Canonical Classics ← 第八十六回
第八十六回
木mù母mǔ助zhù威wēi征zhēng怪guài物wù
金jīn公gōng施shī法fǎ滅miè妖yāo邪xié

The Wood Mother Lends His Strength to Fight the Monster · The Metal Lord Works His Art to Destroy the Fiend

心疼難忍
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

心疼難忍 I Thought You Had Been Killed

老lǎo嫗yù一yì把bǎ抱bào住zhù道dào:「兒ér啊a,你nǐ這zhè幾jǐ日rì不bù來lái家jiā,我wǒ只zhǐ說shuō是shì山shān主zhǔ拿ná你nǐ去qù,害hài了le性xìng命mìng,是shì我wǒ心xīn疼téng難nán忍rěn。你nǐ既jì不bù曾céng被bèi害hài,何hé以yǐ今jīn日rì才cái來lái?你nǐ繩shéng擔dàn、柯kē斧fǔ俱jù在zài何hé處chù?」老lǎo妪yù一yì把bǎ抱bào住zhù道dào:「儿ér啊a,你nǐ这zhè几jǐ日rì不bù来lái家jiā,我wǒ只zhǐ说shuō是shì山shān主zhǔ拿ná你nǐ去qù,害hài了le性xìng命mìng,是shì我wǒ心xīn疼téng难nán忍rěn。你nǐ既jì不bù曾céng被bèi害hài,何hé以yǐ今jīn日rì才cái来lái?你nǐ绳shéng担dàn、柯kē斧fǔ俱jù在zài何hé处chù?」


逐句解 Line by line

老lǎo嫗yù一yì把bǎ抱bào住zhù道dào:「兒ér啊a,你nǐ這zhè幾jǐ日rì不bù來lái家jiā,我wǒ只zhǐ說shuō是shì山shān主zhǔ拿ná你nǐ去qù,害hài了le性xìng命mìng,是shì我wǒ心xīn疼téng難nán忍rěn。 老lǎo妪yù一yì把bǎ抱bào住zhù道dào:「儿ér啊a,你nǐ这zhè几jǐ日rì不bù来lái家jiā,我wǒ只zhǐ说shuō是shì山shān主zhǔ拿ná你nǐ去qù,害hài了le性xìng命mìng,是shì我wǒ心xīn疼téng难nán忍rěn。

The old woman caught him up in her arms and said, "Child, these last few days you have not come home, and I could only suppose the master of the mountain had taken you and had your life, and the pain in my heart was past bearing.

山主, master of the mountain, is what the local people call the fiend — not Great King of the Southern Mountain, which was the title he gave himself. To the family at the foot of the hill he is simply the one who owns the place. 心疼難忍, heart-pain hard to bear, is the everyday phrase for grief and also for a mother's fondness.

你nǐ既jì不bù曾céng被bèi害hài,何hé以yǐ今jīn日rì才cái來lái? 你nǐ既jì不bù曾céng被bèi害hài,何hé以yǐ今jīn日rì才cái来lái?

Since you were not harmed after all, how is it you only come today?

不曾被害 takes 曾 as céng in the not-yet-ever frame. The question is the exact one any parent asks after fear turns to relief, and it has an edge of reproach in it that the novel does not smooth away.

你nǐ繩shéng擔dàn、柯kē斧fǔ俱jù在zài何hé處chù?」 你nǐ绳shéng担dàn、柯kē斧fǔ俱jù在zài何hé处chù?」

Where are your rope and carrying-pole and your hatchet?"

And this is the line that makes her real. Her son is back from the dead and her third sentence is about the tools. 繩擔 is the rope and pole, and 擔 is dàn in it — the pole-load, a noun, one of three places in this chapter that reading is needed. For a household this poor, a lost hatchet is a serious matter.


總評 Commentary

The old woman's three sentences run: I thought you were dead, why are you so late, and where are the tools. That is a real person, and the last question is the one that tells you how poor they are.

She does not know yet that there are four monks and a horse standing behind her son in the yard. The novel lets the family have their reunion first and brings the guests in afterwards, which is the right order and also the kinder one.