Canonical Classics ← 第三十一回
第三十一回
zhūjièhóuwáng
sūnxíngzhězhìxiángyāoguài

Zhu Bajie, Roused by Duty, Provokes the Monkey King · Sun the Pilgrim, by Wit, Subdues the Fiend

高探馬勢
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

高探馬勢 The Feint of the Staff

liǎngzhànyǒuliùshífēnshèngxíngzhěxīnzhōngàndào:「zhèguàikǒudāodàodezhùlǎosūndezhègēnbàngděnglǎosūndiūzhànkànrènde?」hǎohóuwángshuāngshǒugùn使shǐgāotàndeshìziguàishíshìjiànyǒukòngerzhebǎodāojìngbēnxiàsānkǎnbèixíngzhězhuǎnzhōngpíng」,tiāokāikǒudāoyòu使shǐtōutáoshì」,wàngyāojīngtóudǐnggùnjiùdeyǐngzōngshōugùnzikànchùjiànleyāojīngliǎngzhànyǒuliùshífēnshèngxíngzhěxīnzhōngàndào:「zhèguàikǒudāodàodezhùlǎosūndezhègēnbàngděnglǎosūndiūzhànkànrènde?」hǎohóuwángshuāngshǒugùn使shǐgāotàndeshìziguàishíshìjiànyǒukòngerzhebǎodāojìngbēnxiàsānkǎnbèixíngzhězhuǎnzhōngpíng」,tiāokāikǒudāoyòu使shǐtōutáoshì」,wàngyāojīngtóudǐnggùnjiùdeyǐngzōngshōugùnzikànchùjiànleyāojīng


逐句解 Line by line

liǎngzhànyǒuliùshífēnshèng liǎngzhànyǒuliùshífēnshèng

The two of them fought some fifty or sixty bouts, with neither victory nor defeat decided.

五六十合, wǔ liù shí hé, fifty or sixty bouts — a being one exchange of arms, the unit fights are counted in. 不分勝負, bù fēn shèng fù, with neither winning: an honest stalemate, and Wukong is not used to those.

xíngzhěxīnzhōngàndào:「zhèguàikǒudāodàodezhùlǎosūndezhègēnbàng xíngzhěxīnzhōngàndào:「zhèguàikǒudāodàodezhùlǎosūndezhègēnbàng

Pilgrim rejoiced secretly, "This vile fiend — that blade of his can, after all, hold off old Sun's staff.

抵得住, dǐ de zhù, able to hold it off; 倒也, dào yě, "after all, contrary to expectation." He is genuinely impressed, and that is what makes him change tactics.

děnglǎosūndiūzhànkànrènde?」 děnglǎosūndiūzhànkànrènde?」

Let old Sun throw him an opening, and see whether he knows it for what it is."

丟破綻, diū pò zhàn, to throw somebody an opening — a 破綻 is literally a burst seam in a garment, so the phrase is about deliberately showing a weak place. Still the ordinary Chinese for a flaw in an argument or an alibi.

hǎohóuwángshuāngshǒugùn使shǐgāotàndeshìzi hǎohóuwángshuāngshǒugùn使shǐgāotàndeshìzi

The brave Monkey King, raising his staff in both hands, made the posture called 'High Reach for the Horse.'

And now the technical vocabulary of the fencing hall. 高探馬, gāo tàn mǎ, "High Reach for the Horse," is a named staff posture; 勢子, shì zi, a stance. Anyone who has watched a taijiquan form will know the name.

guàishíshìjiànyǒukòngerzhebǎodāojìngbēnxiàsānkǎnbèixíngzhězhuǎnzhōngpíng」,tiāokāikǒudāoyòu使shǐtōutáoshì」,wàngyāojīngtóudǐnggùnjiùdeyǐngzōng guàishíshìjiànyǒukòngerzhebǎodāojìngbēnxiàsānkǎnbèixíngzhězhuǎnzhōngpíng」,tiāokāikǒudāoyòu使shǐtōutáoshì」,wàngyāojīngtóudǐnggùnjiùdeyǐngzōng

The fiend, not seeing the ruse, spied the opening and, brandishing his blade, drove straight down for the lower line; but Pilgrim, swiftly shifting to 'Great Central Level,' struck the blade aside, and then, with 'Stealing the Peach beneath the Leaves,' brought his staff down on the fiend's crown — and struck him clean out of sight.

Three named moves in one sentence, and they win the fight. 下三路, xià sān lù, the lower lines of attack — the demon goes for the legs, exactly as invited. 大中平, dà zhōng píng, "Great Central Level," knocks the blade aside, and then 葉底偷桃, yè dǐ tōu táo, "Stealing the Peach beneath the Leaves," comes up under the guard onto the crown of the head. The peach in the name is not accidental; stealing them is what this particular fighter is famous for.

shōugùnzikànchùjiànleyāojīng shōugùnzikànchùjiànleyāojīng

Hastily drawing back his staff to look, he found the fiend nowhere to be seen.

收棍, shōu gùn, to draw the staff back; 不見了, bù jiàn le, gone, vanished. The blow landed and there is nothing there, which is not at all what was supposed to happen.


總評 Commentary

The turn from stalemate to stratagem is pure Wukong. Recognising that the blade can genuinely withstand his staff, he abandons force for a feint, baits an opening, and lands a crowning blow through a rapid sequence of named postures. The technical vocabulary of the staff-forms gives the combat the flavour of a martial-arts manual, a texture the novel enjoys in its set-piece fights.

The blow lands, and produces not a corpse but a disappearance — and this small surprise pivots the episode from combat to mystery. The vanishing that ought to have signalled victory unsettles the Great Sage instead, and prepares the deduction that will turn the chapter from the demon's cave toward the courts of Heaven.