Canonical Classics ← 第八十六回
第八十六回
zhùwēizhēngguài
jīngōngshīmièyāoxié

The Wood Mother Lends His Strength to Fight the Monster · The Metal Lord Works His Art to Destroy the Fiend

出恭去了
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

出恭去了 Off Somewhere to Relieve Himself

jièxiàodào:「xiǎngshìshāshàngdàishīchūgōngle。」shuōliǎozhǐjiànshāsēngláidàoxíngzhěwèndào:「shāsēngshīle?」jièxiàodào:「xiǎngshìshāshàngdàishīchūgōngle。」shuōliǎozhǐjiànshāsēngláidàoxíngzhěwèndào:「shāsēngshīle?」


逐句解 Line by line

jièxiàodào:「xiǎngshìshāshàngdàishīchūgōngle。」 jièxiàodào:「xiǎngshìshāshàngdàishīchūgōngle。」

Bajie laughed and said, "I expect Sha Monk has taken the master off somewhere to relieve himself."

Trust Bajie to reach for the least alarming explanation available. 出恭 is a wonderfully prim euphemism — it started life as the wooden tablet an examination candidate carried when leaving the hall for the latrine, and the tablet's name became the deed's. Here is , the vague somewhere-or-other, not the pointing this-one-there; the machinery would give the pointing reading, which is wrong at nine sites in this chapter.

shuōliǎozhǐjiànshāsēngláidào shuōliǎozhǐjiànshāsēngláidào

Before the words were out, Sha Monk came into sight.

說不了, "the saying was not finished", is one of the novel's favourite hinges — somebody offers a comfortable theory and reality walks in on the next line. The second character is liǎo, to bring to completion, and not the little grammatical marker that the same character carries a hundred and two other times in this chapter.

xíngzhěwèndào:「shāsēngshīle?」 xíngzhěwèndào:「shāsēngshīle?」

Pilgrim asked him, "Sha Monk, where has the master gone?"

Wukong's hope survives about eleven characters. This is as well, but now as a straight question — where. Same character, same reading, and the difference between the two passages is only that Bajie was guessing and Wukong is asking.


總評 Commentary

The comic timing here is exact. Bajie produces a theory, and the novel refutes it in nine characters by simply having Sha Monk walk on alone.

Notice that the reader already knows the answer and the characters do not. The chapter is running on what a modern audience would call dramatic irony, and it will keep running on it for a long stretch — right through the business of the false head, which none of the three can see is false.