Canonical Classics ← 第二十五回
第二十五回
zhènyuánxiāngǎnzhuōjīngsēng
sūnxíngzhěnàozhuāngguàn

The Immortal Zhenyuan Pursues and Seizes the Scripture-Seeking Monk · Sun the Pilgrim Makes Great Havoc at the Five-Villages Abbey

石獅替身
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

石獅替身 The Stone-Lion Decoy

shèngquèyòuliúxīnkǒngxiānnáncānyóuguōnánzuòshǒujiǎohuítóuzhǐjiàntáixiàdōngbiānshìzuòguītái西biānshìshíshīzixíngzhějiāngshēnzònggǔndào西biānyǎoshéjiānshíshīzipēnlekǒujiàoshēng:「biàn!」biànzuòběnshēnyàngzhèbānkǔnzuòtuánquèchūleyuánshénzàiyúnduāntóukànzhedàoshishèngquèyòuliúxīnkǒngxiānnáncānyóuguōnánzuòshǒujiǎohuítóuzhǐjiàntáixiàdōngbiānshìzuòguītái西biānshìshíshīzixíngzhějiāngshēnzònggǔndào西biānyǎoshéjiānshíshīzipēnlekǒujiàoshēng:「biàn!」biànzuòběnshēnyàngzhèbānkǔnzuòtuánquèchūleyuánshénzàiyúnduāntóukànzhedàoshi


逐句解 Line by line

shèngquèyòuliúxīnkǒngxiānnáncānyóuguōnánzuòshǒujiǎohuítóuzhǐjiàntáixiàdōngbiānshìzuòguītái西biānshìshíshīzi shèngquèyòuliúxīnkǒngxiānnáncānyóuguōnánzuòshǒujiǎohuítóuzhǐjiàntáixiàdōngbiānshìzuòguītái西biānshìshíshīzi

But the Great Sage was on his guard: fearing the immortal's arts ran too deep to fathom, and that there might be no working a trick inside the oil-cauldron, he glanced hurriedly around—and saw that below the terrace, on the east, stood a sundial-terrace, and on the west a stone lion.

And here is the caution behind the bravado. 恐他仙法難參, fearing the immortal's arts were too deep to fathom — here is cān, "to penetrate, to get to the bottom of," not the shēn of ginseng. He does not know whether his tricks will work inside that pot, so he prefers not to find out. 難做手腳, no room to work a trick; 做手腳, literally "to do hands and feet," is still the phrase for tampering with something. Then he looks around, and the narrator gives us the courtyard: a 日規臺, rì guī tái, sundial platform, to the east, and a 石獅子, stone lion, to the west. Only one of those is useful.

xíngzhějiāngshēnzònggǔndào西biānyǎoshéjiānshíshīzipēnlekǒujiàoshēng:「biàn!」 xíngzhějiāngshēnzònggǔndào西biānyǎoshéjiānshíshīzipēnlekǒujiàoshēng:「biàn!」

The Pilgrim gave his body a leap, rolled over to the west side, bit open his tongue-tip, sprayed a mouthful over the stone lion, and cried, "Change!"

The willow trick again, on harder material. 將身一縱 takes , jiāng; 滾到西邊, rolling over to the west side, because he is trussed and cannot walk. Bitten tongue, a mouthful of blood, and the word.

biànzuòběnshēnyàngzhèbānkǔnzuòtuán biànzuòběnshēnyàngzhèbānkǔnzuòtuán

and it turned into his own likeness, trussed up just so in a bundle.

捆作一團, trussed into a bundle — the stone lion copies not just his shape but the ropes. He is careful about detail, as he was with the willows and their knots.

quèchūleyuánshénzàiyúnduāntóukànzhedàoshi quèchūleyuánshénzàiyúnduāntóukànzhedàoshi

He then sent out his primal spirit, rose into the clouds, and looked down at the Daoists.

元神, yuán shén, the "primal spirit," is the self that can leave the body in Daoist practice — a term with real technical weight, not just a ghost. 低頭看著道士 takes as zhe: he watches from the cloud while a stone lion in his shape waits for the oil.


總評 Commentary

The escape is the willow trick performed again with better material. Blood from a bitten tongue, sprayed on a stone lion, and the lion takes his shape down to the ropes; then the primal spirit steps out and goes up to watch. It is the third substitution of the chapter and the funniest, because of what he chooses.

A stone lion is not just any object in the courtyard. It cannot burn, it cannot be cut, and above all it cannot be lifted — the joke is already loaded before anyone touches it, and the next two passages simply let it go off.

Underneath the bravado, though, the reasoning is prudent and slightly worried. 恐他仙法難參: he fears the immortal's arts are too deep to fathom, and would rather not test them from inside a boiling cauldron. Wukong has spent this chapter being reckless about consequences and meticulous about method, and this is the clearest case of it.