Canonical Classics ← 第二十五回
第二十五回
zhènyuánxiāngǎnzhuōjīngsēng
sūnxíngzhěnàozhuāngguàn

The Immortal Zhenyuan Pursues and Seizes the Scripture-Seeking Monk · Sun the Pilgrim Makes Great Havoc at the Five-Villages Abbey

佯賠陪話
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

佯賠陪話 The Lads Feign an Apology

liǎngqiángjīngshénmiǎnshēnghuāncónghòuyuánzhōngjìnglái殿diànshàngduìtángsēngkòngbèigōngshēndào:「shīshìjiānyánduōyǒuchōngzhuàngguàiguài。」sānzàngwèndào:「zěnmeshuō?」qīngfēngdào:「guǒzishǎozhǐyīnshùgāocéngkàndemíngbáicáirányòuzhāzhāháishìyuánshù。」jièjiùchènjiǎoérqiāodào:「zhètóngérniányòuzhīshìjiùláiluànbáikǒuzhòuwǎnglàilemendàngrén。」xíngzhěxīnshàngmíngbáikǒuyánxīnzhōngànxiǎngdào:「shìhuǎngshìhuǎngguǒzishìliǎoliǎozhàngzěndeshuōzhèbānhuàxiǎngyǒuhuíshēngzhī。」sānzàngdào:「chéngjiāngfànláimenchīle。」liǎngqiángjīngshénmiǎnshēnghuāncónghòuyuánzhōngjìnglái殿diànshàngduìtángsēngkòngbèigōngshēndào:「shīshìjiānyánduōyǒuchōngzhuàngguàiguài。」sānzàngwèndào:「zěnmeshuō?」qīngfēngdào:「guǒzishǎozhǐyīnshùgāocéngkàndemíngbáicáirányòuzhāzhāháishìyuánshù。」jièjiùchènjiǎoérqiāodào:「zhètóngérniányòuzhīshìjiùláiluànbáikǒuzhòuwǎnglàilemendàngrén。」xíngzhěxīnshàngmíngbáikǒuyánxīnzhōngànxiǎngdào:「shìhuǎngshìhuǎngguǒzishìliǎoliǎozhàngzěndeshuōzhèbānhuàxiǎngyǒuhuíshēngzhī。」sānzàngdào:「chéngjiāngfànláimenchīle。」


逐句解 Line by line

liǎngqiángjīngshénmiǎnshēnghuāncónghòuyuánzhōngjìnglái殿diànshàngduìtángsēngkòngbèigōngshēndào:「shīshìjiānyánduōyǒuchōngzhuàngguàiguài。」 liǎngqiángjīngshénmiǎnshēnghuāncónghòuyuánzhōngjìnglái殿diànshàngduìtángsēngkòngbèigōngshēndào:「shīshìjiānyánduōyǒuchōngzhuàngguàiguài。」

The two of them forced up their spirits, worked up a show of cheer, and came from the back garden to the hall, where they bowed low before the Tang Monk and said, "Master, just now our words were coarse and gave much offence—forgive us, forgive us."

Working up a smile you do not feel is hard labour, and the Chinese says so: 強打精神, "force up your spirits," and 勉生歡喜, manufacturing cheer. 控背躬身, kòng bèi gōng shēn, is bending the back and bowing the body, a deep formal salute. 適間, shì jiān, is "just now, a moment ago," with as jiān, "an interval," not jiàn, "gap, next-door."

sānzàngwèndào:「zěnmeshuō?」 sānzàngwèndào:「zěnmeshuō?」

Sanzang asked, "How do you mean?"

The master has no idea what they are apologising for, which is the joke. His name keeps its , zàng, reading.

qīngfēngdào:「guǒzishǎozhǐyīnshùgāocéngkàndemíngbái qīngfēngdào:「guǒzishǎozhǐyīnshùgāocéngkàndemíngbái

Clear Wind said, "The fruits are not short. It was only that the leaves grew tall and dense, so that we did not see clearly.

