Canonical Classics ← 第八十一回
第八十一回
鎮zhèn海hǎi寺sì心xīn猿yuán知zhī怪guài
黑hēi松sōng林lín三sān眾zhòng尋xún師shī

At the Sea-Calming Monastery the Mind-Ape Knows the Fiend · In the Black Pine Wood the Three Seek Their Master

狐蹤兔跡
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

狐蹤兔跡 Fox Tracks And Hare Tracks

三sān人rén急jí急jí到dào於yú林lín內nèi,只zhǐ見jiàn那nà:三sān人rén急jí急jí到dào于yú林lín内nèi,只zhǐ见jiàn那nà:

雲yún藹ǎi藹ǎi,霧wù漫màn漫màn;云yún蔼ǎi蔼ǎi,雾wù漫màn漫màn;
石shí層céng層céng,路lù盤pán盤pán。石shí层céng层céng,路lù盘pán盘pán。
狐hú蹤zōng兔tù跡jì交jiāo加jiā走zǒu,虎hǔ豹bào豺chái狼láng往wǎng復fù鑽zuān。狐hú踪zōng兔tù迹jì交jiāo加jiā走zǒu,虎hǔ豹bào豺chái狼láng往wǎng复fù钻zuān。
林lín內nèi更gèng無wú妖yāo怪guài影yǐng,不bù知zhī三sān藏zàng在zài何hé端duān。林lín内nèi更gèng无wú妖yāo怪guài影yǐng,不bù知zhī三sān藏zàng在zài何hé端duān。

逐句解 Line by line

三sān人rén急jí急jí到dào於yú林lín內nèi,只zhǐ見jiàn那nà: 三sān人rén急jí急jí到dào于yú林lín内nèi,只zhǐ见jiàn那nà:

The three of them came in haste into the wood, and saw only this:

那 is nà, and the tag introduces a set-piece description. A tag is never parted from its verse.

雲yún藹ǎi藹ǎi,霧wù漫màn漫màn; 云yún蔼ǎi蔼ǎi,雾wù漫màn漫màn;

Clouds thick and low, mist wide and drifting;

Six characters, each pair a noun and a doubled adjective. The verse opens as compressed as it can be and will loosen as it goes.

石shí層céng層céng,路lù盤pán盤pán。 石shí层céng层céng,路lù盘pán盘pán。

rocks in layer on layer, the path winding and winding.

The same shape again, so the two lines lock together. Doubling an adjective in Chinese makes it vivid rather than emphatic — layered, coiling.

狐hú蹤zōng兔tù跡jì交jiāo加jiā走zǒu,虎hǔ豹bào豺chái狼láng往wǎng復fù鑽zuān。 狐hú踪zōng兔tù迹jì交jiāo加jiā走zǒu,虎hǔ豹bào豺chái狼láng往wǎng复fù钻zuān。

Fox tracks and hare tracks run criss-cross together; tigers, leopards, jackals and wolves come burrowing back and forth.

跡 is jì here, a trace or track left behind, not the jī the base reading offers. The line is a list of animals — and the thing they are hunting is one.

林lín內nèi更gèng無wú妖yāo怪guài影yǐng,不bù知zhī三sān藏zàng在zài何hé端duān。 林lín内nèi更gèng无wú妖yāo怪guài影yǐng,不bù知zhī三sān藏zàng在zài何hé端duān。

Within the wood there is no shadow of a fiend at all, and no knowing where Tripitaka may be.

更 is gèng, even or still more, and 藏 is zàng in the master's name. The verse ends by admitting the search has failed.


總評 Commentary

A landscape poem that turns out to be a report of nothing found. Four lines of clouds, rocks, paths and animal tracks, and the last line says there is no trace of what they came for.

The animal tracks are quietly pointed. Fox and hare, tiger and wolf, criss-crossing the ground — a wood full of the spoor of creatures, and the one they want is an animal too, and has left nothing.

It is also the first time in the chapter that Pilgrim's plan does not work. Going back to the pine wood was good reasoning and the wood is empty.