Canonical Classics ← 第三十一回
第三十一回
zhūjièhóuwáng
sūnxíngzhězhìxiángyāoguài

Zhu Bajie, Roused by Duty, Provokes the Monkey King · Sun the Pilgrim, by Wit, Subdues the Fiend

高崖索兒
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

高崖索兒 The Princess Confronted

gōngzhǔwényánmángmángzǒuchūdòngménláizhǐjiànxíngzhězheliǎngháizizhànzàigāozhīshàngwǎngxiàguànhuāngdegōngzhǔshēnggāojiàodào:「hànziméishénxiānggānzěnmeérzilǎozihàiyǒuxiēchācuòjuégānxiū。」xíngzhědào:「rèndeshìtángsēngdesūnkōngxíngzhěyǒushīshāshàngzàidòngfàngchūláizhèliǎngháiérhuánzhèbānliǎnghuànháishì便piányi。」gōngzhǔwényánmángmángzǒuchūdòngménláizhǐjiànxíngzhězheliǎngháizizhànzàigāozhīshàngwǎngxiàguànhuāngdegōngzhǔshēnggāojiàodào:「hànziméishénxiānggānzěnmeérzilǎozihàiyǒuxiēchācuòjuégānxiū。」xíngzhědào:「rèndeshìtángsēngdesūnkōngxíngzhěyǒushīshāshàngzàidòngfàngchūláizhèliǎngháiérhuánzhèbānliǎnghuànháishì便piányi。」


逐句解 Line by line

gōngzhǔwényánmángmángzǒuchūdòngménláizhǐjiànxíngzhězheliǎngháizizhànzàigāozhīshàngwǎngxiàguàn gōngzhǔwényánmángmángzǒuchūdòngménláizhǐjiànxíngzhězheliǎngháizizhànzàigāozhīshàngwǎngxiàguàn

The princess, hearing this, came hurrying out at the cave door, and saw Pilgrim holding the two children, standing upon the high crag as if about to hurl them down.

提著, tí zhe, holding, carrying — the "-ing" form, the grip maintained while he waits for her to look. , guàn, to dash or fling something down, is the verb the whole scene turns on, and it will return, horribly, at the white jade steps.

huāngdegōngzhǔshēnggāojiàodào:「hànziméishénxiānggānzěnmeérzi huāngdegōngzhǔshēnggāojiàodào:「hànziméishénxiānggānzěnmeérzi

In alarm the princess cried out in a shrill voice, "You fellow — I have nothing whatever to do with you; why have you carried off my sons?

厲聲, lì shēng, in a sharp, cutting voice. 沒甚相干, méi shén xiāng gān, "nothing whatever to do with each other," still everyday Chinese. 兒子, ér zi, sons.

lǎozihàiyǒuxiēchācuòjuégānxiū。」 lǎozihàiyǒuxiēchācuòjuégānxiū。」

Their father is a fearsome one; should any harm befall them, he will by no means let you off."

利害, lì hài, formidable, not to be crossed — she means it as a threat and it lands as information. 差錯, chā cuò, a mishap, with read chā. 干休, gān xiū, to let a matter rest.

xíngzhědào:「rènde xíngzhědào:「rènde

Pilgrim said, "Do you not know me?

認得, rèn de: to recognise, to know by sight.

shìtángsēngdesūnkōngxíngzhě shìtángsēngdesūnkōngxíngzhě

I am Sun Wukong the Pilgrim, chief disciple of that Tang Monk.

行者, Xíngzhě, "the Pilgrim," is Wukong's religious style — the name Tripitaka gave him, and the one he uses when he wants to be taken seriously.

yǒushīshāshàngzàidòngfàngchūláizhèliǎngháiérhuán yǒushīshāshàngzàidòngfàngchūláizhèliǎngháiérhuán

I have a junior brother, Sha the Monk, within your cave; go and set him free, and I will give you back these two children.

The offer, stated as a transaction. 孩兒, hái ér, children; 還你, huán nǐ, to give back to you — read huán, "return," not hái, "still."

zhèbānliǎnghuànháishì便piányi。」 zhèbānliǎnghuànháishì便piányi。」

Two exchanged for one, in this manner — the bargain is still in your favour."

And then he haggles. 似這般, sì zhè bān, "in this manner"; 還是, hái shì, "still, after all" — the other , one line later. 便宜, pián yi, a bargain in your favour: the word a market trader uses. Two for one, madam, and you are getting the better of it.


總評 Commentary

The confrontation reframes the hostage-taking as a coldly rational trade. Wukong, unmoved by the mother's alarm, names his price at once — two children for one captive monk — and then has the nerve to point out that the exchange rate favours her. The princess's appeal to her husband's vengeance, meant as a threat, only confirms for the reader the danger the whole company has to be got out of.

The scene sharpens the ambiguity the previous passage opened. The tactic works precisely because it is ruthless, and the novel does not soften it; yet the princess is drawn with a mother's real fear, so the exchange carries a pathos the Great Sage ignores entirely. His trader's vocabulary — bargains, advantage, the better of a deal — gives the confrontation its grim comic edge.