Canonical Classics ← 第十一回
第十一回
yóutàizōnghuánhún
jìnguāguǒliúquánpèi

Touring the Underworld, Taizong Returns to Life · Presenting Melons and Fruit, Liu Quan Renews the Marriage Bond

魂出五鳳樓
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

魂出五鳳樓 The Soul Departs the Five-Phoenix Tower

quèshuōtàizōngmiǎomiǎomángmánghúnlíngjìngchūfènglóuqiánzhǐjiànlínjūnqǐngjiàchūcháocǎiliètàizōngxīnráncóngzhīpiāomiǎoérxíngleduōshírénsànhuāngjiāocǎozhījiānzhèngjīnghuángnánxúndàozhǐjiànbiānyǒuréngāoshēngjiàodào:「tánghuángwǎngzhèláiwǎngzhèlái。」tàizōngwényántáitóuguānkànzhǐjiànrénquèshuōtàizōngmiǎomiǎomángmánghúnlíngjìngchūfènglóuqiánzhǐjiànlínjūnqǐngjiàchūcháocǎiliètàizōngxīnráncóngzhīpiāomiǎoérxíngleduōshírénsànhuāngjiāocǎozhījiānzhèngjīnghuángnánxúndàozhǐjiànbiānyǒuréngāoshēngjiàodào:「tánghuángwǎngzhèláiwǎngzhèlái。」tàizōngwényántáitóuguānkànzhǐjiànrén


逐句解 Line by line

quèshuōtàizōngmiǎomiǎomángmánghúnlíngjìngchūfènglóuqiánzhǐjiànlínjūnqǐngjiàchūcháocǎiliè quèshuōtàizōngmiǎomiǎomángmánghúnlíngjìngchūfènglóuqiánzhǐjiànlínjūnqǐngjiàchūcháocǎiliè

Now the story tells how Taizong, all dim and drifting, felt his soul pass straight out before the Five-Phoenix Tower, where he saw the imperial guard and their horses inviting His Majesty to ride from court to the hunt.

五鳳樓 (wǔfèng lóu), the Five-Phoenix Tower fronting the Tang palace. 御林軍 the imperial 'Forest of Plumes' guard. 渺渺茫茫 conveys the disorientation of the newly disembodied soul, which mistakes its passage into death for an ordinary royal outing.

tàizōngxīnráncóngzhīpiāomiǎoér tàizōngxīnráncóngzhīpiāomiǎoér

Delighted, Taizong went along with them and rode off into the haze.

忻然 (xīn rán) = 欣然, gladly. 縹渺 (piāomiǎo) faint and far-off, dreamlike — the setting is already unmoored from the waking world.

xíngleduōshírénsànhuāngjiāocǎozhījiān xíngleduōshírénsànhuāngjiāocǎozhījiān

When he had travelled a good while, men and horses alike had vanished, and he wandered alone, pacing amid desolate wilds and open grass.

The sudden disappearance of the retinue and the featureless waste (荒郊草野) mark the threshold between the worlds.

zhèngjīnghuángnánxúndàozhǐjiànbiānyǒuréngāoshēngjiàodào:「tánghuángwǎngzhèláiwǎngzhèlái。」 zhèngjīnghuángnánxúndàozhǐjiànbiānyǒuréngāoshēngjiàodào:「tánghuángwǎngzhèláiwǎngzhèlái。」

Just as he grew alarmed, unable to find the road, he saw off to one side a man who cried aloud, 'Emperor of the Great Tang — this way, this way!'

驚惶 alarm and bewilderment. The hailing figure is the underworld magistrate, whose descriptive rhapsody follows.

tàizōngwényántáitóuguānkànzhǐjiànrén tàizōngwényántáitóuguānkànzhǐjiànrén

Hearing this, Taizong raised his head to look, and beheld a man of this appearance:

The set formula 「只見那人:」 introduces the descriptive (rhapsody) of the figure.


總評 Commentary

The passage stages death as a seamless illusion: Taizong's soul is coaxed out of the palace by what looks like his own guard offering a hunt, and only the dwindling of the retinue and the strange, hazy country reveal that he has crossed over. The 世德堂 text lets the reader share the emperor's disorientation — the diction (渺渺茫茫, 縹渺) keeps the register dreamlike until the netherworld magistrate breaks in with his blunt hail.