解鎖夜遁 Unlocking the Gates by Night
說話後,都已天昏,不覺東方月上。行者道:「此時萬籟無聲,冰輪明顯,正好走了去罷。」八戒道:「哥啊,不要搗鬼,門俱鎖閉,往那裡走?」行者道:「你看手段。」把金箍棒捻在手中,使一個「解鎖法」,往門上一指,只聽得突蹡的一聲響,幾層門雙鐄俱落,唿喇的開了門扇。八戒笑道:「好本事,就是叫小爐兒匠使掭子,便也不像這等爽利。」行者道:「這個門兒有甚稀罕,就是南天門,指一指也開了。」说话后,都已天昏,不觉东方月上。行者道:「此时万籁无声,冰轮明显,正好走了去罢。」八戒道:「哥啊,不要捣鬼,门俱锁闭,往那里走?」行者道:「你看手段。」把金箍棒捻在手中,使一个「解锁法」,往门上一指,只听得突蹡的一声响,几层门双鐄俱落,唿喇的开了门扇。八戒笑道:「好本事,就是叫小炉儿匠使掭子,便也不像这等爽利。」行者道:「这个门儿有甚稀罕,就是南天门,指一指也开了。」
逐句解 Line by line
After this talk it had all grown dark, and, before they knew it, the moon was up in the east.
天昏, the sky gone dark. 不覺, bù jué, "before anyone noticed," takes 覺 as jué, "to be aware," not the jiào of sleep. 都已, dōu yǐ, "by now already."
The Pilgrim said, "Now every sound is stilled and the ice-wheel shines bright—a good time to be off."
Wukong times the escape by the sky. 萬籟無聲, wàn lài wú shēng, "the ten thousand sounds are silent," is the standard phrase for the hush of deep night; 籟, lài, means the sounds things make of themselves, wind in a hollow. 冰輪, bīng lún, the "ice-wheel," is one of the many poetic names for the moon — the same instinct that gave English "the silver disc."
Bajie said, "Brother, no playing tricks—the gates are all locked shut; where is there to go?"
搗鬼, dǎo guǐ, is to be up to mischief or to fool about; the character is 鬼, ghost, so the picture is of ghost-tricks. 往那裡走, wǎng nǎ lǐ zǒu, "where is there to go?" — interrogative 那 as nǎ.
The Pilgrim said, "Watch my art."
Four words, and then a display. 你看手段, "watch the technique," is Wukong's standard cue before a trick.
Twirling the gold-banded cudgel in his hand, he worked a "lock-loosing spell," pointed it at the gates—and with a rending crash the double bolts of every gate dropped away, and the leaves of the door flew open with a clatter.
A spell for opening locks, and the fun is all in the noises. 解鎖法, jiě suǒ fǎ, is the lock-loosing art. 突蹡, tū qiāng, and 唿喇, hū lā, are pure sound-words: a wrenching crack and a clatter. 雙鐄俱落, shuāng huáng jù luò, "the paired bolts all dropped," with 鐄, huáng, the bolt itself. 聽得 takes the toneless 得, de.
Bajie laughed: "A fine skill! Even a little tinker plying his pick could not be so slick as this."
Bajie's compliment is the best kind, because it is completely unliterary. 小爐兒匠, xiǎo lú'r jiàng, is the travelling tinker who used to go door to door with a little stove for mending pots and picking locks; 使掭子, shǐ tiàn zi, is working a pick or probe. 爽利, shuǎng lì, is deft, clean, slick. Cosmic magic measured against the local locksmith, and the locksmith comes off worse.
The Pilgrim said, "What is so rare about this little door? Were it the Southern Gate of Heaven itself, one point of the finger would open it too."
And the boast to cap it. 南天門, Nántiān Mén, the Southern Gate of Heaven, is the main entrance to the celestial court — the one Wukong stormed during his rebellion. 這個門兒 takes the diminutive suffix 兒, ér; 有甚稀罕, "what's so special about it," has 甚 alone as shèn.
The boys' whole plan — the false apology, the extra dishes, the double-hasped brass lock, the two mountain gates — is undone by a pointed finger. Wukong does not even get up. The narrator spends more words on the noise the bolts make than on the magic that drops them, which is exactly the right proportion: to him this is nothing.
Bajie keeps it earthbound. A tinker with a lock-pick could not be so slick, he says, and the comparison is the funnier for being meant as high praise. Wukong tops it by reaching for the other extreme — the Southern Gate of Heaven would open the same way — and the two remarks together frame the whole scale of the chapter, from a village locksmith to the front door of the sky.