand for a heart set on goodness, now that the tender-hearted master has been reduced to a monster. The teasing is barbed with genuine grievance over the banishment, and Bajie’s soft-hearted plea to stop the taunting and get on with the rescue supplies the counter-voice that moves the scene toward its resolution.