Canonical Classics ← 第八十六回
第八十六回
木mù母mǔ助zhù威wēi征zhēng怪guài物wù
金jīn公gōng施shī法fǎ滅miè妖yāo邪xié

The Wood Mother Lends His Strength to Fight the Monster · The Metal Lord Works His Art to Destroy the Fiend

重漫苔蘚
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

重漫苔蘚 A Stone Path Under Moss

長zhǎng老lǎo欣xīn然rán,遂suì不bù騎qí馬mǎ,與yǔ樵qiáo子zi並bìng四sì眾zhòng同tóng行xíng,向xiàng西xī南nán迤yí𨓦lǐ前qián來lái,不bù多duō路lù,果guǒ見jiàn那nà:长zhǎng老lǎo欣xīn然rán,遂suì不bù骑qí马mǎ,与yǔ樵qiáo子zi并bìng四sì众zhòng同tóng行xíng,向xiàng西xī南nán迤yí𨓦lǐ前qián来lái,不bù多duō路lù,果guǒ见jiàn那nà:

石shí徑jìng重zhòng漫màn苔tái蘚xiǎn,柴chái門mén蓬péng絡luò藤téng花huā。石shí径jìng重zhòng漫màn苔tái藓xiǎn,柴chái门mén蓬péng络luò藤téng花huā。

逐句解 Line by line

長zhǎng老lǎo欣xīn然rán,遂suì不bù騎qí馬mǎ,與yǔ樵qiáo子zi並bìng四sì眾zhòng同tóng行xíng,向xiàng西xī南nán迤yí𨓦lǐ前qián來lái,不bù多duō路lù,果guǒ見jiàn那nà: 长zhǎng老lǎo欣xīn然rán,遂suì不bù骑qí马mǎ,与yǔ樵qiáo子zi并bìng四sì众zhòng同tóng行xíng,向xiàng西xī南nán迤yí𨓦lǐ前qián来lái,不bù多duō路lù,果guǒ见jiàn那nà:

The elder was glad to go, and so did not ride, but walked along with the woodcutter and the four of them, winding away to the south-west; and after no great distance they saw indeed:

Tripitaka getting off the horse to walk beside the man he saved is the whole courtesy of the scene in one clause. The character 迤𨓦 ends with a rare one that many fonts will not carry, so a reader may see a box in its place — the pair means winding along a slanting way. And 同行 here is travelling together, so 行 keeps xíng; the machinery reads it as the trade-guild sense instead, which is the one place in this chapter it takes that reading wrongly.

石shí徑jìng重zhòng漫màn苔tái蘚xiǎn,柴chái門mén蓬péng絡luò藤téng花huā。 石shí径jìng重zhòng漫màn苔tái藓xiǎn,柴chái门mén蓬péng络luò藤téng花huā。

A stone path deep under moss and lichen; a brushwood gate all tangled with flowering vine.

The scene-setting turns domestic. 柴扉, a brushwood gate, is the same image the ant poem closed on many passages back, where the point was a creature slipping through one unnoticed — and here it is a real gate with a real woman about to be standing at it.


總評 Commentary

The description that follows is built exactly like the one for the fiend's cave: matched pairs, four characters then eight, scenery doing the work. The difference is what it is describing.

Every element here is poor and none of it is grim. A path nobody has swept, a gate made of sticks, a vine that has been left to grow over it. The cave got rare flowers and jasper grass; the good house gets moss.