使個隱身法 A Pinch Of Earth And A Wind
好大聖,彎倒腰,丟了碗盞,拈一撮土,往上灑去,念聲咒語,使個隱身法,輕輕的上前揭了榜。朝著巽地上吸口仙氣吹來,立起一陣旋風,將人都吹散。好大圣,弯倒腰,丢了碗盏,拈一撮土,往上洒去,念声咒语,使个隐身法,轻轻的上前揭了榜。朝着巽地上吸口仙气吹来,立起一阵旋风,将人都吹散。
逐句解 Line by line
Fine Great Sage! He bent low, dropped the bowl and dish, took a pinch of earth and scattered it upward, spoke a spell, worked a method of invisibility, and stepped up lightly to peel the notice off.
撮 is cuō, a pinch taken between the fingers. 康熙字典 files it at 手部十二畫 under 倉括切, glossing it 兩指撮也 and 三指取也 — two fingers, three fingers — and cites 《禮·中庸》今夫地一撮土之多, which is this exact phrase. The zuǒ that measures a tuft of hair is a separate reading, and it is what the reading drifts to in this context if left alone. 倒 is dǎo, the verb, bending.
Facing the quarter of the Xun trigram he drew in a breath of immortal air and blew, raising a whirlwind that scattered the people every way.
著 is the weak zhe, and 朝 before it is cháo, to face toward — the same sense the court scenes gave it, here doing geometry instead. 巽 is the trigram of wind, so the direction is chosen for what he means to raise.
Seven actions in one sentence and not one of them explained. Bend, drop, pinch, scatter, chant, vanish, take — the grammar gives them equal weight and equal speed, and the whole theft is over before the reader has caught up.
The wind is the elegant part. He does not need it to cover his escape, since he is already invisible. He raises it so the crowd will have something to blame and something to hide their faces from. It is stagecraft rather than an escape.