Canonical Classics ← 第十一回
第十一回
yóutàizōnghuánhún
jìnguāguǒliúquánpèi

Touring the Underworld, Taizong Returns to Life · Presenting Melons and Fruit, Liu Quan Renews the Marriage Bond

次早朝門
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

次早朝門 The Next Morning at the Court Gate

zǎotuōquèxiàohuànlecǎihóngpáomàoshòujīnzhāngzàicháoménwàiděnghòuxuānzhàozǎotuōquèxiàohuànlecǎihóngpáomàoshòujīnzhāngzàicháoménwàiděnghòuxuānzhào


逐句解 Line by line

zǎotuōquèxiàohuànlecǎihóngpáomàoshòujīnzhāngzàicháoménwàiděnghòuxuānzhào zǎotuōquèxiàohuànlecǎihóngpáomàoshòujīnzhāngzàicháoménwàiděnghòuxuānzhào

Early the next morning, they doffed their mourning clothes and changed into colored robes — every one in red gown and black cap, every one with purple sash and golden seal — and waited outside the court gate for the summons.

White out, colour in. 綵服 is festive coloured dress, replacing the undyed hemp of mourning — in Chinese custom white is the colour of funerals, so the whole court changing out of it is a public statement. 紫綬金章, the purple sash and gold seal-ribbon, are the insignia of high office. 朝門 uses cháo, the court gate.


總評 Commentary

The abrupt change from mourning white to festive colour marks the reversal from death to life at the level of the whole court.

The officials who kept the death-watch yesterday now dress for an audience, and the machinery of state starts up again as if the interruption had never happened.