Canonical Classics ← 第十一回
第十一回
yóutàizōnghuánhún
jìnguāguǒliúquánpèi

Touring the Underworld, Taizong Returns to Life · Presenting Melons and Fruit, Liu Quan Renews the Marriage Bond

舉哀之狀
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

舉哀之狀 Rhapsody on the Panic-Stricken Court

miànqiūhòuhuángsāngyāochūnqiánnènliǔtiáomiànqiūhòuhuángsāngyāochūnqiánnènliǔtiáo
chǔjūnjiǎoruǎnnánsāngzhàngjìnāichǔjūnjiǎoruǎnnánsāngzhàngjìnāi
shìzhǎnghúnfēizěndàiliángguānzūnxiàoshìzhǎnghúnfēizěndàiliángguānzūnxiào
pínfēidiēcǎixiépínfēidiēcǎixié
pínfēidiēquèkuángfēngchuīdàobàiróngpínfēidiēquèkuángfēngchuīdàobàiróng
cǎixiéhǎozhòuchōngwāijiāohàndàncǎixiéhǎozhòuchōngwāijiāohàndàn
zhòngchénsǒngruǎnjīnzhòngchénsǒngruǎnjīn
zhànzhànjīngjīngchīchīzhànzhànjīngjīngchīchī
zuòbái殿diànquèxiàngduànliángqiáozuòbái殿diànquèxiàngduànliángqiáo
nàosāngtáijiùdàonàosāngtáijiùdào

逐句解 Line by line

miànqiūhòuhuángsāngyāochūnqiánnènliǔtiáo miànqiūhòuhuángsāngyāochūnqiánnènliǔtiáo

Their faces like yellowed mulberry leaves after autumn; their waists like tender willow-withes before spring.

Yellow leaves and bending willow-withes: faces drained of colour, bodies with no starch left in them. is .

chǔjūnjiǎoruǎnnánsāngzhàngjìnāi chǔjūnjiǎoruǎnnánsāngzhàngjìnāi

The heir-apparent's legs went weak, scarce able to lean on the mourning-staff and perform the full rites of grief;

儲君 is the crown prince. The 喪杖 is the mourner's staff, carried by the chief mourner at a Chinese funeral partly as ritual and partly because grief is supposed to have left you unable to stand. Here it is doing genuine structural work. 盡哀儀 is to complete the observances; is jìn.

shìzhǎnghúnfēizěndàiliángguānzūnxiào shìzhǎnghúnfēizěndàiliángguānzūnxiào

the senior attendants' souls flew off — how could they don the ridged cap and keep the rites of filial duty?

侍長 uses zhǎng, the senior attendants. The 梁冠, liáng guān, is the ridged ceremonial cap worn for formal rites; here is the noun, guān, not the verb guàn.

pínfēidiēcǎixié pínfēidiēcǎixié

The consorts stumbled and fell; the serving-maids reeled and swayed.

欹斜, yī xié, is to tilt and totter.

pínfēidiēquèkuángfēngchuīdàobàiróng pínfēidiēquèkuángfēngchuīdàobàiróng

The consorts, stumbling and falling, were like withered lotuses toppled by a wild wind;

芙蓉 is the lotus, and the standard image for a beautiful woman — so a hall of consorts going down is a bed of lotuses in a gale.

cǎixiéhǎozhòuchōngwāijiāohàndàn cǎixiéhǎozhòuchōngwāijiāohàndàn

the serving-maids, reeling and swaying, were just like delicate lotus-buds knocked askew by a sudden rain.

菡萏, hàn dàn, is the lotus in bud, a deliberately archaic and pretty word. 好似 uses . The younger women get the buds; the consorts got the open flowers.

zhòngchénsǒngruǎnjīn zhòngchénsǒngruǎnjīn

The assembled ministers, struck with dread, felt their bones go soft and their sinews numb.

骨軟筋麻, "bones gone soft and sinews numb," is what fright does to you from the inside.

zhànzhànjīngjīngchīchī zhànzhànjīngjīngchīchī

Trembling and quaking, dazed and dumbstruck,

痴痴啞啞 is dazed and speechless — four characters, two doubled words, and not a coherent thought among them.

zuòbái殿diànquèxiàngduànliángqiáo zuòbái殿diànquèxiàngduànliángqiáo

they turned the White-Tiger Hall into something like a bridge with its beam snapped through;

A 斷梁橋 is a bridge whose main beam has snapped: everything still standing, nothing still working.

nàosāngtáijiùdào nàosāngtáijiùdào

the clamorous mourning-dais became just like a temple fallen to ruin.

鬧喪臺 is the dais of the noisy funeral. The rhapsody ends on total collapse — a temple falling in, which for a state funeral is about as bad an omen as the imagery bank allows.


總評 Commentary

The rhapsody turns the court's panic into a comic showpiece: an entire hall of officials, princes and consorts reduced to toppling lotuses and a bridge with its beam snapped.

Coming straight after the shout from the coffin, the exaggerated imagery of soft bones and numb sinews punctures the solemnity of the death-watch, and marks the tonal turn by which the chapter moves out of the terrors of hell and back into the ordinary, slightly ridiculous business of the living.