Canonical Classics ← 第十一回
第十一回
yóutàizōnghuánhún
jìnguāguǒliúquánpèi

Touring the Underworld, Taizong Returns to Life · Presenting Melons and Fruit, Liu Quan Renews the Marriage Bond

自述地府
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

自述地府 The Emperor Tells of Hell

chūlesēnluó殿diànjiànyīnzhōngxiàofēifēizuòjiànmíngànpiàndòuxiǎochèngjiāndàozhàwěiyínxiéwǎngzhīshòuxiēshāochōngcuòzhījiānáodiàozhīxíngyǒuqiānqiānwànwànkànzhīyòuguòzhewǎngchéngzhōngyǒushùdeyuānhúnjìndōushìliùshíchùyānchéndecǎokòushíèrchùpànzéidehúnlíngdǎngzhùlezhènzhīláixìngkuīcuīpànguānzuòbǎojièdenánxiànglǎoérdejīnyínmǎizhuǎnguǐhúnfāngqiánxíngcuīpànguānjiàozhènhuíyángshìqiānwànzuòchǎngshuǐhuìchāozhǔdehúnjiāngyándīngníngchūlesēnluó殿diànjiànyīnzhōngxiàofēifēizuòjiànmíngànpiàndòuxiǎochèngjiāndàozhàwěiyínxiéwǎngzhīshòuxiēshāochōngcuòzhījiānáodiàozhīxíngyǒuqiānqiānwànwànkànzhīyòuguòzhewǎngchéngzhōngyǒushùdeyuānhúnjìndōushìliùshíchùyānchéndecǎokòushíèrchùpànzéidehúnlíngdǎngzhùlezhènzhīláixìngkuīcuīpànguānzuòbǎojièdenánxiànglǎoérdejīnyínmǎizhuǎnguǐhúnfāngqiánxíngcuīpànguānjiàozhènhuíyángshìqiānwànzuòchǎngshuǐhuìchāozhǔdehúnjiāngyándīngníng


逐句解 Line by line

chūlesēnluó殿diànjiànyīnzhōngxiàofēifēizuòjiànmíngànpiàndòuxiǎochèngjiāndàozhàwěiyínxiéwǎngzhīshòuxiēshāochōngcuòzhījiānáodiàozhīxíngyǒuqiānqiānwànwànkànzhī chūlesēnluó殿diànjiànyīnzhōngxiàofēifēizuòjiànmíngànpiàndòuxiǎochèngjiāndàozhàwěiyínxiéwǎngzhīshòuxiēshāochōngcuòzhījiānáodiàozhīxíngyǒuqiānqiānwànwànkànzhī

'When I had come out of the Hall of Judgment, I saw in the shadow-world the multitudes of the disloyal and unfilial, the improper and unrighteous, the wasters of the five grains, the open cheats and secret swindlers, those of big pecks and small scales, the lewd thieves and frauds and deceivers — suffering the torments of grinding, burning, pounding, and hacking, the punishments of scalding, boiling, hanging, and flaying — thousands upon thousands, more than the eye could take in.'

A compressed catalogue echoing the earlier rhapsody of the eighteen hells. 作踐五穀 to waste grain, a sin against Heaven's bounty. 大斗小秤 the fraud of false measures. 磨燒舂剉 / 煎熬弔剝 the mill, fire, pestle, and blade of the infernal torments.

yòuguòzhewǎngchéngzhōngyǒushùdeyuānhúnjìndōushìliùshíchùyānchéndecǎokòushíèrchùpànzéidehúnlíngdǎngzhùlezhènzhīlái yòuguòzhewǎngchéngzhōngyǒushùdeyuānhúnjìndōushìliùshíchùyānchéndecǎokòushíèrchùpànzéidehúnlíngdǎngzhùlezhènzhīlái

'Then, passing through the City of the Wrongfully Dead, I found countless wronged souls — all the ghost-spirits of the bandits of the sixty-four dust-storms and the rebels of the seventy-two risings — blocking the road before me.'

過著 durative zhe. 六十四處煙塵、七十二處叛賊 the formulaic tally of the rebel forces subdued in the Tang founding wars.

xìngkuīcuīpànguānzuòbǎojièdenánxiànglǎoérdejīnyínmǎizhuǎnguǐhúnfāngqiánxíng xìngkuīcuīpànguānzuòbǎojièdenánxiànglǎoérdejīnyínmǎizhuǎnguǐhúnfāngqiánxíng

'Luckily, with Magistrate Cui standing surety, I borrowed a vault of gold and silver from old Xiang of Henan, bought off the ghosts, and only so was able to go on.'

相老兒 'old Xiang,' the surname read xiàng — the benefactor Xiang Liang. 借得 de; 方得 . 買轉 to buy over, to appease with payment.

cuīpànguānjiàozhènhuíyángshìqiānwànzuòchǎngshuǐhuìchāozhǔdehúnjiāngyándīngníng cuīpànguānjiàozhènhuíyángshìqiānwànzuòchǎngshuǐhuìchāozhǔdehúnjiāngyándīngníng

'Magistrate Cui bade me, on my return to the world of light, by all means to hold a Grand Mass of Land and Water to deliver the masterless, ownerless souls — this he charged upon me most earnestly.'

叮嚀 to enjoin repeatedly. The emperor relays Cui Jue's injunction, which motivates the Grand Mass that opens the pilgrimage.


總評 Commentary

The second half of the emperor's report recounts the tour of hell and the ransoming of his war-dead, closing on the magistrate's charge to hold the Grand Mass. By putting the whole underworld journey in Taizong's own mouth, the novel converts private vision into public policy: what he witnessed below becomes the warrant for the great rite above, and the injunction he relays sets the plot's next machinery in motion.