石獅替身 The Stone-Lion Decoy
大聖卻又留心,恐他仙法難參,油鍋裡難做手腳,急回頭四顧,只見那臺下東邊是一座日規臺,西邊是一個石獅子。行者將身一縱,滾到西邊,咬破舌尖,把石獅子噴了一口,叫聲:「變!」變作他本身模樣,也這般捆作一團。他卻出了元神,起在雲端裡,低頭看著道士。大圣却又留心,恐他仙法难参,油锅里难做手脚,急回头四顾,只见那台下东边是一座日规台,西边是一个石狮子。行者将身一纵,滚到西边,咬破舌尖,把石狮子喷了一口,叫声:「变!」变作他本身模样,也这般捆作一团。他却出了元神,起在云端里,低头看着道士。
逐句解 Line by line
But the Great Sage was on his guard: fearing the immortal's arts ran too deep to fathom, and that there might be no working a trick inside the oil-cauldron, he glanced hurriedly around—and saw that below the terrace, on the east, stood a sundial-terrace, and on the west a stone lion.
And here is the caution behind the bravado. 恐他仙法難參, fearing the immortal's arts were too deep to fathom — 參 here is cān, "to penetrate, to get to the bottom of," not the shēn of ginseng. He does not know whether his tricks will work inside that pot, so he prefers not to find out. 難做手腳, no room to work a trick; 做手腳, literally "to do hands and feet," is still the phrase for tampering with something. Then he looks around, and the narrator gives us the courtyard: a 日規臺, rì guī tái, sundial platform, to the east, and a 石獅子, stone lion, to the west. Only one of those is useful.
The Pilgrim gave his body a leap, rolled over to the west side, bit open his tongue-tip, sprayed a mouthful over the stone lion, and cried, "Change!"
The willow trick again, on harder material. 將身一縱 takes 將, jiāng; 滾到西邊, rolling over to the west side, because he is trussed and cannot walk. Bitten tongue, a mouthful of blood, and the word.
and it turned into his own likeness, trussed up just so in a bundle.
捆作一團, trussed into a bundle — the stone lion copies not just his shape but the ropes. He is careful about detail, as he was with the willows and their knots.
He then sent out his primal spirit, rose into the clouds, and looked down at the Daoists.
元神, yuán shén, the "primal spirit," is the self that can leave the body in Daoist practice — a term with real technical weight, not just a ghost. 低頭看著道士 takes 著 as zhe: he watches from the cloud while a stone lion in his shape waits for the oil.
The escape is the willow trick performed again with better material. Blood from a bitten tongue, sprayed on a stone lion, and the lion takes his shape down to the ropes; then the primal spirit steps out and goes up to watch. It is the third substitution of the chapter and the funniest, because of what he chooses.
A stone lion is not just any object in the courtyard. It cannot burn, it cannot be cut, and above all it cannot be lifted — the joke is already loaded before anyone touches it, and the next two passages simply let it go off.
Underneath the bravado, though, the reasoning is prudent and slightly worried. 恐他仙法難參: he fears the immortal's arts are too deep to fathom, and would rather not test them from inside a boiling cauldron. Wukong has spent this chapter being reckless about consequences and meticulous about method, and this is the clearest case of it.