奎星招罪 The Star-Lord’s Confession
玉帝道:「奎木狼,上界有無邊的勝景,你不受用,卻私走一方,何也?」奎宿叩頭奏道:「萬歲,赦臣死罪。那寶象國王公主,非凡人也。他本是披香殿侍香的玉女,因欲與臣私通,臣恐點污了天宮勝境。他思凡先下界去,托生於皇宮內院。玉帝道:「奎木狼,上界有无边的胜景,你不受用,却私走一方,何也?」奎宿叩头奏道:「万岁,赦臣死罪。那宝象国王公主,非凡人也。他本是披香殿侍香的玉女,因欲与臣私通,臣恐点污了天宫胜境。他思凡先下界去,托生于皇宫内院。
逐句解 Line by line
The Jade Emperor said, “Kui the Wood-Wolf, the upper realm has scenes of boundless beauty; these you would not enjoy, but stole away privately to a quarter of the earth — why so?”
無邊勝景 (wú biān shèngjǐng), boundless fair scenery. 私走一方 (sī zǒu yì fāng), to slip away in secret to some region below.
The Kui lodge bowed his head and submitted, “Your Majesty, pardon your servant’s capital crime.
奎宿 (Kuí xiù), the Kui lunar lodge; 宿 read xiù. 赦臣死罪 (shè chén sǐ zuì), to pardon the servant’s deadly offence — a formula of address to the throne.
The princess, daughter of the King of Baoxiang, is no mortal woman.
非凡人也 (fēi fánrén yě), is no ordinary mortal. 那 read nà.
She was in origin the jade-maiden who tends the incense in the Hall of Spreading Fragrance; because she wished to have secret union with your servant, and I feared to defile the fair precincts of the heavenly palace—
披香殿 (Pīxiāng Diàn), the Hall of Spreading Fragrance, a celestial hall. 侍香玉女 (shì xiāng yùnǚ), the jade-maiden who attends the incense. 點污 (diǎn wū), to sully, to defile.
she, yearning for the mortal world, went down first and was reborn within the palace of the king.
思凡 (sī fán), to yearn for the world of mortals — a stock motive for a celestial’s descent. 托生 (tuō shēng), to be reborn, to take mortal birth.
The confession recasts the whole preceding drama in a new light. What had seemed a demon’s abduction of an innocent princess proves to be the earthly working-out of a celestial romance: the star-lord and the incense-maiden, forbidden union above, are drawn together below. The revelation retroactively softens the demon’s guilt and complicates the princess’s victimhood, disclosing a prior bond of desire beneath the appearance of captivity.
The device is thoroughly characteristic of the novel’s cosmology, in which earthly entanglements so often turn out to be the sublunary shadow of heavenly affairs, and mortal lives the vehicle of debts and desires contracted among the stars. The star-lord’s careful apportioning of initiative — the maiden wished the union, he feared to defile Heaven, she descended first — both excuses himself and prepares the doctrine of foreordination that the confession will invoke to close the account.