Canonical Classics ← 第八十六回
第八十六回
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The Wood Mother Lends His Strength to Fight the Monster · The Metal Lord Works His Art to Destroy the Fiend

活命之恩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

活命之恩 Come and Meet My Mother

qiáozidào:「lǎoxiàng西nányuǎnjiùshìshèxiàqǐnglǎodàoshèjiànjiànjiākòuxièlǎohuómìngzhīēnsònglǎoshàng。」qiáozidào:「lǎoxiàng西nányuǎnjiùshìshèxiàqǐnglǎodàoshèjiànjiànjiākòuxièlǎohuómìngzhīēnsònglǎoshàng。」


逐句解 Line by line

qiáozidào:「lǎoxiàng西nányuǎnjiùshìshèxià qiáozidào:「lǎoxiàng西nányuǎnjiùshìshèxià

The woodcutter said, "Your reverence, a little way to the south-west is my own poor house.

舍下, the humble dwelling below, is the polite way to name your own home, and is shè in it — the dwelling reading, which the machinery misses here and gets right two lines later in the phrase for a thatched cottage.

qǐnglǎodàoshèjiànjiànjiākòuxièlǎohuómìngzhīēnsònglǎoshàng。」 qǐnglǎodàoshèjiànjiànjiākòuxièlǎohuómìngzhīēnsònglǎoshàng。」

Come to my house, your reverence, and see my mother, and let her bow her thanks for the kindness of saving my life, and send you on your road."

again as shè. 家母 is the humble term for one's own mother, and 活命之恩, the kindness of a life kept alive, is the standard formula for the largest debt one person can owe another. The invitation is not hospitality; it is a debt being brought home to be discharged properly.


總評 Commentary

The whole last movement of the chapter starts here, and it starts because Tripitaka stopped on his way out of a garden to insist a stranger be untied.

The woodcutter wants his mother to do the thanking, which is the correct order of things. A debt of this size belongs to the household rather than to one person, and the senior member has to acknowledge it. He has been tied to a tree for two days and his first thought on being freed is protocol.