Canonical Classics ← 第四十五回
第四十五回
三sān清qīng觀guàn大dà聖shèng留liú名míng
車chē遲chí國guó猴hóu王wáng顯xiǎn法fǎ

At the Abbey of the Three Pure Ones the Great Sage leaves his name; in the Kingdom of Cart-Slow the Monkey King displays his magic.

泥塑金裝
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

泥塑金裝 Gilded Figures of Clay

卻què說shuō孫sūn大dà聖shèng左zuǒ手shǒu把bǎ沙shā和hé尚shàng捻niǎn一yì把bǎ,右yòu手shǒu把bǎ豬zhū八bā戒jiè捻niǎn一yì把bǎ,他tā二èr人rén卻què就jiù省xǐng悟wù。坐zuò在zài高gāo處chù,倥kōng著zhe臉liǎn,不bù言yán不bù語yǔ。憑píng那nà些xiē道dào士shì點diǎn燈dēng著zháo火huǒ,前qián後hòu照zhào看kàn,他tā三sān個gè就jiù如rú泥ní塑sù金jīn裝zhuāng一yì般bān模mú樣yàng。却què说shuō孙sūn大dà圣shèng左zuǒ手shǒu把bǎ沙shā和hé尚shàng捻niǎn一yì把bǎ,右yòu手shǒu把bǎ猪zhū八bā戒jiè捻niǎn一yì把bǎ,他tā二èr人rén却què就jiù省xǐng悟wù。坐zuò在zài高gāo处chù,倥kōng着zhe脸liǎn,不bù言yán不bù语yǔ。凭píng那nà些xiē道dào士shì点diǎn灯dēng着zháo火huǒ,前qián后hòu照zhào看kàn,他tā三sān个gè就jiù如rú泥ní塑sù金jīn装zhuāng一yì般bān模mú样yàng。


逐句解 Line by line

卻què說shuō孫sūn大dà聖shèng左zuǒ手shǒu把bǎ沙shā和hé尚shàng捻niǎn一yì把bǎ,右yòu手shǒu把bǎ豬zhū八bā戒jiè捻niǎn一yì把bǎ,他tā二èr人rén卻què就jiù省xǐng悟wù。 却què说shuō孙sūn大dà圣shèng左zuǒ手shǒu把bǎ沙shā和hé尚shàng捻niǎn一yì把bǎ,右yòu手shǒu把bǎ猪zhū八bā戒jiè捻niǎn一yì把bǎ,他tā二èr人rén却què就jiù省xǐng悟wù。

Now the Great Sage, giving Friar Sand a pinch with his left hand and Zhu Bajie a pinch with his right, brought the two of them at once to their senses.

The chapter picks up in the middle of a break-in. Wukong, Bajie and Friar Sand have eaten the offerings laid out in the Daoists' hall, and someone is coming. 卻說 (què shuō) is the storyteller clearing his throat -- "now, to take up the thread again" -- the standard way these chapters resume a scene left hanging. 捻 (niǎn) is a pinch on the sly, a warning delivered by fingers because a word would give them away, and 省悟 (xǐng wù) is what it produces: the two of them catching on.

坐zuò在zài高gāo處chù,倥kōng著zhe臉liǎn,不bù言yán不bù語yǔ。 坐zuò在zài高gāo处chù,倥kōng着zhe脸liǎn,不bù言yán不bù语yǔ。

Seated up on high, they kept their faces blank, uttering not a word.

高處: 處 is chù here, a place or spot -- they are sitting up where the statues sit. 倥著臉: 倥 (kōng) is to hold the face empty, and 著 = zhe, the reading that says a state is being held rather than a thing being done. 不言不語 -- not a word, not a sound. Three men doing an impression of painted wood.

憑píng那nà些xiē道dào士shì點diǎn燈dēng著zháo火huǒ,前qián後hòu照zhào看kàn,他tā三sān個gè就jiù如rú泥ní塑sù金jīn裝zhuāng一yì般bān模mú樣yàng。 凭píng那nà些xiē道dào士shì点diǎn灯dēng着zháo火huǒ,前qián后hòu照zhào看kàn,他tā三sān个gè就jiù如rú泥ní塑sù金jīn装zhuāng一yì般bān模mú样yàng。

Let those Daoists light their lamps and kindle their fires and peer about them front and back — the three sat there for all the world like gilded figures moulded of clay.

那些: 那 = nà, "those." In 著火 the same character 著 takes a third reading, zháo, for something brought off -- here a flame caught and lit. 照看: 看 = kàn. And the phrase that names the passage: 泥塑金裝, "moulded in clay, dressed in gold" -- the standard description of a temple image, and exactly what each of the three is pretending to be.


總評 Commentary

The scene opens mid-heist. In the previous chapter the three disciples broke into the Hall of the Three Pure Ones, wrecked the images of the Three Pure Ones, took their seats, and ate the offerings. Now the Daoists are back with lamps, and the pilgrims have to hold still.

The comedy is all in the impersonation -- living men passing as lacquered statuary, hoping nobody looks too closely. 泥塑金裝 names precisely the object each of them has displaced: a clay figure under gold leaf. The joke is that the Daoists will search the hall by lamplight and find the gods sitting exactly where the gods should be.

It is worth noticing how much of this chapter is set up here. The pilgrims are pretending to be gods; in a few pages they will be asked to act like gods, and Wukong will find that the easiest thing in the world.