Canonical Classics ← 第八十一回
第八十一回
鎮zhèn海hǎi寺sì心xīn猿yuán知zhī怪guài
黑hēi松sōng林lín三sān眾zhòng尋xún師shī

At the Sea-Calming Monastery the Mind-Ape Knows the Fiend · In the Black Pine Wood the Three Seek Their Master

借個硯臺
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

借個硯臺 Paper Brush And Borrowed Inkstone

行xíng者zhě笑xiào道dào:「你nǐ管guǎn他tā怎zěn的de?且qiě顧gù了le自zì家jiā的de病bìng著zhe。」三sān藏zàng道dào:「正zhèng是shì,正zhèng是shì。你nǐ且qiě扶fú我wǒ起qǐ來lái,取qǔ出chū我wǒ的de紙zhǐ、筆bǐ、墨mò,寺sì裡lǐ借jiè個gè硯yàn臺tái來lái使shǐ使shǐ。」行xíng者zhě笑xiào道dào:「你nǐ管guǎn他tā怎zěn的de?且qiě顾gù了le自zì家jiā的de病bìng着zhe。」三sān藏zàng道dào:「正zhèng是shì,正zhèng是shì。你nǐ且qiě扶fú我wǒ起qǐ来lái,取qǔ出chū我wǒ的de纸zhǐ、笔bǐ、墨mò,寺sì里lǐ借jiè个gè砚yàn台tái来lái使shǐ使shǐ。」


逐句解 Line by line

行xíng者zhě笑xiào道dào:「你nǐ管guǎn他tā怎zěn的de? 行xíng者zhě笑xiào道dào:「你nǐ管guǎn他tā怎zěn的de?

Pilgrim laughed and said, "What are you bothering about her for?

The laugh is not warm. Pilgrim knows what she is, has said so, and was overruled.

且qiě顧gù了le自zì家jiā的de病bìng著zhe。」 且qiě顾gù了le自zì家jiā的de病bìng着zhe。」

Look after your own illness first."

著 is zhe again, here softening the end of an instruction — get on with looking after it. The character carries four distinct readings in this project and this is the commonest.

三sān藏zàng道dào:「正zhèng是shì,正zhèng是shì。 三sān藏zàng道dào:「正zhèng是shì,正zhèng是shì。

Tripitaka said, "True, true.

He gives in at once. He always does.

你nǐ且qiě扶fú我wǒ起qǐ來lái,取qǔ出chū我wǒ的de紙zhǐ、筆bǐ、墨mò,寺sì裡lǐ借jiè個gè硯yàn臺tái來lái使shǐ使shǐ。」 你nǐ且qiě扶fú我wǒ起qǐ来lái,取qǔ出chū我wǒ的de纸zhǐ、笔bǐ、墨mò,寺sì里lǐ借jiè个gè砚yàn台tái来lái使shǐ使shǐ。」

Now help me up, and get out my paper, brush and ink, and borrow an inkstone from the monastery for me to use."

Paper, brush, ink and inkstone are the four treasures of the scholar's studio. Tripitaka carries three of them across a continent and has to borrow the fourth, which tells you how much of a court cleric he still is.


總評 Commentary

Pilgrim brushes the question aside with something close to rudeness, and Tripitaka drops it instantly. The dynamic between them is being sketched in miniature: the master's compassion is easily deflected, and his disciple's certainty is never quite listened to.

Then the writing kit comes out, and the scene turns. A sick man asking for brush and ink is a man who has decided something.

The detail of borrowing the inkstone is lovely. He has been on the road for years and still travels with a scholar's tools, incomplete. The Tang court has never quite let go of him.