架鍋煎油 The Cauldron of Oil
那大仙又教把大鍋擡出來。行者笑道:「八戒,造化,擡出鍋來,想是煮飯我們吃哩。」八戒道:「也罷了,讓我們吃些飯兒,做個飽死的鬼也好看。」眾仙果擡出一口大鍋支在階下。大仙叫架起乾柴,發起烈火,教:「把清油拗上一鍋,燒得滾了,將孫行者下油鑊炸他一煠,與我人參樹報仇。」那大仙又教把大锅擡出来。行者笑道:「八戒,造化,擡出锅来,想是煮饭我们吃哩。」八戒道:「也罢了,让我们吃些饭儿,做个饱死的鬼也好看。」众仙果擡出一口大锅支在阶下。大仙叫架起干柴,发起烈火,教:「把清油拗上一锅,烧得滚了,将孙行者下油镬炸他一煠,与我人参树报仇。」
逐句解 Line by line
That Great Immortal then ordered a great cauldron carried out.
大鍋擡出來 (dà guō tái chūlái) "carried out a great pot"—the cauldron for the frying to come.
The Pilgrim laughed: "Bajie, our luck's in—they've carried out a pot; it's likely they mean to cook us some rice to eat."
造化 (zàohua) "good luck, fortune" (ironic). 想是煮飯我們吃 (xiǎng shì zhǔ fàn wǒmen chī) "likely to cook us rice"—Wukong's deliberate misreading of the cauldron.
Bajie said, "That's all right then—let us eat a bit of rice, and make well-fed ghosts, that at least will look good."
飯兒 (fàn'r) "rice," suffix 兒 (er). 飽死的鬼也好看 (bǎo sǐ de guǐ yě hǎokàn) "a well-fed ghost at least looks good"—Bajie's rueful glutton's humour.
The immortals did carry out a great cauldron and set it up at the foot of the steps.
支在階下 (zhī zài jiē xià) "propped it up below the steps"—the cauldron readied for the fire.
The Great Immortal called for dry firewood to be stacked and a fierce fire kindled, and ordered: "Pour in a cauldron of clear oil, heat it to the boil, and put Sun the Pilgrim down into the oil-cauldron to fry him a while, to avenge my ginseng tree."
架起乾柴 (jià qǐ gān chái) "stack up dry firewood," 乾 (gān) "dry" (not the trigram 乾 (qián))。拗上一鍋 (ǎo shàng yì guō) "pour in a potful," 拗 (ǎo). 下油鑊炸他一煠 (xià yóu huò zhà tā yí zhá) "fry him in the oil-cauldron," 鑊 (huò) "cauldron," 煠 (zhá) "to deep-fry"; 人參 (rénshēn) with 參 (shēn).
The Great Immortal's sentence escalates from whipping to frying: Sun is to be boiled alive in a cauldron of oil "to avenge my ginseng tree." Wukong meets the threat with unbroken flippancy—the cauldron must be for cooking rice—setting the reader up for the escape to come. The scene's grim machinery (dry wood, fierce fire, clear oil) is drawn with the novel's usual concreteness, even as its victim treats it as a joke.