Canonical Classics ← 第四十五回
第四十五回
sānqīngguànshèngliúmíng
chēchíguóhóuwángxiǎn

At the Abbey of the Three Pure Ones the Great Sage leaves his name; in the Kingdom of Cart-Slow the Monkey King displays his magic.

三打令牌
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

三打令牌 The Third Crack

dàoshìxīnzhōngjiāozàozhàngbǎojiànjiěsànletóuniànzhezhòushāolezàilìngpáijiāngxiàzhǐjiànnántiānméndèngtiānjūnlǐngzheléigōngdiàndàodāngkōngyíngzhexíngzhějìndàoshìxīnzhōngjiāozàozhàngbǎojiànjiěsànletóuniànzhezhòushāolezàilìngpáijiāngxiàzhǐjiànnántiānméndèngtiānjūnlǐngzheléigōngdiàndàodāngkōngyíngzhexíngzhějìn


逐句解 Line by line

dàoshìxīnzhōngjiāozàozhàngbǎojiànjiěsànletóuniànzhezhòushāolezàilìngpáijiāngxià dàoshìxīnzhōngjiāozàozhàngbǎojiànjiěsànletóuniànzhezhòushāolezàilìngpáijiāngxià

The Daoist, agitated in his heart, gripped his precious sword, loosed his hair, chanted his spell, burned a talisman, and struck the command-tablet down once again.

那道士: = . 心中: = zhōng. 解散了頭髮: = sàn, to loosen -- letting the hair down is part of the rite, not a sign of disarray, though it reads as both here. 念著咒: = zhe. 打將下去: = jiāng, carrying the stroke downward.

zhǐjiànnántiānméndèngtiānjūnlǐngzheléigōngdiàndàodāngkōngyíngzhexíngzhějìn zhǐjiànnántiānméndèngtiānjūnlǐngzheléigōngdiàndàodāngkōngyíngzhexíngzhějìn

And there, within the Southern Gate of Heaven, Marshal Deng, leading the Thunder Lord and the Lightning Mother, came into the mid-air and, facing Pilgrim, made their salutes.

那南天門: = . 領著 and 迎著: = zhe. 鄧天君 is Marshal Deng, a senior officer of the thunder court; 雷公 the Thunder Lord and 電母 the Lightning Mother, who are exactly what their names say. 當空: = dāng.


總評 Commentary

The third attempt is the most frantic -- hair unbound, sword drawn, the full Five-Thunder rite -- and it works. The great thunder deities come down through the Southern Gate of Heaven.

And they come down to salute Wukong. That is the passage's quiet joke: the summoning succeeds perfectly and delivers its results to the wrong man. The immortal is not being exposed as a fraud here; he is being outranked.

The next passage makes that explicit, and it is the point on which the whole contest turns from comedy into something with a rule behind it.