Canonical Classics ← 第六十八回
第六十八回
朱zhū紫zǐ國guó唐táng僧sēng論lùn前qián世shì
孫sūn行xíng者zhě施shī為wéi三sān折zhé肱gōng

At Purpuria the Tang Monk Discourses on a Former Life · Pilgrim Sun Practises as a Thrice-Broken Arm

相貌刁鑽
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

相貌刁鑽 A Face Sharp And Cunning

行xíng者zhě進jìn前qián一yí步bù,厲lì聲shēng道dào:「老lǎo孫sūn便biàn是shì。」那nà國guó王wáng聽tīng得dé聲shēng音yīn兇xiōng狠hěn,又yòu見jiàn相xiàng貌mào刁diāo鑽zuān,諕xià得de戰zhàn兢jīng兢jīng,跌diē在zài龍lóng床chuáng之zhī上shàng。行xíng者zhě进jìn前qián一yí步bù,厉lì声shēng道dào:「老lǎo孙sūn便biàn是shì。」那nà国guó王wáng听tīng得dé声shēng音yīn凶xiōng狠hěn,又yòu见jiàn相xiàng貌mào刁diāo钻zuān,諕xià得de战zhàn兢jīng兢jīng,跌diē在zài龙lóng床chuáng之zhī上shàng。


逐句解 Line by line

行xíng者zhě進jìn前qián一yí步bù,厲lì聲shēng道dào:「老lǎo孫sūn便biàn是shì。」 行xíng者zhě进jìn前qián一yí步bù,厉lì声shēng道dào:「老lǎo孙sūn便biàn是shì。」

Pilgrim took one step forward and said in a harsh voice, "Old Sun it is."

Four characters of answer to a king. 厲聲 is a voice pitched to cut, and he uses it in a throne room after a court has bowed to him on its knees.

那nà國guó王wáng聽tīng得dé聲shēng音yīn兇xiōng狠hěn,又yòu見jiàn相xiàng貌mào刁diāo鑽zuān,諕xià得de戰zhàn兢jīng兢jīng,跌diē在zài龍lóng床chuáng之zhī上shàng。 那nà国guó王wáng听tīng得dé声shēng音yīn凶xiōng狠hěn,又yòu见jiàn相xiàng貌mào刁diāo钻zuān,諕xià得de战zhàn兢jīng兢jīng,跌diē在zài龙lóng床chuáng之zhī上shàng。

The king, hearing how fierce and savage the voice was, and seeing besides how sharp and cunning the face, was so frightened that he shook all over and fell back on the dragon couch.

Two instances of 得 in one sentence, read differently. 聽得 keeps its full tone dé, one of the fixed compounds; 諕得 weakens to de to carry what follows. 相 is xiàng in 相貌, and 諕 is xià — the seventh of the chapter's eight.


總評 Commentary

老孫便是 is four characters and it undoes the entire performance of the previous passage. The king asked in royal speech which of them was the Divine Monk; the answer comes back in the language of a street.

The sequence of the king's fright is exact: he hears first and sees second. The voice does half the damage before the face arrives, which is why 厲聲 was worth the narrator's two characters.

And the furniture keeps its imperial epithet — he falls back onto the dragon couch — while the man on it has been knocked over by a greeting.