果子不少, "the fruits are not short," with as the toneless suffix zi. 看得明白, kàn de míng bái, "see clearly," with the toneless linking , de.

cáirányòuzhāzhāháishìyuánshù。」 cáirányòuzhāzhāháishìyuánshù。」

"Just now we went and looked again—it is the original number after all."

And here is in its other reading: 原數, yuán shù, "the original number," the noun, where three passages ago 數得不明 had the verb shǔ, "to count." 才然, cái rán, is "just now."

jièjiùchènjiǎoérqiāodào:「zhètóngérniányòuzhīshìjiùláiluànbáikǒuzhòuwǎnglàilemendàngrén。」 jièjiùchènjiǎoérqiāodào:「zhètóngérniányòuzhīshìjiùláiluànbáikǒuzhòuwǎnglàilemendàngrén。」

At this Bajie seized the moment and chimed in: "You child, so young and knowing nothing of decency—coming to rail at us for no cause, cursing with an empty mouth, wrongly slandering us—you are no proper son of man."

Bajie cannot let a free shot go by. 趁腳兒蹺, chèn jiǎo'r qiāo, is seizing the opening to stick your oar in. 咀咒 is a loan-writing of 詛咒, "to curse," and reads , not the of "to chew." 不當人子, "not fit to be counted a human being's child," is a proper Ming curse; is dàng, "to deem, count as," and because that is a falling tone the in front of it lifts to . The of 人子 is the full noun .

xíngzhěxīnshàngmíngbáikǒuyánxīnzhōngànxiǎngdào:「shìhuǎngshìhuǎng xíngzhěxīnshàngmíngbáikǒuyánxīnzhōngànxiǎngdào:「shìhuǎngshìhuǎng

The Pilgrim, clear in his own mind, said nothing aloud but thought within: "It's a lie, it's a lie.

Wukong says nothing and thinks a great deal, which is the reverse of Bajie. 心上明白, xīn shàng míng bái, "clear in his own mind"; 口裡不言, not a word out loud.

guǒzishìliǎoliǎozhàngzěndeshuōzhèbānhuà guǒzishìliǎoliǎozhàngzěndeshuōzhèbānhuà

"The fruits are long since settled and done for—why do they talk like this?"

了了帳, liǎo liǎo zhàng, is "the account is closed" — a bookkeeper's phrase for a matter finished and written off. Wukong knows the fruit is gone past recovery, so the boys' cheerful arithmetic can only mean one thing.

xiǎngyǒuhuíshēngzhī。」 xiǎngyǒuhuíshēngzhī。」

"There must be some art of raising the dead and restoring life."

想必, xiǎng bì, "there must surely be." 起死回生之法, qǐ sǐ huí shēng zhī fǎ, "an art of raising the dead and restoring life" — 起死回生 is still the everyday phrase for a spectacular recovery, whether of a patient or a football team. Wukong guesses right, and the next chapter will prove it.

sānzàngdào:「chéngjiāngfànláimenchīle。」 sānzàngdào:「chéngjiāngfànláimenchīle。」

Sanzang said, "If that is so, bring in the rice and let us eat and be on our way."

Sanzang, who has understood none of this, asks for dinner. 盛將飯來, chéng jiāng fàn lái, "dish the rice up and bring it," with , jiāng, as a directional particle. 吃了去罷, eat and be on our way.


總評 Commentary

The apology is a study in transparent flattery, and the pilgrims swallow it whole. There is a neat reversal in it: the guilty party graciously accepts an apology from the people they robbed, and Bajie, unable to leave well alone, adds a parting insult to the boy who is currently doing him a favour.

Wukong alone is not fooled, and the way the narrator shows it is worth noticing. He is given no speech, only a thought — 是謊是謊, "it's a lie, it's a lie" — and a deduction. The fruit is gone; the boys are calm; therefore the fruit can be brought back. From a false apology he has reasoned his way to the abbey's deepest secret.

That deduction is also the chapter's quiet promise to the reader. The tree can be revived. Everything that happens through the rest of the chapter — the whipping, the cauldron, the two escapes — is a delay before that remedy is sought, and the storyteller has told us so this early on purpose.