Canonical Classics ← 第八十一回
第八十一回
zhènhǎixīnyuánzhīguài
hēisōnglínsānzhòngxúnshī

At the Sea-Calming Monastery the Mind-Ape Knows the Fiend · In the Black Pine Wood the Three Seek Their Master

早睡早起
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

早睡早起 Early To Bed Early To Rise

suìshízhòngxiǎoshàngyǐnwǎng殿diànhòushuìzhǎnglǎojiùzàifāngzhàngzhōngqǐngzhòngyuànzhǔzàisuìsànsānzàngfēnfukōng:「xīnlezǎoshuìzǎo。」suìchùdōushuìlegǎnzheshīsuìshízhòngxiǎoshàngyǐnwǎng殿diànhòushuìzhǎnglǎojiùzàifāngzhàngzhōngqǐngzhòngyuànzhǔzàisuìsànsānzàngfēnfukōng:「xīnlezǎoshuìzǎo。」suìchùdōushuìlegǎnzheshī


逐句解 Line by line

suìshízhòngxiǎoshàngyǐnwǎng殿diànhòushuì suìshízhòngxiǎoshàngyǐnwǎng殿diànhòushuì

So at that time the little monks led the young woman away to sleep behind the hall.

is here, pointing at a woman already in the room — the deictic reading, against the question word of the two preceding passages.

zhǎnglǎojiùzàifāngzhàngzhōngqǐngzhòngyuànzhǔzàisuìsàn zhǎnglǎojiùzàifāngzhàngzhōngqǐngzhòngyuànzhǔzàisuìsàn

The Elder settled in the abbot's quarters, begged the assembled cloister-heads to make themselves easy, and so they all dispersed.

自在 is at ease, unconstrained — a Buddhist term of art for the freedom of an enlightened being, used here in its ordinary social sense of do not stand on ceremony.

sānzàngfēnfukōng:「xīnlezǎoshuìzǎo。」 sānzàngfēnfukōng:「xīnlezǎoshuìzǎo。」

Tripitaka instructed Wukong, "You have worked hard. Early to bed and early to rise."

早睡早起 is the same folk maxim in Chinese that it is in English, and it is being used here the way a parent uses it — affectionately, and with no idea what the night holds.

suìchùdōushuìlegǎnzheshī suìchùdōushuìlegǎnzheshī

So they slept all in one place, not daring to leave his side, guarding their master.

is the sustained zhe here, marking an action held open across time rather than completed — guarding, ongoing, all night. This is the first of five in this stretch and the reading carries most of the chapter's load.


總評 Commentary

Four short lines that put every piece on the board: the woman behind the hall, the monks dispersed, the master in the abbot's room, the disciples sleeping around him and refusing to move away.

That last detail matters enormously. The disciples do guard him. They sleep at his side deliberately and they do not leave. When he is taken, it will not be because anyone was careless — it will be because the thing that takes him arranged for Pilgrim to be several courtyards away, fighting a decoy.

The novel is careful about this. It wants the eventual failure to be a defeat, not a lapse.