大仙饒放 The Great Immortal Relents
大仙大怒道:「這個潑猴,著然無禮,教他當面做了手腳。你走了便罷,怎麼又搗了我的灶?這潑猴枉自也拿他不住;就拿住他,也似摶砂弄汞,捉影捕風。罷,罷,罷,饒他去罷。且將唐三藏解下,另換新鍋,把他扎一扎,與人參樹報報仇罷。」那小仙真個動手,拆解布漆。大仙大怒道:「这个泼猴,著然无礼,教他当面做了手脚。你走了便罢,怎么又捣了我的灶?这泼猴枉自也拿他不住;就拿住他,也似抟砂弄汞,捉影捕风。罢,罢,罢,饶他去罢。且将唐三藏解下,另换新锅,把他扎一扎,与人参树报报仇罢。」那小仙真个动手,拆解布漆。
逐句解 Line by line
The Great Immortal flew into a great rage: "This brazen monkey—truly without manners, playing a trick right to my face.
著然無禮 (zhuórán wúlǐ) "truly without manners," 著然 (zhuórán) "indeed, truly" (cf. 著實)。當面做了手腳 (dāngmiàn zuò le shǒujiǎo) "played a trick to [my] face," 當 (dāng).
"You had run off, and that would have been that—but why did you go and wreck my stove besides?
搗了我的灶 (dǎo le wǒ de zào) "wrecked my stove," 灶 (zào)—the ruined cauldron and fire.
"This brazen monkey—one cannot hold him for nothing; and even if one seized him, it would be like moulding sand or working quicksilver, catching a shadow or seizing the wind.
摶砂弄汞 (tuán shā nòng gǒng) "moulding sand and working quicksilver," 摶 (tuán), 汞 (gǒng)—both impossible to grasp. 捉影捕風 (zhuō yǐng bǔ fēng) "catching shadows and seizing the wind."
"Enough, enough, enough—let him go.
饒他去罷 (ráo tā qù bà) "let him off, spare him"—the immortal, thwarted, seems to give up.
"Just unbind Tang Sanzang, change to a new cauldron, and give him a scalding, to avenge my ginseng tree."
把他扎一扎 (bǎ tā zhā yì zhā) "give him a scalding," 扎 (zhā). 人參樹 (rénshēn shù) with 參 (shēn)—the master to suffer in the monkey's place.
That little immortal set to it in earnest and began to strip off the cloth and lacquer.
拆解布漆 (chāi jiě bù qī) "strip off the cloth and lacquer"—preparing to fry Sanzang instead.
Thwarted, the Great Immortal turns his rage on the helpless master—if he cannot fry the ungraspable monkey, he will fry the monk. His string of images for Wukong's slipperiness (moulding sand, working quicksilver, catching shadows, seizing wind) is a small anthology of the impossible, an admiring lament for an adversary he cannot hold. But threatening Sanzang is the one thing certain to bring the monkey back—as the next passage shows.