Canonical Classics ← 第十一回
第十一回
yóutàizōnghuánhún
jìnguāguǒliúquánpèi

Touring the Underworld, Taizong Returns to Life · Presenting Melons and Fruit, Liu Quan Renews the Marriage Bond

奈河橋賦
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional 含詞賦 With rhapsody

奈河橋賦 Rhapsody on the Nai River Bridge

bēnliúhàohàozhīshuǐxiǎnjùnzhǎizhǎizhībēnliúhàohàozhīshuǐxiǎnjùnzhǎizhǎizhī
yǎnliànchángjiāngquèhuǒkēngshàngjièyǎnliànchángjiāngquèhuǒkēngshàngjiè
yīnrénhántòuxīngfēngwèizuānxīnyīnrénhántòuxīngfēngwèizuānxīn
fānlànggǔnwǎngláibìngméirénchuánfānlànggǔnwǎngláibìngméirénchuán
chìjiǎopéngtóuchūjìnjiēzuòguǐchìjiǎopéngtóuchūjìnjiēzuòguǐ
qiáochángshùkuòzhǐsānzhāgāoyǒubǎichǐshēnquèqiānchóngqiáochángshùkuòzhǐsānzhāgāoyǒubǎichǐshēnquèqiānchóng
shàngshǒulángānxiàyǒuqiǎngrénèguàishàngshǒulángānxiàyǒuqiǎngrénèguài
jiāchǒuchánshēnshàngnàixiǎnjiāchǒuchánshēnshàngnàixiǎn
kànqiáobiānshénjiàngshènxiōngwánnèinièhúnzhēnnǎokànqiáobiānshénjiàngshènxiōngwánnèinièhúnzhēnnǎo
chāshùshàngguàdeshìqīnghónghuángchāshùshàngguàdeshìqīnghónghuáng
dǒuqiándūndeshìhuǐgōngyíndǒuqiándūndeshìhuǐgōngyín
tóngshétiěgǒurènzhēngcānyǒngduònàichū。」tóngshétiěgǒurènzhēngcānyǒngduònàichū。」

逐句解 Line by line

bēnliúhàohàozhīshuǐxiǎnjùnzhǎizhǎizhī bēnliúhàohàozhīshuǐxiǎnjùnzhǎizhǎizhī

Waters that rush in a vast, headlong flood; a road precipitous, narrow, and strait.

The opening antithesis of torrent and path frames the whole.

yǎnliànchángjiāngquèhuǒkēngshàngjiè yǎnliànchángjiāngquèhuǒkēngshàngjiè

Solemn as a bolt of white silk flung across the Yangtze; yet like a fire-pit floating up to the world above.

疋練 (pǐ liàn) a bolt of undyed silk, an image for the pale ribbon of the span. 長江 Chángjiāng, the Yangtze. .

yīnrénhántòuxīngfēngwèizuānxīn yīnrénhántòuxīngfēngwèizuānxīn

A shadow-vapor presses upon one, cold piercing to the bone; a reeking wind assails the nose, its stench boring to the heart.

腥風 a fishy, blood-smelling wind. zuān, 'to bore.'

fānlànggǔnwǎngláibìngméirénchuán fānlànggǔnwǎngláibìngméirénchuán

Waves overturning, billows rolling — for those who come and go there is no boat to ferry them across;

並沒 'there is none at all'; méi. The want of a ferry is the terror of the crossing.

chìjiǎopéngtóuchūjìnjiēzuòguǐ chìjiǎopéngtóuchūjìnjiēzuòguǐ

Bare of foot and wild of hair, all who come and go are sin-working ghosts.

作業鬼 'karma-working ghosts,' those who wrought evil deeds. jìn.

qiáochángshùkuòzhǐsānzhāgāoyǒubǎichǐshēnquèqiānchóng qiáochángshùkuòzhǐsānzhāgāoyǒubǎichǐshēnquèqiānchóng

The bridge is several lǐ long, only three zhā across, a hundred chǐ high, and a full thousand-fold deep.

cháng. (U+3AA5), a rare graph read zhā, here a measure of width — the point being the bridge's perilous narrowness; its exact value is uncertain, and other editions carry a different measure-word in this slot. chǐ, a Chinese foot; . here chóng, 'fold, layer.'

shàngshǒulángānxiàyǒuqiǎngrénèguài shàngshǒulángānxiàyǒuqiǎngrénèguài

Above, no handrail or balustrade; below, fiends that snatch at men.

搶人 qiǎng rén, to seize people — the demons that drag down those who fall.

jiāchǒuchánshēnshàngnàixiǎn jiāchǒuchánshēnshàngnàixiǎn

Cangues and manacles wound about their bodies, they are driven onto the perilous road of the Nai.

枷杻 (jiā chǒu) the cangue and hand-fetters, instruments of judicial restraint.

kànqiáobiānshénjiàngshènxiōngwánnèinièhúnzhēnnǎo kànqiáobiānshénjiàngshènxiōngwánnèinièhúnzhēnnǎo

Behold, at the bridge's edge, the spirit-generals, how fierce and truculent; within the river, the sinful souls, how truly wretched.

神將 shén jiàng, spirit-generals. shèn, 'how, exceedingly.' 孽魂 souls laden with sin.

chāshùshàngguàdeshìqīnghónghuáng chāshùshàngguàdeshìqīnghónghuáng

On the forking branches of the trees hang robes of silk in green and red, yellow and purple;

枒杈 (yā chā) a forked branch. The bright garments are those stripped from the damned.

dǒuqiándūndeshìhuǐgōngyín dǒuqiándūndeshìhuǐgōngyín

before the sheer cliff-face crouch the lewd and railing shrews who cursed their husbands' parents.

壁斗崖 a sheer, precipitous cliff; here dǒu, 'steep.' 毀罵公婆 to revile one's parents-in-law — a specifically domestic sin, singled out by name.

tóngshétiěgǒurènzhēngcānyǒngduònàichū。」 tóngshétiěgǒurènzhēngcānyǒngduònàichū。」

Copper serpents and iron dogs are left to fight over their flesh; forever fallen into the Nai, they have no way out.

銅蛇鐵狗 brazen snakes and iron hounds, the beasts of torment. 永墮 'fallen forever.' The rhapsody closes on eternal damnation.


總評 Commentary

The rhapsody on the Nai Bridge is the darkest of the chapter's set-pieces: a strait, rail-less span above a river of blood, with no ferry, snatching demons below, and copper serpents and iron dogs to devour the fallen. Its social specificity is striking — among the general damned it names the 'lewd and railing shrews who cursed their husbands' parents,' hanging their bright silks in the trees, so that even here the poem enforces a pointedly domestic and Confucian morality of filial obligation.