Canonical Classics ← 第十一回
第十一回
yóutàizōnghuánhún
jìnguāguǒliúquánpèi

Touring the Underworld, Taizong Returns to Life · Presenting Melons and Fruit, Liu Quan Renews the Marriage Bond

推入渭河
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

推入渭河 Pushed into the Wei

tángwángzhǔnzòulecuīpànguānsuízhezhūtàiwèitóngménláitàiwèijiànményǒuhǎiliúānchànbèiqǐngtángwángshàngtàiwèizuǒyòuchíxíngjiànzǎodàolewèishuǐbiānzhǐjiànshuǐmiànshàngyǒuduìjīnzàifāntiàodòutángwángjiànlexīndōutānkànshětàiwèidào:「xiàzǎndòngxiēchènzǎogǎnshíchénjìnchéng。」tángwángzhǐguǎntānkànkěnqiánxíngbèitàiwèicuōzhejiǎogāodào:「háizǒuděngshén?」deshēngwàngwèituīxiàquèjiùtuōleyīnjìnghuíyángshìtángwángzhǔnzòulecuīpànguānsuízhezhūtàiwèitóngménláitàiwèijiànményǒuhǎiliúānchànbèiqǐngtángwángshàngtàiwèizuǒyòuchíxíngjiànzǎodàolewèishuǐbiānzhǐjiànshuǐmiànshàngyǒuduìjīnzàifāntiàodòutángwángjiànlexīndōutānkànshětàiwèidào:「xiàzǎndòngxiēchènzǎogǎnshíchénjìnchéng。」tángwángzhǐguǎntānkànkěnqiánxíngbèitàiwèicuōzhejiǎogāodào:「háizǒuděngshén?」deshēngwàngwèituīxiàquèjiùtuōleyīnjìnghuíyángshì


逐句解 Line by line

tángwángzhǔnzòulecuīpànguānsuízhezhūtàiwèitóngménlái tángwángzhǔnzòulecuīpànguānsuízhezhūtàiwèitóngménlái

The Tang king granted every point, took leave of Magistrate Cui, and, following Marshal Zhu, came in together through the gate.

准奏 is to approve a petition — the emperor answering his infernal guide in the language of his own throne room. 一一 is yī yī, every point. 隨著 uses zhe.

tàiwèijiànményǒuhǎiliúānchànbèiqǐngtángwángshàngtàiwèizuǒyòuchí tàiwèijiànményǒuhǎiliúānchànbèiqǐngtángwángshàngtàiwèizuǒyòuchí

The marshal saw within the gate a sea-bay horse, saddle and trappings all complete, and quickly bade the Tang king mount, steadying him on either side.

A 海騮馬, hǎi liú mǎ, is a fine dark-maned bay. 鞍韂, ān chàn, are the saddle and the flaps that hang either side of it. Somebody has thought of everything.

xíngjiànzǎodàolewèishuǐbiān xíngjiànzǎodàolewèishuǐbiān

The horse ran like an arrow, and soon reached the bank of the River Wei.

The 渭水, the River Wei, runs past Chang'an — so the emperor is already, geographically speaking, nearly home. Here it is the border between worlds. is xíng.

zhǐjiànshuǐmiànshàngyǒuduìjīnzàifāntiàodòu zhǐjiànshuǐmiànshàngyǒuduìjīnzàifāntiàodòu

There on the water's face he saw a pair of golden carp, turning the waves and leaping in play upon the river.

Golden carp: lucky in any Chinese context, and the fish that in legend leap the Dragon Gate and turn into dragons. Which makes them, at this particular riverbank, an extremely well-chosen distraction.

tángwángjiànlexīndōutānkànshě tángwángjiànlexīndōutānkànshě

The Tang king, delighted at the sight, reined in his horse and could not tear himself from gazing.

兜馬 is to pull a horse round. 貪看不捨 is "greedy to look, unwilling to leave" — the emperor of China rubbernecking at fish while his escort checks the time.

tàiwèidào:「xiàzǎndòngxiēchènzǎogǎnshíchénjìnchéng。」 tàiwèidào:「xiàzǎndòngxiēchènzǎogǎnshíchénjìnchéng。」

The marshal said, 'Your Majesty, move along a little, that we may reach the city in good time.'

趲動, zǎn dòng, is to get a move on. 趁早 is "while there is still time." Resurrection, it turns out, has a booking slot.

tángwángzhǐguǎntānkànkěnqiánxíng tángwángzhǐguǎntānkànkěnqiánxíng

But the Tang king only kept on gazing and would not go forward.

只管 is "just kept on," with the flavour of paying no attention to anyone. is xíng.

bèitàiwèicuōzhejiǎogāodào:「háizǒuděngshén?」 bèitàiwèicuōzhejiǎogāodào:「háizǒuděngshén?」

So the marshal seized him by the feet and cried out, 'Still not going? What are you waiting for?' —

撮著, with zhe, is to get a grip on. 等甚 is děng shén, "waiting for what?"; is shén. The last words spoken to the emperor in the land of the dead are, in effect, "get on with it."

deshēngwàngwèituīxiàquèjiùtuōleyīnjìnghuíyángshì deshēngwàngwèituīxiàquèjiùtuōleyīnjìnghuíyángshì

and with a splash pushed him off his horse into the River Wei. And so he slipped free of the shadow-world and returned straight to the world of light.

撲的一聲 is the splash. And that is the resurrection: not an ascent, not a summons, but a shove off a horse into a river by a marshal who has run out of patience.


總評 Commentary

The return to life is staged as a small comedy of reluctance. The emperor, transfixed by a pair of golden carp, has to be physically shoved off his horse into the Wei by an exasperated marshal.

The abruptness is the point: resurrection here is no solemn ascent but a sudden ejection, a plunge that cuts the soul loose from the underworld and dumps it back in the body. The scene closes the netherworld journey and returns the narrative to the world above — where, as it happens, the body is in a coffin.